No Man's Land
And did you leave a wife or a sweetheart behind?
In some loyal heart is your memory enshrined?
And, though you died back in 1916,
To that loyal heart are you always 19?
Or are you a stranger without even a name,
Forever enshrined behind some glass pane,
In an old photograph, torn and tattered and stained,
And fading to yellow in a brown leather frame?
Chorus:
The sun's shining down on these green fields of France;
The warm wind blows gently, and the red poppies dance.
The trenches have vanished long under the plow;
No gas, no barbed wire, no guns firing now.
But here in this graveyard that's still No Man's Land
The countless white crosses in mute witness stand
To man's blind indifference to his fellow man.
And a whole generation who were butchered and damned.
Chorus:
And I can't help but wonder, now Willie McBride,
Do all those who lie here know why they died?
Did you really believe them when they told you "The Cause?"
Did you really believe that this war would end wars?
Well the suffering, the sorrow, the glory, the shame
The killing, the dying, it was all done in vain,
For Willie McBride, it all happened again,
And again, and again, and again, and again.
Eric Bogle
About Me
- Miss Pancake Taylor
- I am Miss Pancake Taylor. I have come from very far away to take care of my family Craig and Zita and Niamh and Emmet. Sometimes I have helpers; my friends the Blackthorn-Badgers. They are very old Scotsmen. I am very glad to meet you.
Wednesday, 29 February 2012
Bonnie Dundee
Tae the lairds i' convention t'was Claverhouse spoke
E'er the Kings crown go down, there'll be crowns to be broke;
Then let each cavalier who loves honour and me,
Come follow the bonnet o' bonnie Dundee.
Chorus
Come fill up my cup, come fill up my can,
Saddle my horses and call out my men,
And it's Ho! for the west port and let us gae free,
And we'll follow the bonnets o' bonnie Dundee!
Dundee he is mounted, he rides doon the street,
The bells they ring backwards, the drums they are beat,
But the Provost, douce man, says "Just e'en let him be,
For the toon is well rid of that de'il o' Dundee."
There are hills beyond Pentland and lands beyond Forth,
Be there lairds i' the south, there are chiefs i' the north!
There are brave duniwassals, three thousand times three,
Will cry "Hoy!" for the bonnets o' bonnie Dundee.
Then awa' to the hills, to the lea, to the rocks,
E'er I own a usurper, I'll couch wi' the fox!
Then tremble, false Whigs, in the midst o' your glee,
Ye ha' no seen the last o' my bonnets and me.
Trad.
Tae the lairds i' convention t'was Claverhouse spoke
E'er the Kings crown go down, there'll be crowns to be broke;
Then let each cavalier who loves honour and me,
Come follow the bonnet o' bonnie Dundee.
Chorus
Come fill up my cup, come fill up my can,
Saddle my horses and call out my men,
And it's Ho! for the west port and let us gae free,
And we'll follow the bonnets o' bonnie Dundee!
Dundee he is mounted, he rides doon the street,
The bells they ring backwards, the drums they are beat,
But the Provost, douce man, says "Just e'en let him be,
For the toon is well rid of that de'il o' Dundee."
There are hills beyond Pentland and lands beyond Forth,
Be there lairds i' the south, there are chiefs i' the north!
There are brave duniwassals, three thousand times three,
Will cry "Hoy!" for the bonnets o' bonnie Dundee.
Then awa' to the hills, to the lea, to the rocks,
E'er I own a usurper, I'll couch wi' the fox!
Then tremble, false Whigs, in the midst o' your glee,
Ye ha' no seen the last o' my bonnets and me.
Trad.
The Passing of the Gael
They are going, going, going from the valleys and the hills
They are leaving far behind them heathery moor and mountain rills,
All the wealth of hawthorn hedges where the brown thrush sways and thrills
They are going, shy-eyed cailins, and lads so straight and tall
From the purple peaks of Kerry, from the crags of wild Imaal,
From the greening plains of Mayo, and the glens of Dangle
They are leaving pleasant places,shores with snowy sands outspread;
Blue and lonely lakes a-stirring when the wind stirs overhead;
Tender living hearts that love them, and the graves of kindred dead
They shall carry to the distant land a tear-drop in the eye
And some shall go uncomforted, their days an endless sigh
For Kathalen Ni Houlihan's sad face until they die.
Oh, Kathaleen Ni Houlihan, your road's a thorny way,
And 'tis a faithful soul would walk on the flints with you for aye,
Would walk the sharp and cruel flints until his locks grew grey,
So some must wander to the East, and some must wander West;
Some seek the white wastes of the North and some a Southern nest;
Yet never shall they sleep so sweet as on your mother breast.
Within the city streets, hot hurried full of care
A sudden dream shall bring them a whiff of Irish air --
A cool air, faintly-scented, blown soft from otherwhere
Oh, the cabins long-deserted! Olden memories awake.
Oh, the pleasant, pleasant places! Hush! the blackbird in the brake!
Oh, the dear and kindly voices! Now their hearts are fain to ache.
And no foreign skies hold beauty like the rainy skies they knew;
Nor any night-wind cool the brow as did the foggy dew.
They are going, going, going and we cannot bid them stay:
Their fields are now the stranger's,where the stranger's cattle stray,
Oh!
Kathaleen Ni Houlihan, your way's a thorny way!
From Ethna Carbery's "The Four Winds of Eirinn"
They are going, going, going from the valleys and the hills
They are leaving far behind them heathery moor and mountain rills,
All the wealth of hawthorn hedges where the brown thrush sways and thrills
They are going, shy-eyed cailins, and lads so straight and tall
From the purple peaks of Kerry, from the crags of wild Imaal,
From the greening plains of Mayo, and the glens of Dangle
They are leaving pleasant places,shores with snowy sands outspread;
Blue and lonely lakes a-stirring when the wind stirs overhead;
Tender living hearts that love them, and the graves of kindred dead
They shall carry to the distant land a tear-drop in the eye
And some shall go uncomforted, their days an endless sigh
For Kathalen Ni Houlihan's sad face until they die.
Oh, Kathaleen Ni Houlihan, your road's a thorny way,
And 'tis a faithful soul would walk on the flints with you for aye,
Would walk the sharp and cruel flints until his locks grew grey,
So some must wander to the East, and some must wander West;
Some seek the white wastes of the North and some a Southern nest;
Yet never shall they sleep so sweet as on your mother breast.
Within the city streets, hot hurried full of care
A sudden dream shall bring them a whiff of Irish air --
A cool air, faintly-scented, blown soft from otherwhere
Oh, the cabins long-deserted! Olden memories awake.
Oh, the pleasant, pleasant places! Hush! the blackbird in the brake!
Oh, the dear and kindly voices! Now their hearts are fain to ache.
And no foreign skies hold beauty like the rainy skies they knew;
Nor any night-wind cool the brow as did the foggy dew.
They are going, going, going and we cannot bid them stay:
Their fields are now the stranger's,where the stranger's cattle stray,
Oh!
Kathaleen Ni Houlihan, your way's a thorny way!
From Ethna Carbery's "The Four Winds of Eirinn"
Repression of War Experience
Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,— it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...
Why won’t it rain?...
I wish there’d be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they’re so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There’s one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,—
Not people killed in battle,— they’re in France,—
But horrible shapes in shrouds— old men who died
Slow, natural deaths,— old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You’re quiet and peaceful, summering safe at home;
You’d never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,— quite soft ... they never cease—
Those whispering guns— O Christ, I want to go out
And screech at them to stop— I’m going crazy;
I’m going stark, staring mad because of the guns.
Siegfried Sassoon
Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,— it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...
Why won’t it rain?...
I wish there’d be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they’re so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There’s one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,—
Not people killed in battle,— they’re in France,—
But horrible shapes in shrouds— old men who died
Slow, natural deaths,— old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You’re quiet and peaceful, summering safe at home;
You’d never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,— quite soft ... they never cease—
Those whispering guns— O Christ, I want to go out
And screech at them to stop— I’m going crazy;
I’m going stark, staring mad because of the guns.
Siegfried Sassoon
Quote:
“Ignorance more frequently begets confidence than does knowledge: it is those who know little, and not those who know much, who so positively assert that this or that problem will never be solved by science.”
- Charles Darwin
- Charles Darwin
Tuesday, 28 February 2012
Three Songs To The Same Tune
I
GRANDFATHER sang it under the gallows:
" Hear, gentlemen, ladies, and all mankind:
Money is good and a girl might be better.
But good strong blows are delights to the mind.'
