“Fuzzy-Wuzzy” The Soudan Expeditionary Force

WE ’VE fought with many men acrost the seas,
An’ some of ’em was brave an’ some was not,
The Paythan an’ the Zulu an’ Burmese;
But the Fuzzy was the finest o’ the lot.
We never got a ha’porth’s change of ’im:
’E squatted in the scrub an’ ’ocked our ’orses,
’E cut our sentries up at Suakim,

An’ ’e played the cat an’ banjo with our forces.
So ’ere ’s to you, Fuzzy-Wuzzy, at your ’ome in the Soudan;
You ’re a pore benighted ’eathen but a first-class fightin’ man;
We gives you your certificate, an’ if you want it signed
We ’ll come an’ ’ave a romp with you whenever you ’re inclined.

We took our chanst among the Kyber ’ills,
The Boers knocked us silly at a mile,
The Burman give us Irriwaddy chills,
An’ a Zulu impi dished us up in style:
But all we ever got from such as they
Was pop to what the Fuzzy made us swaller;
We ’eld our bloomin’ own, the papers say,
But man for man the Fuzzy knocked us ’oller.

Then ’ere ’s to you, Fuzzy-Wuzzy, an’ the missis and the kid;
Our orders was to break you, an’ of course we went an’ did.
We sloshed you with Martinis, an’ it was n’t ’ardly fair;
But for all the odds agin’ you, Fuzzy-Wuz, you broke the square.

’E ’as n’t got no papers of ’is own,
’E ’as n’t got no medals nor rewards,
So we must certify the skill ’e ’s shown
In usin’ of ’is long two-’anded swords:
When ’e ’s ’oppin’ in an’ out among the bush
With ’is coffin-’eaded shield an’ shovel-spear,
An ’appy day with Fuzzy on the rush
Will last an ’ealthy Tommy for a year.

So ’ere ’s to you, Fuzzy-Wuzzy, an’ your friends which are no more,
If we ’ad n’t lost some messmates we would ’elp you to deplore;
But give an’ take ’s the gospel, an’ we ’ll call the bargain fair,
For if you ’ave lost more than us, you crumpled up the square!

’E rushes at the smoke when we let drive,
An’, before we know, ’e ’s ’ackin’ at our ’ead;
’E ’s all ’ot sand an’ ginger when alive,
An’ ’e ’s generally shammin’ when ’e ’s dead.
’E ’s a daisy, ’e ’s a ducky, ’e ’s a lamb!
’E ’s a injia-rubber idiot on the spree,
’E ’s the on’y thing that does n’t give a damn
For a Regiment o’ British Infantree!

So ’ere ’s to you, Fuzzy-Wuzzy, at your ’ome in the Soudan;
You ’re a pore benighted ’eathen but a first-class fightin’ man;
An’ ’ere ’s to you, Fuzzy-Wuzzy, with your ’ayrick ’ead of ’air—
You big black boundin’ beggar—for you broke a British square!



Rudyard Kipling (1865–1936)

La Belle Dame Sans Merci

‘O WHAT can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has wither’d from the lake,
And no birds sing.

‘O what can ail thee, knight-at-arms!
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.

‘I see a lily on thy brow
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.

‘I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.

‘I made a garland for her head,
And bracelets too, and fragrant zone;
She look’d at me as she did love,
And made sweet moan.

‘I set her on my pacing steed
And nothing else saw all day long,
For sidelong would she bend, and sing
A fairy’s song.

‘She found me roots of relish sweet,
And honey wild and manna-dew,
And sure in language strange she said
“I love thee true.”

‘She took me to her elfin grot,
And there she wept and sigh’d full sore,
And there I shut her wild, wild eyes
With kisses four.

‘And there she lulle´d me asleep,
And there I dream’d—Ah! woe betide!
The latest dream I ever dream’d
On the cold hill’s side.

‘I saw pale kings and princes too,
Pale warriors, death-pale were they all,
They cried—“La belle Dame sans Merci
Hath thee in thrall!”

‘I saw their starved lips in the gloam
With horrid warning gape´d wide,
And I awoke and found me here
On the cold hill’s side.

‘And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither’d from the lake,
And no birds sing.’


John Keats (1795–1821)

War Song of the Saracens

We are they who come faster than fate: we are they who ride early or late:
We storm at your ivory gate: Pale Kings of the Sunset, beware!
Not on silk nor in samet we lie, not in curtained solemnity die
Among women who chatter and cry, and children who mumble a prayer.