There, standing on the catt,
He sang it from his heart.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
"A girl I had, but she followed another,
Money I had, and it went in the night,
Strong drink I had, and it brought me to sorrow,
But a good strong cause and blows are delight.'
All there caught up the tune:
"On, on, my darling man'.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
"Money is good and a girl might be better,
No matter what happens and who takes the fall,
But a good strong cause' -- the rope gave a jerk there,
No more sang he, for his throat was too small;
But he kicked before he died,
He did it out of pride.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
II
Justify all those renowned generations;
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cave, crevice, hole,
Defending Ireland's soul.
"Drown all the dogs,' said the fierce young woman,
"They killed my goose and a cat.
Drown, drown in the water-but,
Drown all the dogs,' said the fierce young woman.
Justify all those renowned generations,
Justify all that have sunk in their blood,
Justify all that have died on the scaffold,
Justify all that have fled, that have stood,
Stood or have marched the night long
Singing, singing a song.
"Drown all the dogs,' said the fierce young woman.
"They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,' said the fierce young woman.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell:
All the renown that fell.
"Drown all the dogs,' said the fierce young woman,
"They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,' said the fierce young woman.
III
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
Who'd care to dig em,' said the old, old man,
"Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
When nations are empty up there at the top,
When order has weakened or faction is strong,
Time for us all to pick out a good tune,
Take to the roads and go marching along.
March, march -- How does it run? --
O any old words to a tune.
"Who'd care to dig 'em,' said the old, old man,
'Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
Soldiers take pride in saluting their Captain,
Where are the captains that govetn mankind?
What happens a tree that has nothing within it?
O marching wind, O a blast of the wind.
Marching, marching along.
March, march, lift up the song:
"Who'd care to dig 'em,' said the old, old man.
"Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
William Butler Yeats
I
GRANDFATHER sang it under the gallows:
" Hear, gentlemen, ladies, and all mankind:
Money is good and a girl might be better.
But good strong blows are delights to the mind.'
There, standing on the catt,
He sang it from his heart.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
"A girl I had, but she followed another,
Money I had, and it went in the night,
Strong drink I had, and it brought me to sorrow,
But a good strong cause and blows are delight.'
All there caught up the tune:
"On, on, my darling man'.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
"Money is good and a girl might be better,
No matter what happens and who takes the fall,
But a good strong cause' -- the rope gave a jerk there,
No more sang he, for his throat was too small;
But he kicked before he died,
He did it out of pride.
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O'Donnell Abu.
II
Justify all those renowned generations;
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cave, crevice, hole,
Defending Ireland's soul.
"Drown all the dogs,' said the fierce young woman,
"They killed my goose and a cat.
Drown, drown in the water-but,
Drown all the dogs,' said the fierce young woman.
Justify all those renowned generations,
Justify all that have sunk in their blood,
Justify all that have died on the scaffold,
Justify all that have fled, that have stood,
Stood or have marched the night long
Singing, singing a song.
"Drown all the dogs,' said the fierce young woman.
"They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,' said the fierce young woman.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell:
All the renown that fell.
"Drown all the dogs,' said the fierce young woman,
"They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,' said the fierce young woman.
III
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
Who'd care to dig em,' said the old, old man,
"Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
When nations are empty up there at the top,
When order has weakened or faction is strong,
Time for us all to pick out a good tune,
Take to the roads and go marching along.
March, march -- How does it run? --
O any old words to a tune.
"Who'd care to dig 'em,' said the old, old man,
'Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
Soldiers take pride in saluting their Captain,
Where are the captains that govetn mankind?
What happens a tree that has nothing within it?
O marching wind, O a blast of the wind.
Marching, marching along.
March, march, lift up the song:
"Who'd care to dig 'em,' said the old, old man.
"Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,' said the old, old man.
William Butler Yeats
The Big Fellah
Mo chara is mo lao thu!
My friend and my calf
Is aisling trí néallaibh
A vision in dream
Do deineadh aréir dom
Was revealed to me last night
IgCorcaigh go déanach
In Cork, a late hour,
Ar leaba im aonar
In my solitary bed
I remember you back in the GPO with Connolly and Clarke
Laughin' with McDermott through the bullets and the sparks
Always with the smart remark, your eyes blazin' and blue
But when we needed confidence we always turned to you
And when they shot our leaders up against Kilmainham wall
You were there beside us in that awful Easter dawn
Hey, big fellah..........where the hell are you now
When we need you the most
Hey, big fellah..........c'mon
Tabhair dom do lámh
Give me your hand
Back on the streets of Dublin when we fought the black and tans
You were there beside us, a towerin' mighty man
And God help the informer or the hated English spy
By Jaysus, Mick, you'd crucify them without the blinkin' of an eye
Still you had a heart as soft as the early mornin' dew
Every widow, whore and orphan could always turn to you
We beat them in the cities and we whipped them in the streets
And the world hailed Michael Collins, our commander and our chief
And they sent you off to London to negotiate a deal
And to gain us a republic, united, boys, and real
But the women and the drink, Mick, they must have got to you
'Cause you came back with a country divided up in two
We had to turn against you, Mick, there was nothin' we could do
'Cause we couldn't betray the republic like Arthur Griffith and you
We fought against each other, two brothers steeped in blood
But I never doubted that your heart was broken in the flood
And though we had to shoot you down in golden Béal na Blath
I always knew that Ireland lost her greatest son of all.
Larry Kirwan
Mo chara is mo lao thu!
My friend and my calf
Is aisling trí néallaibh
A vision in dream
Do deineadh aréir dom
Was revealed to me last night
IgCorcaigh go déanach
In Cork, a late hour,
Ar leaba im aonar
In my solitary bed
I remember you back in the GPO with Connolly and Clarke
Laughin' with McDermott through the bullets and the sparks
Always with the smart remark, your eyes blazin' and blue
But when we needed confidence we always turned to you
And when they shot our leaders up against Kilmainham wall
You were there beside us in that awful Easter dawn
Hey, big fellah..........where the hell are you now
When we need you the most
Hey, big fellah..........c'mon
Tabhair dom do lámh
Give me your hand
Back on the streets of Dublin when we fought the black and tans
You were there beside us, a towerin' mighty man
And God help the informer or the hated English spy
By Jaysus, Mick, you'd crucify them without the blinkin' of an eye
Still you had a heart as soft as the early mornin' dew
Every widow, whore and orphan could always turn to you
We beat them in the cities and we whipped them in the streets
And the world hailed Michael Collins, our commander and our chief
And they sent you off to London to negotiate a deal
And to gain us a republic, united, boys, and real
But the women and the drink, Mick, they must have got to you
'Cause you came back with a country divided up in two
We had to turn against you, Mick, there was nothin' we could do
'Cause we couldn't betray the republic like Arthur Griffith and you
We fought against each other, two brothers steeped in blood
But I never doubted that your heart was broken in the flood
And though we had to shoot you down in golden Béal na Blath
I always knew that Ireland lost her greatest son of all.
Larry Kirwan
Friday, 24 February 2012
The Croppy boy
It was early, early in the spring
The birds did whistle and sweetly sing
Changing their notes from tree to tree
And the song they sang was "Ould Ireland Free"
It was early early in the night
The yeoman cavalry gave me a fright
The yeoman cavalry was my downfall
And taken was I by Lord Cornwall
'Twas in the guard-house where I was laid
And in a parlour where I was tried
My sentence passed and my courage low
When to Dungannon I was forced to go
As I was passing my father's door
My brother William stood at the door
My aged father stood at the door
And my tender mother her hair she tore
As I was going up Wexford Street
My own first cousin I chanced to meet
My own first cousin did me betray
And for one bare guinea swore my life away
As I was walking up Wexford Hill
Who could blame me to cry my fill?
I looked behind, and I looked before
But my aged mother I shall see no more
And as I mounted the platform high
My aged father was standing by
My aged father did me deny
And the name he gave me was the Croppy Boy
It was in Dungannon this young man died
And in Dungannon his body lies
And you good people that do pass by
Oh shed a tear for the Croppy Boy
Trad.
It was early, early in the spring
The birds did whistle and sweetly sing
Changing their notes from tree to tree
And the song they sang was "Ould Ireland Free"
It was early early in the night
The yeoman cavalry gave me a fright
The yeoman cavalry was my downfall
And taken was I by Lord Cornwall
'Twas in the guard-house where I was laid
And in a parlour where I was tried
My sentence passed and my courage low
When to Dungannon I was forced to go
As I was passing my father's door
My brother William stood at the door
My aged father stood at the door
And my tender mother her hair she tore
As I was going up Wexford Street
My own first cousin I chanced to meet
My own first cousin did me betray
And for one bare guinea swore my life away
As I was walking up Wexford Hill
Who could blame me to cry my fill?
I looked behind, and I looked before
But my aged mother I shall see no more
And as I mounted the platform high
My aged father was standing by
My aged father did me deny
And the name he gave me was the Croppy Boy
It was in Dungannon this young man died
And in Dungannon his body lies
And you good people that do pass by
Oh shed a tear for the Croppy Boy
Trad.
Come Out Ye Black and Tans
I was born in a Dublin Street where the Loyal drums did beat
And those loving English feet they walked all over us
And every single night when Da would come home tight
He'd invite the neighbours o'er with this chorus-
(Chorus)
Come out ye black and tans
Come out and fight me like a man
Show your wife how you won those medals down in Flanders
Tell her how the IRA made you run like hell away
From the green and lovely lanes of Killeshandra
Come let us hear you tell how you slandered the great Parnell
When you thought him well and truly persecuted
Where are the sneers and jeers that you loudly let us hear
When our leaders of 1916 were executed
(Chorus repeat)
Come tell us how you slew them old Arabs two by two
Like the Zulus they had spears and bows and arrows
How bravely you faced one with your 16 pounder gun
And you frightened them damn niggers to the marrow
(Chorus repeat)
Now the time is coming fast and I think them days are here
When each English shawneen he'll run before us
And if there'll be a need our kids will say God speed
With a verse or two of singing this chorus -
I was born in a Dublin Street where the Loyal drums did beat
And those loving English feet they walked all over us
And every single night when Da would come home tight
He'd invite the neighbours o'er with this chorus-
(Chorus)
Come out ye black and tans
Come out and fight me like a man
Show your wife how you won those medals down in Flanders
Tell her how the IRA made you run like hell away
From the green and lovely lanes of Killeshandra
Come let us hear you tell how you slandered the great Parnell
When you thought him well and truly persecuted
Where are the sneers and jeers that you loudly let us hear
When our leaders of 1916 were executed
(Chorus repeat)
Come tell us how you slew them old Arabs two by two
Like the Zulus they had spears and bows and arrows
How bravely you faced one with your 16 pounder gun
And you frightened them damn niggers to the marrow
(Chorus repeat)
Now the time is coming fast and I think them days are here
When each English shawneen he'll run before us
And if there'll be a need our kids will say God speed
With a verse or two of singing this chorus -
Thursday, 23 February 2012
Quote:
The law in its majestic equality forbids the rich as well as the poor to sleep under bridges, to beg in the street, and to steal bread.
Anatole France
Anatole France
Quote:
If you give me six lines written by the most honest man, I will find something in them to hang him.
Cardinal Richelieu
Cardinal Richelieu
Canadian Railroad Trilogy
There was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real
But time has no beginnings and hist’ry has no bounds
As to this verdant country they came from all around
They sailed upon her waterways and they walked the forests tall
And they built the mines the mills and the factories for the good of us all
And when the young man’s fancy was turnin’ to the spring
The railroad men grew restless for to hear the hammers ring
Their minds were overflowing with the visions of their day
And many a fortune lost and won and many a debt to pay
For they looked in the future and what did they see
They saw an iron road runnin’ from sea to the sea
Bringin’ the goods to a young growin’ land
All up through the seaports and into their hands
Look away said they across this mighty land
From the eastern shore to the western strand
Bring in the workers and bring up the rails
We gotta lay down the tracks and tear up the trails
Open ’er heart let the life blood flow
Gotta get on our way ’cause we’re movin’ too slow
Bring in the workers and bring up the rails
We’re gonna lay down the tracks and tear up the trails
Open ’er heart let the life blood flow
Gotta get on our way ’cause we’re movin’ too slow
Get on our way ’cause we’re movin’ too slow
Behind the blue rockies the sun is declinin’
The stars, they come stealin’ at the close of the day
Across the wide prairie our loved ones lie sleeping
Beyond the dark oceans in a place far away
We are the navvies who work upon the railway
Swingin’ our hammers in the bright blazin’ sun
Livin’ on stew and drinkin’ bad whiskey
Bendin’ our old backs ’til the long days are done
We are the navvies who work upon the railway
Swingin’ our hammers in the bright blazin’ sun
Layin’ down track and buildin’ the bridges
Bendin’ our old backs ’til the railroad is done
So over the mountains and over the plains
Into the muskeg and into the rain
Up the st. lawrence all the way to gaspe
Swingin’ our hammers and drawin’ our pay
Drivin’ ’em in and tyin’ ’em down
Away to the bunkhouse and into the town
A dollar a day and a place for my head
A drink to the livin’ and a toast to the dead
Oh the song of the future has been sung
All the battles have been won
O’er the mountain tops we stand
All the world at our command
We have opened up the soil
With our teardrops and our toil
For there was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real
When the green dark forest was too silent to be real
And many are the dead men too silent to be real
Gordon Lightfoot
There was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real
But time has no beginnings and hist’ry has no bounds
As to this verdant country they came from all around
They sailed upon her waterways and they walked the forests tall
And they built the mines the mills and the factories for the good of us all
And when the young man’s fancy was turnin’ to the spring
The railroad men grew restless for to hear the hammers ring
Their minds were overflowing with the visions of their day
And many a fortune lost and won and many a debt to pay
For they looked in the future and what did they see
They saw an iron road runnin’ from sea to the sea
Bringin’ the goods to a young growin’ land
All up through the seaports and into their hands
Look away said they across this mighty land
From the eastern shore to the western strand
Bring in the workers and bring up the rails
We gotta lay down the tracks and tear up the trails
Open ’er heart let the life blood flow
Gotta get on our way ’cause we’re movin’ too slow
Bring in the workers and bring up the rails
We’re gonna lay down the tracks and tear up the trails
Open ’er heart let the life blood flow
Gotta get on our way ’cause we’re movin’ too slow
Get on our way ’cause we’re movin’ too slow
Behind the blue rockies the sun is declinin’
The stars, they come stealin’ at the close of the day
Across the wide prairie our loved ones lie sleeping
Beyond the dark oceans in a place far away
We are the navvies who work upon the railway
Swingin’ our hammers in the bright blazin’ sun
Livin’ on stew and drinkin’ bad whiskey
Bendin’ our old backs ’til the long days are done
We are the navvies who work upon the railway
Swingin’ our hammers in the bright blazin’ sun
Layin’ down track and buildin’ the bridges
Bendin’ our old backs ’til the railroad is done
So over the mountains and over the plains
Into the muskeg and into the rain
Up the st. lawrence all the way to gaspe
Swingin’ our hammers and drawin’ our pay
Drivin’ ’em in and tyin’ ’em down
Away to the bunkhouse and into the town
A dollar a day and a place for my head
A drink to the livin’ and a toast to the dead
Oh the song of the future has been sung
All the battles have been won
O’er the mountain tops we stand
All the world at our command
We have opened up the soil
With our teardrops and our toil
For there was a time in this fair land when the railroad did not run
When the wild majestic mountains stood alone against the sun
Long before the white man and long before the wheel
When the green dark forest was too silent to be real
When the green dark forest was too silent to be real
And many are the dead men too silent to be real
Gordon Lightfoot
Boys Of The Old Brigade
Where are the lads that stood with me
When history was made
Oh gran mo cree I long to see
The boys of the old brigade
Oh father why are you so sad
On this bright Easter morn
When Irishmen are proud and glad
Of the land where they were born
Oh son I see sad memories
Of far off distant days
When being just a boy like you
I joined the old brigade
chorus
In the hills and farms the call to arms
Was heard by one and all
And from the glens came brave young men
to answer Ireland's call
Twas long ago we faced the foe
The old brigade and me
By my side they fought and died
That Ireland might be free
chorus
And now my boy I've told you why
On Easter morn I sigh
For I recall my comrades all
From the dark old days gone by
I think of men who fought in glens
With rifles and grenade
May heaven keep the men who sleep
From the ranks of the old brigade
Where are the lads that stood with me
When history was made
Oh gran mo cree I long to see
The boys of the old brigade
Oh father why are you so sad
On this bright Easter morn
When Irishmen are proud and glad
Of the land where they were born
Oh son I see sad memories
Of far off distant days
When being just a boy like you
I joined the old brigade
chorus
In the hills and farms the call to arms
Was heard by one and all
And from the glens came brave young men
to answer Ireland's call
Twas long ago we faced the foe
The old brigade and me
By my side they fought and died
That Ireland might be free
chorus
And now my boy I've told you why
On Easter morn I sigh
For I recall my comrades all
From the dark old days gone by
I think of men who fought in glens
With rifles and grenade
May heaven keep the men who sleep
From the ranks of the old brigade
Wednesday, 22 February 2012
Ye Mariners of England
YE Mariners of England
That guard our native seas!