But we sleep by the ropes of the camp, and we rise with a shout, and we tramp
With the sun or the moon for a lamp, and the spray of the wind in our hair.

From the lands, where the elephants are, to the forts of Merou and Balghar,
Our steel we have brought and our star to shine on the ruins of Rum.

We have marched from the Indus to Spain, and by God we will go there again;
We have stood on the shore of the plain where the Waters of Destiny boom.

A mart of destruction we made at Jalula where men were afraid,
For death was a difficult trade, and the sword was a broker of doom;

And the Spear was a Desert Physician who cured not a few of ambition,
And drave not a few to perdition with medicine bitter and strong:
And the shield was a grief to the fool and as bright as a desolate pool,
And as straight as the rock of Stamboul when their cavalry thundered along:
For the coward was drowned with the brave when our battle sheered up like a
wave,
And the dead to the desert we gave, and the glory to God in our song.


James Elroy Flecker

Waiting for the Barbarians

What are we waiting for, assembled in the forum?

The barbarians are due here today.

Why isn't anything happening in the senate?
Why do the senators sit there without legislating?

Because the barbarians are coming today.
What laws can the senators make now?
Once the barbarians are here, they'll do the legislating.

Why did our emperor get up so early,
and why is he sitting at the city's main gate
on his throne, in state, wearing the crown?

Because the barbarians are coming today
and the emperor is waiting to receive their leader.
He has even prepared a scroll to give him,
replete with titles, with imposing names.

Why have our two consuls and praetors come out today
wearing their embroidered, their scarlet togas?
Why have they put on bracelets with so many amethysts,
and rings sparkling with magnificent emeralds?
Why are they carrying elegant canes
beautifully worked in silver and gold?

Because the barbarians are coming today
and things like that dazzle the barbarians.

Why don't our distinguished orators come forward as usual
to make their speeches, say what they have to say?

Because the barbarians are coming today
and they're bored by rhetoric and public speaking.

Why this sudden restlessness, this confusion?
(How serious people's faces have become.)
Why are the streets and squares emptying so rapidly,
everyone going home so lost in thought?

Because night has fallen and the barbarians have not come.
And some who have just returned from the border say
there are no barbarians any longer.

And now, what's going to happen to us without barbarians?
They were, those people, a kind of solution.

-- Constantine Cavafy

Mending Wall


SOMETHING there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.

The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.

I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.

To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.

Oh, just another kind of outdoor game,
One on a side. It comes to little more:
He is all pine and I am apple-orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors."

Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbors? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down!" I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there,
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.

He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbors."

Robert Frost

H.M.S. FOUDROYANT

Who says the Nation's purse is lean,
Who fears for claim or bond or debt,
When all the glories that have been
Are scheduled as a cash asset?
If times are bleak and trade is slack,
If coal and cotton fail at last,
We've something left to barter yet
Our glorious past.

There's many a crypt in which lies hid
The dust of statesman or of king;
There's Shakespeare's home to raise a bid,
And Milton's house its price would bring.
What for the sword that Cromwell drew?
What for Prince Edward's coat of mail?
What for our Saxon Alfred's tomb?
They're all for sale!

And stone and marble may be sold
Which serve no present daily need;
There's Edward's Windsor, labelled old,
And Wolsey's palace, guaranteed.
St. Clement Danes and fifty fanes,
The Tower and the Temple grounds;
How much for these? Just price them, please,
In British pounds.

You hucksters, have you still to learn,
The things which money will not buy?
Can you not read that, cold and stern
As we may be, there still does lie
Deep in our hearts a hungry love
For what concerns our island story?
We sell our work perchance our lives,
But not our glory.

Go barter to the knacker's yard
The steed that has outlived its time!
Send hungry to the pauper ward
The man who served you in his prime!
But when you touch the Nation's store,
Be broad your mind and tight your grip.
Take heed! And bring us back once more
Our Nelson's ship.

And if no mooring can be found
In all our harbours near or far,
Then tow the old three-decker round
To where the deep-sea soundings are;
There, with her pennon flying clear,
And with her ensign lashed peak high,
Sink her a thousand fathoms sheer.
There let her lie!