Whose flag has braved, a thousand years,
The battle and the breeze!
Your glorious standard launch again
To match another foe:
And sweep through the deep,
While the stormy winds do blow;
While the battle rages loud and long
And the stormy winds do blow.
The spirits of your fathers
Shall start from every wave—
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy winds do blow;
While the battle rages loud and long
And the stormy winds do blow.
Britannia needs no bulwarks,
No towers along the steep;
Her march is o’er the mountain-waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below—
As they roar on the shore,
When the stormy winds do blow;
When the battle rages loud and long,
And the stormy winds do blow.
The meteor flag of England
Shall yet terrific burn;
Till danger’s troubled night depart
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow;
When the fiery fight is heard no more,
And the storm has ceased to blow.
Thomas Campbell (1777–1844)
YE Mariners of England
That guard our native seas!
Whose flag has braved, a thousand years,
The battle and the breeze!
Your glorious standard launch again
To match another foe:
And sweep through the deep,
While the stormy winds do blow;
While the battle rages loud and long
And the stormy winds do blow.
The spirits of your fathers
Shall start from every wave—
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy winds do blow;
While the battle rages loud and long
And the stormy winds do blow.
Britannia needs no bulwarks,
No towers along the steep;
Her march is o’er the mountain-waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below—
As they roar on the shore,
When the stormy winds do blow;
When the battle rages loud and long,
And the stormy winds do blow.
The meteor flag of England
Shall yet terrific burn;
Till danger’s troubled night depart
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow;
When the fiery fight is heard no more,
And the storm has ceased to blow.
Thomas Campbell (1777–1844)
The Ballad Of The Carpenter
Jesus was a working man
And a hero you will hear
Born in the town of Bethlehem
At the turning of the year
At the turning of the year
When Jesus was a little lad
Streets rang with his name
For he argued with the older men
And put them all to shame
He put them all to shame
He became a wandering journeyman
And he traveled far and wide
And he noticed how wealth and poverty
Live always side by side
Live always side by side
So he said "Come you working men
Farmers and weavers too
If you would only stand as one
This world belongs to you
This world belongs to you"
When the rich men heard what the carpenter had done
To the Roman troops they ran
Saying put this rebel Jesus down
He's a menace to God and man
He's a menace to God and man
The commander of the occupying troops
Just laughed and then he said
"There's a cross to spare on Calvaries hill
By the weekend he'll be dead
By the weekend he'll be dead"
Now Jesus walked among the poor
For the poor were his own kind
And they'd never let them get near enough
To take him from behind
To take him from behind
So they hired one of the traders trade
And an informer was he
And he sold his brother to the butchers men
For a fistful of silver money
For a fistful of silver money
And Jesus sat in the prison cell
And they beat him and offered him bribes
To desert the cause of his fellow man
And work for the rich men's tribe,
To work for the rich men's tribe
And the sweat stood out on Jesus' brow
And the blood was in his eye
When they nailed his body to the Roman cross
And they laughed as they watched him die
They laughed as they watched him die
Two thousand years have passed and gone
Many a hero too
But the dream of this poor carpenter
Remains in the hands of you
Remains in the hands of you
Phil Ochs
Jesus was a working man
And a hero you will hear
Born in the town of Bethlehem
At the turning of the year
At the turning of the year
When Jesus was a little lad
Streets rang with his name
For he argued with the older men
And put them all to shame
He put them all to shame
He became a wandering journeyman
And he traveled far and wide
And he noticed how wealth and poverty
Live always side by side
Live always side by side
So he said "Come you working men
Farmers and weavers too
If you would only stand as one
This world belongs to you
This world belongs to you"
When the rich men heard what the carpenter had done
To the Roman troops they ran
Saying put this rebel Jesus down
He's a menace to God and man
He's a menace to God and man
The commander of the occupying troops
Just laughed and then he said
"There's a cross to spare on Calvaries hill
By the weekend he'll be dead
By the weekend he'll be dead"
Now Jesus walked among the poor
For the poor were his own kind
And they'd never let them get near enough
To take him from behind
To take him from behind
So they hired one of the traders trade
And an informer was he
And he sold his brother to the butchers men
For a fistful of silver money
For a fistful of silver money
And Jesus sat in the prison cell
And they beat him and offered him bribes
To desert the cause of his fellow man
And work for the rich men's tribe,
To work for the rich men's tribe
And the sweat stood out on Jesus' brow
And the blood was in his eye
When they nailed his body to the Roman cross
And they laughed as they watched him die
They laughed as they watched him die
Two thousand years have passed and gone
Many a hero too
But the dream of this poor carpenter
Remains in the hands of you
Remains in the hands of you
Phil Ochs
Paul Revere’s Ride
LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, ‘If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.’
Then he said, ‘Good-night!’ and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, ‘All is well!’
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed.
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
Henry Wadsworth Longfellow
LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, ‘If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.’
Then he said, ‘Good-night!’ and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, ‘All is well!’
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed.
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
Henry Wadsworth Longfellow
Alleluia, The Great Storm Is Over
The thunder and lightning gave voice to the night;
The little lame child cried aloud in her fright. .
"Hush, little baby, a story I'll tell,
Of a love that has vanquished the powers of hell.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Sweetness in the air, and justice on the wind,
Laughter in the house where the mourners had been.
The deaf shall have music, the blind have new eyes,
The standards of death taken down by surprise.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Release for the captives, an end to the wars,
New streams in the desert, new hope for the poor.
The little lame children will dance as they sing,
And play with the bears and the lions in spring.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Hush little baby, let go of your fear:
The Lord loves his own, and your mother is here."
The child fell asleep as the lantern did burn.
The mother sang on 'till her Bridegroom's return.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
Bob Franke
The thunder and lightning gave voice to the night;
The little lame child cried aloud in her fright. .
"Hush, little baby, a story I'll tell,
Of a love that has vanquished the powers of hell.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Sweetness in the air, and justice on the wind,
Laughter in the house where the mourners had been.
The deaf shall have music, the blind have new eyes,
The standards of death taken down by surprise.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Release for the captives, an end to the wars,
New streams in the desert, new hope for the poor.
The little lame children will dance as they sing,
And play with the bears and the lions in spring.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
"Hush little baby, let go of your fear:
The Lord loves his own, and your mother is here."
The child fell asleep as the lantern did burn.
The mother sang on 'till her Bridegroom's return.
Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!
Bob Franke
Tuesday, 21 February 2012
The March Of The Cameron Men
There's many a man of the Cameron clan
That has followed his chief to the field
He has sworn to support him or die by his side
For a Cameron never can yield.
I hear the pibroch sounding, sounding
Deep o'er the mountain and glen
While light springing footsteps
Are trampling the heath
Chorus
'Tis the march of the Cameron men.
'Tis the march, 'tis the march
'Tis the march of the Cameron men.
Oh, proudly they walk, but each Cameron knows
He may tread on the heather no more
But boldly he follows his chief to the field
Where his laurels were gathered before.
Chorus
The moon has arisen, it shines on the path
Now trod by the gallant and true
High, high are their hopes, for their chieftain has said
That whatever men dare, they can do.
Trad.
There's many a man of the Cameron clan
That has followed his chief to the field
He has sworn to support him or die by his side
For a Cameron never can yield.
I hear the pibroch sounding, sounding
Deep o'er the mountain and glen
While light springing footsteps
Are trampling the heath
Chorus
'Tis the march of the Cameron men.
'Tis the march, 'tis the march
'Tis the march of the Cameron men.
Oh, proudly they walk, but each Cameron knows
He may tread on the heather no more
But boldly he follows his chief to the field
Where his laurels were gathered before.
Chorus
The moon has arisen, it shines on the path
Now trod by the gallant and true
High, high are their hopes, for their chieftain has said
That whatever men dare, they can do.
Trad.
A Place In The Choir
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
Listen to the bass it's the one at the bottom
Where the bullfrog croaks and the hippopotamus
Moans and groans in the big tattoo
And the old cow just goes "moo"
The dogs and the cats they take up the middle
Where the honey bee hums and the cricket fiddles
The donkey brays and the pony neighs
And the old grey badger sighs oh
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
Listen to the top with the little birds singing
And the melodies and the high notes ringing
And the hoot-owls cries over everything
And the blackbird disagrees
Singing in the night-time, singing in the day
And the little duck quacks and he's on his way
And the otter hasn't got much to say
And the porcupine talks to himself
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
It's a simple song, a little one sung everywhere
By the ox and the fox and the grizzly bear
The dopey alligator and the hawk above
The sly old weasel and the turtle-dove
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now.
Bill Staines
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
Listen to the bass it's the one at the bottom
Where the bullfrog croaks and the hippopotamus
Moans and groans in the big tattoo
And the old cow just goes "moo"
The dogs and the cats they take up the middle
Where the honey bee hums and the cricket fiddles
The donkey brays and the pony neighs
And the old grey badger sighs oh
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
Listen to the top with the little birds singing
And the melodies and the high notes ringing
And the hoot-owls cries over everything
And the blackbird disagrees
Singing in the night-time, singing in the day
And the little duck quacks and he's on his way
And the otter hasn't got much to say
And the porcupine talks to himself
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
It's a simple song, a little one sung everywhere
By the ox and the fox and the grizzly bear
The dopey alligator and the hawk above
The sly old weasel and the turtle-dove
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now
All god's creatures got a place in the choir
Some sing low and some sing higher
Some sing out loud on the telephone wire
Some just clap their hands or paws or anything they've got now.
Bill Staines
Song Of Innisfail
They came from a land beyond the sea,
And now o'er the western main
Set sail, in the good ships, gallantly,
From the sunny land of Spain.
"Oh, where's the Isle we've seen in dreams,
Our destined home or grave?"
Thus sung they as, by the morning's beams,
The swept the Atlantic wave.
And lo, where afar o'er ocean shines
A sparkle of radiant green,
As though in that deep lay emerald mines,
Whose light through the wave was seen.
"'Tis Innisfail - 'tis Innisfail!"
Rings o'er the echoing sea,
While bending to heaven, the warriors hail
That home of the brave and free.
Then turn'd they unto the Eastern wave,
Where now their Day-God's eye
A look of such sunny omen gave
As lighted up sea and sky.
Nor frown was seen through sky or sea,
Nor tear on leaf or sod,
When first on their Isle of Destiny
Our Eastern fathers trod.
Thomas Moore
They came from a land beyond the sea,
And now o'er the western main
Set sail, in the good ships, gallantly,
From the sunny land of Spain.
"Oh, where's the Isle we've seen in dreams,
Our destined home or grave?"
Thus sung they as, by the morning's beams,
The swept the Atlantic wave.
And lo, where afar o'er ocean shines
A sparkle of radiant green,
As though in that deep lay emerald mines,
Whose light through the wave was seen.
"'Tis Innisfail - 'tis Innisfail!"
Rings o'er the echoing sea,
While bending to heaven, the warriors hail
That home of the brave and free.
Then turn'd they unto the Eastern wave,
Where now their Day-God's eye
A look of such sunny omen gave
As lighted up sea and sky.
Nor frown was seen through sky or sea,
Nor tear on leaf or sod,
When first on their Isle of Destiny
Our Eastern fathers trod.
Thomas Moore
Suzanne
Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
Leonard Cohen
Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
Leonard Cohen
White Squall
Now it's just my luck to have the watch, with nothing left to do
But watch the deadly waters glide as we roll north to the 'Soo',
And wonder when they'll turn again and pitch us to the rail
And whirl off one more youngster in the gale.
The kid was so damned eager. It was all so big and new.
You never had to tell him twice, or find him work to do.
And evenings on the mess deck he was always first to sing,
And show us pictures of the girl he'd wed in spring.
CHORUS
But I told that kid a hundred times "Don't take the Lakes for granted.
They go from calm to a hundred knots so fast they seem enchanted."
But tonight some red-eyed Wiarton girl lies staring at the wall,
And her lover's gone into a white squall.
Now it's a thing that us oldtimers know. In a sultry summer calm
There comes a blow from nowhere, and it goes off like a bomb.
And a fifteen thousand tonner can be thrown upon her beam
While the gale takes all before it with a scream.
The kid was on the hatches, lying staring at the sky.
From where I stood I swear I could see tears fall from his eyes.
So I hadn't the heart to tell him that he should be on a line,
Even on a night so warm and fine.
CHORUS
When it struck, he sat up with a start; I roared to him, "Get down!"
But for all that he could hear, I could as well not made a sound.
So, I clung there to the stanchions, and I felt my face go pale,
As he crawled hand over hand along the rail.
I could feel her keeling over with the fury of the blow.
I watched the rail go under then, so terrible and slow.
Then, like some great dog she shook herself and roared upright again.
Far over side. I heard him call my name.
CHORUS
So it's just my luck to have the watch, with nothing left to do
But watch the deadly waters glide as we roll north to the 'Soo',
And wonder when they'll turn again and pitch us to the rail
And whirl off one more youngster in the gale.
But I tell these kids a hundred times "Don't take the Lakes for granted.
They go from calm to a hundred knots so fast they seem enchanted."
But tonight some red-eyed Wiarton girl lies staring at the wall,
And her lover's gone into a white squall.
Stan Rogers
Now it's just my luck to have the watch, with nothing left to do
But watch the deadly waters glide as we roll north to the 'Soo',
And wonder when they'll turn again and pitch us to the rail
And whirl off one more youngster in the gale.
The kid was so damned eager. It was all so big and new.
You never had to tell him twice, or find him work to do.
And evenings on the mess deck he was always first to sing,
And show us pictures of the girl he'd wed in spring.
CHORUS
But I told that kid a hundred times "Don't take the Lakes for granted.
They go from calm to a hundred knots so fast they seem enchanted."
But tonight some red-eyed Wiarton girl lies staring at the wall,
And her lover's gone into a white squall.
Now it's a thing that us oldtimers know. In a sultry summer calm
There comes a blow from nowhere, and it goes off like a bomb.
And a fifteen thousand tonner can be thrown upon her beam
While the gale takes all before it with a scream.
The kid was on the hatches, lying staring at the sky.
From where I stood I swear I could see tears fall from his eyes.
So I hadn't the heart to tell him that he should be on a line,
Even on a night so warm and fine.
CHORUS
When it struck, he sat up with a start; I roared to him, "Get down!"
But for all that he could hear, I could as well not made a sound.
So, I clung there to the stanchions, and I felt my face go pale,
As he crawled hand over hand along the rail.
I could feel her keeling over with the fury of the blow.
I watched the rail go under then, so terrible and slow.
Then, like some great dog she shook herself and roared upright again.
Far over side. I heard him call my name.
CHORUS
So it's just my luck to have the watch, with nothing left to do
But watch the deadly waters glide as we roll north to the 'Soo',
And wonder when they'll turn again and pitch us to the rail
And whirl off one more youngster in the gale.
But I tell these kids a hundred times "Don't take the Lakes for granted.
They go from calm to a hundred knots so fast they seem enchanted."
But tonight some red-eyed Wiarton girl lies staring at the wall,
And her lover's gone into a white squall.
Stan Rogers
Thursday, 16 February 2012
Marching Songs
REMEMBER all those renowned generations,
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, or hole,
Defending Ireland's soul.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
All that is finished, let it fade.
Remember all those renowned generations,
Remember all that have sunk in their blood,
Remember all that have died on the scaffold,
Remember all that have fled, that have stood,
Stood, took death like a tune
On an old, tambourine.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
And all that's finished let it fade.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell,
All the renown that fell.
Be still, be still, what can be said?
My father sang that song,
but time amends old wrong,
And all that's finished, let it fade.
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
What marches through the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
We know what rascal might has defiled,
The lofty innocence that it has slain,
Were we not born in the peasant's cot
Where men forgive if the belly gain?
More dread the life that we live,
How can the mind forgive?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
What if there's nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of the wind, O a marching wind,
March wind, and any old tune.
March, march, and how does it run?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
William Butler Yeats
REMEMBER all those renowned generations,
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, or hole,
Defending Ireland's soul.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
All that is finished, let it fade.
Remember all those renowned generations,
Remember all that have sunk in their blood,
Remember all that have died on the scaffold,
Remember all that have fled, that have stood,
Stood, took death like a tune
On an old, tambourine.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
And all that's finished let it fade.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell,
All the renown that fell.
Be still, be still, what can be said?
My father sang that song,
but time amends old wrong,
And all that's finished, let it fade.
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
What marches through the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
We know what rascal might has defiled,
The lofty innocence that it has slain,
Were we not born in the peasant's cot
Where men forgive if the belly gain?
More dread the life that we live,
How can the mind forgive?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
What if there's nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of the wind, O a marching wind,
March wind, and any old tune.