Sir Arthur Conan Doyle

Canadian Railroad Trilogy


There was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real

But time has no beginnings and hist'ry has no bounds
As to this verdant country they came from all around
They sailed upon her waterways and they walked the forests tall
And they built the mines the mills and the factories for the good of us all

And when the young man's fancy was turnin' to the spring
The railroad men grew restless for to hear the hammers ring
Their minds were overflowing with the visions of their day
And many a fortune lost and won and many a debt to pay

For they looked in the future and what did they see
They saw an iron road runnin' from sea to the sea
Bringin' the goods to a young growin' land
All up through the seaports and into their hands

Look away said they across this mighty land
From the eastern shore to the western strand
Bring in the workers and bring up the rails
We gotta lay down the tracks and tear up the trails
Open 'er heart let the life blood flow
Gotta get on our way 'cause we're movin' too slow

Bring in the workers and bring up the rails
We're gonna lay down the tracks and tear up the trails
Open 'er heart let the life blood flow
Gotta get on our way 'cause we're movin' too slow
Get on our way 'cause we're movin' too slow

Behind the blue Rockies the sun is declinin'
The stars, they come stealin' at the close of the day
Across the wide prairie our loved ones lie sleeping
Beyond the dark oceans in a place far away

We are the navvies who work upon the railway
Swingin' our hammers in the bright blazin' sun
Livin' on stew and drinkin' bad whiskey
Bendin' our old backs 'til the long days are done

We are the navvies who work upon the railway
Swingin' our hammers in the bright blazin' sun
Layin' down track and buildin' the bridges
Bendin' our old backs 'til the railroad is done

So over the mountains and over the plains
Into the muskeg and into the rain
Up the St. Lawrence all the way to Gaspe
Swingin' our hammers and drawin' our pay
Drivin' 'em in and tyin' 'em down
Away to the bunkhouse and into the town
A dollar a day and a place for my head
A drink to the livin' and a toast to the dead

Oh the song of the future has been sung
All the battles have been won
O'er the mountain tops we stand
All the world at our command
We have opened up the soil
With our teardrops and our toil

For there was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real
When the green dark forest was too silent to be real
And many are the dead men too silent to be real

By Gordon Lightfoot

Barbara Frietchie


UP from the meadows rich with corn,
Clear in the cool September morn,

The clustered spires of Frederick stand
Green-walled by the hills of Maryland.

Round about them orchards sweep,
Apple and peach tree fruited deep,

Fair as the garden of the Lord
To the eyes of the famished rebel horde,

On that pleasant morn of the early fall
When Lee marched over the mountain-wall;

Over the mountains winding down,
Horse and foot, into Frederick town.

Forty flags with their silver stars,
Forty flags with their crimson bars,

Flapped in the morning wind: the sun
Of noon looked down, and saw not one.

Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;

Bravest of all in Frederick town,
She took up the flag the men hauled down;

In her attic window the staff she set,
To show that one heart was loyal yet.

Up the street came the rebel tread,
Stonewall Jackson riding ahead.

Under his slouched hat left and right
He glanced; the old flag met his sight

‘Halt!’—the dust-brown ranks stood fast.
‘Fire!’—out blazed the rifle-blast.

It shivered the window, pane and sash;
It rent the banner with seam and gash.

Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.

She leaned far out on the window-sill,
And shook it forth with a royal will.

‘Shoot, if you must, this old gray head,
But spare your country’s flag,’ she said.

A shade of sadness, a blush of shame,
Over the face of the leader came;

The nobler nature within him stirred
To life at that woman’s deed and word;

‘Who touches a hair of yon gray head
Dies like a dog! March on!’ he said.

All day long through Frederick street
Sounded the tread of marching feet:

All day long that free flag tost
Over the heads of the rebel host.

Ever its torn folds rose and fell
On the loyal winds that loved it well;

And through the hill-gaps sunset light
Shone over it with a warm good-night.

Barbara Frietchie’s work is o’er,
And the Rebel rides on his raids no more.

Honor to her! and let a tear
Fall, for her sake, on Stonewall’s bier.

Over Barbara Frietchie’s grave,
Flag of Freedom and Union, wave!

Peace and order and beauty draw
Round thy symbol of light and law;

And ever the stars above look down
On thy stars below in Frederick town!

John Greenleaf Whittier (1807–1892)

The Tyger

Tyger! Tyger! Burning bright,
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? And what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

-- William Blake

Henry V’s Speech at Againcourt


This day is called the feast of Crispian:
He that outlives this day, and comes safe home,
Will stand a tip-toe when the day is named,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian:'
Then will he strip his sleeve and show his scars.
And say 'These wounds I had on Crispin's day.'
Old men forget: yet all shall be forgot,
But he'll remember with advantages
What feats he did that day: then shall our names.
Familiar in his mouth as household words
Harry the king, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember'd.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remember'd;
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition:
And gentlemen in England now a-bed
Shall think themselves accursed they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.


Henry V - Act IV, Scene iii.