March, march, and how does it run?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
William Butler Yeats
Stormfront
As silent as the voice of God
these empty barren hills
they hover above the dry plain
they shimmer in the distance
I feel a sudden chill
The ground is dry and cracked
like an old mans skin stretched across the plain
Lightning flickering across the thunderhead
Empty promises of rain
Some kind of stormfront on the move tonight
Feel the tension in the air
Dust devils dance on the side of the highway
Leaves and garbage everywhere
Mothers call their kids from the door
"C'mon get inside, shut the windows, lock them tight"
The sun has burned its bridges
plunged into the mountains in a sea of steam
and poison light
Chorus
I hear thunder bumping boxcars in the valley
the wind is laughing up my sleeve
the cars have turned their headlights on
It's way past time-- I should be gone
We've turned our towns into a filthy joke
like a theme park built for swine
We bulldoze farms, fields turn them into strip malls
Nobody seems to mind
Who elected these cheap hustlers anyway?
This worthless pack of pimps and whores
The developers come smiling with their pockets jingling full of change
We get down on all fours
And I don't want your Black Hills gold
Not at any price
we built a trail of tears and broken trees through here
then swarmed the earth like lice
Townhouses, casinos and trailer parks
Cheap neon light up the falling night
I saw the Four Horsemen ride through here about an hour ago
They were sickened at the sight
These highway signs are full of bullet holes
Burnt rubber cross the road
Someone's angry about something somewhere here
They're just waiting to unload
We're putting bombs in buildings
Bombs in letters, bombs in trucks
We're drowning kids in the backs of cars
We're dressing killers in Armani suits
We turn them into TV stars
We become a race of leering voyeurs
We're big on Progress Sex and Death
Something evil is lurking in the darkness here with me
and I can smell its stinking breath
It's in the blankness of our children's stares
It's in a courtroom in a suit
It's in the hand that holds gun that made these bullet holes
It's a secret pocket filled with loot
It's the soft white faces of these soft white men
with their soft white grasping hand
who laugh and sneer at those who have to stand and wait in line
and never got their chance
Garnet Rogers
As silent as the voice of God
these empty barren hills
they hover above the dry plain
they shimmer in the distance
I feel a sudden chill
The ground is dry and cracked
like an old mans skin stretched across the plain
Lightning flickering across the thunderhead
Empty promises of rain
Some kind of stormfront on the move tonight
Feel the tension in the air
Dust devils dance on the side of the highway
Leaves and garbage everywhere
Mothers call their kids from the door
"C'mon get inside, shut the windows, lock them tight"
The sun has burned its bridges
plunged into the mountains in a sea of steam
and poison light
Chorus
I hear thunder bumping boxcars in the valley
the wind is laughing up my sleeve
the cars have turned their headlights on
It's way past time-- I should be gone
We've turned our towns into a filthy joke
like a theme park built for swine
We bulldoze farms, fields turn them into strip malls
Nobody seems to mind
Who elected these cheap hustlers anyway?
This worthless pack of pimps and whores
The developers come smiling with their pockets jingling full of change
We get down on all fours
And I don't want your Black Hills gold
Not at any price
we built a trail of tears and broken trees through here
then swarmed the earth like lice
Townhouses, casinos and trailer parks
Cheap neon light up the falling night
I saw the Four Horsemen ride through here about an hour ago
They were sickened at the sight
These highway signs are full of bullet holes
Burnt rubber cross the road
Someone's angry about something somewhere here
They're just waiting to unload
We're putting bombs in buildings
Bombs in letters, bombs in trucks
We're drowning kids in the backs of cars
We're dressing killers in Armani suits
We turn them into TV stars
We become a race of leering voyeurs
We're big on Progress Sex and Death
Something evil is lurking in the darkness here with me
and I can smell its stinking breath
It's in the blankness of our children's stares
It's in a courtroom in a suit
It's in the hand that holds gun that made these bullet holes
It's a secret pocket filled with loot
It's the soft white faces of these soft white men
with their soft white grasping hand
who laugh and sneer at those who have to stand and wait in line
and never got their chance
Garnet Rogers
Wednesday, 15 February 2012
The Hills Of West Virginia
From the flat plains of Ohio we drifted out one day,
for the southern part of the journey
Underneath the bridge, the Ohio River sang
As we headed for the Hills of West Virginia
And the red sun of the morning was smiling through the trees,
As the darkness of the night was quickly fading,
And the fog hugged the road like a cloudy, cloudy sea,
As we drove though the hills of West Virginia.
We smoked the tobacco and drank of the wine,
And we spoke of the forest we were passing.
And the road would wind and wind and wind,
When we drove through the hills of West Virginia.
Among all the wealth of the beauty that we passed,
There was many old shacks a-growing older,
And we saw the broken bottles laying on the grass.
When we drove though the hills of West Virginia.
The Virginia people watched as we went riding by,
Oh, proud as a boulder they were standing.
And we wondered at each other with a meeting of the eye,
When we drove thought the hills of West Virginia.
And once in a while we would stop by the road
and gaze at the womb of the valley,
almost wishing for a path down below,
Where we stopped in the hills of West Virginia.
Up and down and all around we took our restless ride,
And the rocks they were staring cold and jagged.
Where explosions of the powder had torn away the side,
Where we drove through the hills of West Virginia.
And the orange sun was falling on the southern border line,
As the shadows of the night were now returning.
And we knew the mountains followed us and watched us from behind,
When we drove from the hills of West Virginia.
Phil Ochs
From the flat plains of Ohio we drifted out one day,
for the southern part of the journey
Underneath the bridge, the Ohio River sang
As we headed for the Hills of West Virginia
And the red sun of the morning was smiling through the trees,
As the darkness of the night was quickly fading,
And the fog hugged the road like a cloudy, cloudy sea,
As we drove though the hills of West Virginia.
We smoked the tobacco and drank of the wine,
And we spoke of the forest we were passing.
And the road would wind and wind and wind,
When we drove through the hills of West Virginia.
Among all the wealth of the beauty that we passed,
There was many old shacks a-growing older,
And we saw the broken bottles laying on the grass.
When we drove though the hills of West Virginia.
The Virginia people watched as we went riding by,
Oh, proud as a boulder they were standing.
And we wondered at each other with a meeting of the eye,
When we drove thought the hills of West Virginia.
And once in a while we would stop by the road
and gaze at the womb of the valley,
almost wishing for a path down below,
Where we stopped in the hills of West Virginia.
Up and down and all around we took our restless ride,
And the rocks they were staring cold and jagged.
Where explosions of the powder had torn away the side,
Where we drove through the hills of West Virginia.
And the orange sun was falling on the southern border line,
As the shadows of the night were now returning.
And we knew the mountains followed us and watched us from behind,
When we drove from the hills of West Virginia.
Phil Ochs
Mr. Blue
Good morning Mister Blue, we've got our eyes on you.
The evidence is clear, that you've been scheming.
You like to steal away and while away the day.
You like to spend an hour dreaming.
What will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Step softly Mister Blue, we know what's best for you.
We know where your precious dreams will take you.
You've got a slot to fill, and fill that slot you will.
You'll learn to love it, or we'll break you.
Oh, what will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Be careful Mister Blue this phase you're going through,
Can lead you nowhere else, but to disaster.
Excuse us while we grin, you've worn our patience thin.
It's time to show you who is your master.
What will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Don't worry Mister Blue, we'll take good care of you.
Just think of it as sense and not surrender.
But never think again, that you can think again,
Or you'll get something you'll remember.
What will it take to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
TOM PAXTON
Good morning Mister Blue, we've got our eyes on you.
The evidence is clear, that you've been scheming.
You like to steal away and while away the day.
You like to spend an hour dreaming.
What will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Step softly Mister Blue, we know what's best for you.
We know where your precious dreams will take you.
You've got a slot to fill, and fill that slot you will.
You'll learn to love it, or we'll break you.
Oh, what will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Be careful Mister Blue this phase you're going through,
Can lead you nowhere else, but to disaster.
Excuse us while we grin, you've worn our patience thin.
It's time to show you who is your master.
What will it take, to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
Don't worry Mister Blue, we'll take good care of you.
Just think of it as sense and not surrender.
But never think again, that you can think again,
Or you'll get something you'll remember.
What will it take to whip you into line?
A broken heart? A broken head?
It can be arranged. It can be arranged.
TOM PAXTON
Tuesday, 14 February 2012
For Mrs. T on Valentine's Day
After All
The brooding ghosts of this dark night have gone from the bush and town;
My spirit revives in the morning breeze,
though it died when the sun went down;
The river is high and the stream is strong,
and the grass is green and tall,
And I fain would think that this world of ours is a good world after all.
The light of passion in dreamy eyes, and a page of truth well read,
The glorious thrill in a heart grown cold of the spirit I thought was dead,
A song that goes to a comrade's heart, and a tear of pride let fall --
And my soul is strong! and the world to me is a grand world after all!
Let our enemies go by their old dull tracks,
and theirs be the fault or shame
(The man is bitter against the world who has only himself to blame) ;
Let the darkest side of the past be dark, and only the good recall;
For I must believe that the world, my dear, is a kind world after all.
It well may be that I saw too plain, and it may be I was blind;
But I'll keep my face to the dawning light,
though the devil may stand behind!
Though the devil may stand behind my back, I'll not see his shadow fall,
But read the signs in the morning star of a good world after all.
Rest, for your eyes are weary, dear -- you have driven the worst away --
The ghost of the man that I might have been is gone from my heart to-day;
We'll live for life and the best it brings till our twilight shadows fall;
My heart grows brave, and the world, my dear, is a good world after all.
Henry Lawson
The brooding ghosts of this dark night have gone from the bush and town;
My spirit revives in the morning breeze,
though it died when the sun went down;
The river is high and the stream is strong,
and the grass is green and tall,
And I fain would think that this world of ours is a good world after all.
The light of passion in dreamy eyes, and a page of truth well read,
The glorious thrill in a heart grown cold of the spirit I thought was dead,
A song that goes to a comrade's heart, and a tear of pride let fall --
And my soul is strong! and the world to me is a grand world after all!
Let our enemies go by their old dull tracks,
and theirs be the fault or shame
(The man is bitter against the world who has only himself to blame) ;
Let the darkest side of the past be dark, and only the good recall;
For I must believe that the world, my dear, is a kind world after all.
It well may be that I saw too plain, and it may be I was blind;
But I'll keep my face to the dawning light,
though the devil may stand behind!
Though the devil may stand behind my back, I'll not see his shadow fall,
But read the signs in the morning star of a good world after all.
Rest, for your eyes are weary, dear -- you have driven the worst away --
The ghost of the man that I might have been is gone from my heart to-day;
We'll live for life and the best it brings till our twilight shadows fall;
My heart grows brave, and the world, my dear, is a good world after all.
Henry Lawson
For Emmet T on Valentine's Day
Don Quixote
Through the woodland, through the valley
Comes a horseman wild and free
Tilting at the windmills passing
Who can the brave young horseman be
He is wild but he is mellow
He is strong but he is weak
He is cruel but he is gentle
He is wise but he is meek
Reaching for his saddlebag
He takes a battered book into his hand
Standing like a prophet bold
He shouts across the ocean to the shore
Till he can shout no more
I have come o'er moor and mountain
Like the hawk upon the wing
I was once a shining knight
Who was the guardian of a king
I have searched the whole world over
Looking for a place to sleep
I have seen the strong survive
And I have seen the lean grown weak
See the children of the earth
Who wake to find the table bare
See the gentry in the country
Riding off to take the air
Reaching for his saddlebag
He takes a rusty sword into his hand
Then striking up a knightly pose
He shouts across the ocean to the shore
Till he can shout no more
See the jailor with his key
Who locks away all trace of sin
See the judge upon the bench
Who tries the case as best he can
See the wise and wicked ones
Who feed upon life's sacred fire
See the soldier with his gun
Who must be dead to be admired
Reaching for his saddlebag
He takes a tarnished cross into his hand
Then standing like a preacher now
He shouts across the ocean to the shore
Then in a blaze of tangled hooves
He gallops off across the dusty plain
In vain to search again
Where no one will hear
Through the woodland, through the valley
Comes a horseman wild and free
Tilting at the windmills passing
Who can the brave young horseman be
He is wild but he is mellow
He is strong but he is weak
He is cruel but he is gentle
He is wise but he is meek.
Gordon Lightfoot
Through the woodland, through the valley
Comes a horseman wild and free
Tilting at the windmills passing
Who can the brave young horseman be
He is wild but he is mellow
He is strong but he is weak
He is cruel but he is gentle
He is wise but he is meek
Reaching for his saddlebag
He takes a battered book into his hand
Standing like a prophet bold
He shouts across the ocean to the shore
Till he can shout no more
I have come o'er moor and mountain
Like the hawk upon the wing
I was once a shining knight
Who was the guardian of a king
I have searched the whole world over
Looking for a place to sleep
I have seen the strong survive
And I have seen the lean grown weak
See the children of the earth
Who wake to find the table bare
See the gentry in the country
Riding off to take the air
Reaching for his saddlebag
He takes a rusty sword into his hand
Then striking up a knightly pose
He shouts across the ocean to the shore
Till he can shout no more
See the jailor with his key
Who locks away all trace of sin
See the judge upon the bench
Who tries the case as best he can
See the wise and wicked ones
Who feed upon life's sacred fire
See the soldier with his gun
Who must be dead to be admired
Reaching for his saddlebag
He takes a tarnished cross into his hand
Then standing like a preacher now
He shouts across the ocean to the shore
Then in a blaze of tangled hooves
He gallops off across the dusty plain
In vain to search again
Where no one will hear
Through the woodland, through the valley
Comes a horseman wild and free
Tilting at the windmills passing
Who can the brave young horseman be
He is wild but he is mellow
He is strong but he is weak
He is cruel but he is gentle
He is wise but he is meek.
Gordon Lightfoot
For Poppy LongWatcher StormBringer on Valentine's Day
Our Dog...
Each day when it's anighing three
Miss Poppy looks at the clock,
Then proudly brings my stick to me
To mind me of our walk.
And in her doggy rapture she
Does everything but talk.
But since I lack her zip and zest
My old bones often tire;
And so I ventured to suggest
Today we hug the fire.
But with what wailing she expressed
The death of her desire!
He gazed at me with eyes of woe
As if to say: 'Old boy,
You mustn't lose your grip, you know,
Let us with laughing joy,
On heath and hill six miles or so
Our legs and lungs employ.'
And then her bark was stilled to a sigh
She flopped upon the floor;
But such a soft old mug am I
I threw awide the door;
So gaily, though the wind was high
We hiked across the moor.
Robert Service
Each day when it's anighing three
Miss Poppy looks at the clock,
Then proudly brings my stick to me
To mind me of our walk.
And in her doggy rapture she
Does everything but talk.
But since I lack her zip and zest
My old bones often tire;
And so I ventured to suggest
Today we hug the fire.
But with what wailing she expressed
The death of her desire!
He gazed at me with eyes of woe
As if to say: 'Old boy,
You mustn't lose your grip, you know,
Let us with laughing joy,
On heath and hill six miles or so
Our legs and lungs employ.'
And then her bark was stilled to a sigh
She flopped upon the floor;
But such a soft old mug am I
I threw awide the door;
So gaily, though the wind was high
We hiked across the moor.
Robert Service
For Niamh Chinn Óir on Valentine's Day
She walks in beauty
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every russet tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent.
Lord Byron
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every russet tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent.
Lord Byron
For Ms. Zita Ni Caomhánach on Valentine's Day
Night Drive
Yellowhead highway
How bright the stars
How dark the night
How long have I been sleeping?
Sleep overtook me on my westward flight
Held me in its keeping
I had a dream; it seemed so real
Its passing left me shaking
I saw you're here behind the wheel
On this very road I'm taking
Hurtling westward through the prairie night
Under the spell of motion
Your eyes were clear and bright in the dashboard light
Dreaming of the western ocean
The dusty towns left far behind
Mountains drawing ever nearer
Your face was then as it was tonight
Ever young
Ever clearer
I know this road
And its every curve
Where the hills commence their climbing
We rested here
If my memory serves
The northern lights were shining
You lit a smoke
We shared some wine
We watched the sky in wonder
Your laughter echoes after all this time
In that high and wild blue yonder
I don't know why I write these lines
It's not like I could send you the letter
It's that I love your more after all this time
It's that I wish I'd shown you better
Years have slipped
Beneath my wheels
Dwindling in my rear view mirror
As time has passed
Your life has seemed less real
But these night drives bring you nearer
So tonight I'll wish upon these stars
As they rise upward to guide me
That I'll see you here just as you are
Now, as then, beside me
Scares me how the years have flown
Like the leaves drift in September
They've lost sight of you as your legacy's grown
But this road and I
We remember.
Garnet Rogers
Yellowhead highway
How bright the stars
How dark the night
How long have I been sleeping?
Sleep overtook me on my westward flight
Held me in its keeping
I had a dream; it seemed so real
Its passing left me shaking
I saw you're here behind the wheel
On this very road I'm taking
Hurtling westward through the prairie night
Under the spell of motion
Your eyes were clear and bright in the dashboard light
Dreaming of the western ocean
The dusty towns left far behind
Mountains drawing ever nearer
Your face was then as it was tonight
Ever young
Ever clearer
I know this road
And its every curve
Where the hills commence their climbing
We rested here
If my memory serves
The northern lights were shining
You lit a smoke
We shared some wine
We watched the sky in wonder
Your laughter echoes after all this time
In that high and wild blue yonder
I don't know why I write these lines
It's not like I could send you the letter
It's that I love your more after all this time
It's that I wish I'd shown you better
Years have slipped
Beneath my wheels
Dwindling in my rear view mirror
As time has passed
Your life has seemed less real
But these night drives bring you nearer
So tonight I'll wish upon these stars
As they rise upward to guide me
That I'll see you here just as you are
Now, as then, beside me
Scares me how the years have flown
Like the leaves drift in September
They've lost sight of you as your legacy's grown
But this road and I
We remember.
Garnet Rogers
For Valantine's Day
Summer Lightning
I was driving west
through the Bighorn Mountains
The hills were heavy with new-fallen snow
And the sun-bright hills
were dappled like a pony
I was driving hard, I had miles to go
And a magpie flew
across the mountain highway
It flashed and tumbled
through the golden trees
And I thought of you
and my heart was lifted
and floated with that magpie, on the morning breeze
For where I go
You go with me
Thought the miles keep us apart
Your kiss is on my lips and your face before me
And your gentle hand, always on my heart
We are brief as a summer lightning
We are swift as swallow's flight
We are sparks that spiral upward in the darkness in the night
We are frost upon a window
We won't pass this way again
In the end only love remains
Tonight the harvest moon
hangs across the valley
I see the hills shine in its silvery light
It's the same old moon
That shines upon you
It'll light my way until I'm by your side
Well, who scattered these diamonds
Through the vault of heaven?
Who drew the curve of the magpie's wing?
Who shaped your face?
What made you love me?
Where is the spark of every living thing?
Well, I guess I don't know
Don't care either
I know you love me
How could I not see?
And I am yours, now and forever
Until my lips fall silent and my eyes can't see
We are brief as a summer lightning
We are swift as swallow's flight
We are sparks that spiral upward in the darkness in the night
We are frost upon a window
We won't pass this way again
In the end , dear, only love remains
I was driving west
through the Bighorn Mountains
The hills were heavy with new-fallen snow
And the sun-bright hills
were dappled like a pony
I was driving hard, I had miles to go
And a magpie flew
across the mountain highway
It flashed and tumbled
through the golden trees
And I thought of you
and my heart was lifted
and floated with that magpie, on the morning breeze
For where I go
You go with me
Thought the miles keep us apart
Your kiss is on my lips and your face before me
And your gentle hand, always on my heart
We are brief as a summer lightning
We are swift as swallow's flight
We are sparks that spiral upward in the darkness in the night
We are frost upon a window
We won't pass this way again
In the end only love remains
Tonight the harvest moon
hangs across the valley
I see the hills shine in its silvery light
It's the same old moon
That shines upon you
It'll light my way until I'm by your side
Well, who scattered these diamonds
Through the vault of heaven?
Who drew the curve of the magpie's wing?
Who shaped your face?
What made you love me?
Where is the spark of every living thing?
Well, I guess I don't know
Don't care either
I know you love me
How could I not see?
And I am yours, now and forever
Until my lips fall silent and my eyes can't see
We are brief as a summer lightning
We are swift as swallow's flight
We are sparks that spiral upward in the darkness in the night
We are frost upon a window
We won't pass this way again
In the end , dear, only love remains
For Valantine's Day
All that Is
Who can tell when in love you'll finally fall?
Some live in vain and never love at all
but as lightning strikes
or as a small insistent voice
if we are blessed
we will hear and heed the call
Give your love and never count the cost
Lose your heart and never call it lost
May your love be your shelter
to the ending of your days
love is all that is, all that ever was
May your love grow strong and always kind
May your hearts grow forever more entwined
In the brightest day or the stillness of the night
May it be each others hand you seek and find
Never more to be alone
Ever closer you have grown
Forever now may no distance come between
And in each other's loving hearts you find a home
Garnet Rogers
Who can tell when in love you'll finally fall?
Some live in vain and never love at all
but as lightning strikes
or as a small insistent voice
if we are blessed
we will hear and heed the call
Give your love and never count the cost
Lose your heart and never call it lost
May your love be your shelter
to the ending of your days
love is all that is, all that ever was
May your love grow strong and always kind
May your hearts grow forever more entwined
In the brightest day or the stillness of the night
May it be each others hand you seek and find
Never more to be alone
Ever closer you have grown
Forever now may no distance come between
And in each other's loving hearts you find a home
Garnet Rogers
Thursday, 9 February 2012
Meditations in time of Civil War
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble it's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
William Butler Yeats
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble it's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
William Butler Yeats
Wednesday, 8 February 2012
The Battle of Liège
Now spake the Emperor to all his shining battle forces,
To the Lancers, and the Rifles, to the Gunners and the Horses; --
And his pride surged up within him as he saw their banners stream! --
" 'Tis a twelve-day march to Paris, by the road our fathers travelled,
And the prize is half an empire when the scarlet road's unravelled --
Go you now across the border,
God's decree and William's order --
Climb the frowning Belgian ridges
With your naked swords agleam!
Seize the City of the Bridges --
Then get on, get on to Paris --
To the jewelled streets of Paris --
To the lovely woman, Paris, that has driven me to dream!"
A hundred thousand fighting men
They climbed the frowning ridges,
With their flaming swords drawn free
And their pennants at their knee.
They went up to their desire,
To the City of the Bridges,
With their naked brands outdrawn
Like the lances of the dawn!
In a swelling surf of fire,
Crawling higher -- higher -- higher --
Till they crumpled up and died
Like a sudden wasted tide,
And the thunder in their faces beat them down and flung them wide!
They had paid a thousand men,
Yet they formed and came again,
For they heard the silver bugles sounding challenge to their pride,
And they rode with swords agleam
For the glory of a dream,
And they stormed up to the cannon's mouth and withered there, and died. . . .
The daylight lay in ashes
On the blackened western hill,
And the dead were calm and still;
But the Night was torn with gashes --
Sudden ragged crimson gashes --
And the siege-guns snarled and roared,
With their flames thrust like a sword,
And the tranquil moon came riding on the heaven's silver ford.
What a fearful world was there,
Tangled in the cold moon's hair!
Man and beast lay hurt and screaming,
(Men must die when Kings are dreaming!) --
While within the harried town
Mothers dragged their children down
As the awful rain came screaming,
For the glory of a Crown!
So the Morning flung her cloak
Through the hanging pall of smoke --
Trimmed with red, it was, and dripping with a deep and angry stain!
And the Day came walking then
Through a lane of murdered men,
And her light fell down before her like a Cross upon the plain!
But the forts still crowned the height
With a bitter iron crown!
They had lived to flame and fight,
They had lived to keep the Town!
And they poured their havoc down
All that day . . . and all that night. . . .
While four times their number came,
Pawns that played a bloody game! --
With a silver trumpeting,
For the glory of the King,
To the barriers of the thunder and the fury of the flame!
So they stormed the iron Hill,
O'er the sleepers lying still,
And their trumpets sang them forward through the dull succeeding dawns,
But the thunder flung them wide,
And they crumpled up and died, --
They had waged the war of monarchs -- and they died the death of pawns.
But the forts still stood . . . . Their breath
Swept the foeman like a blade,
Though ten thousand men were paid
To the hungry purse of Death,
Though the field was wet with blood,
Still the bold defences stood,
Stood!
And the King came out with his bodyguard at the day's departing gleam --
And the moon rode up behind the smoke and showed the King his dream.
Dana Burnet
Now spake the Emperor to all his shining battle forces,
To the Lancers, and the Rifles, to the Gunners and the Horses; --
And his pride surged up within him as he saw their banners stream! --
" 'Tis a twelve-day march to Paris, by the road our fathers travelled,
And the prize is half an empire when the scarlet road's unravelled --
Go you now across the border,
God's decree and William's order --
Climb the frowning Belgian ridges
With your naked swords agleam!
Seize the City of the Bridges --
Then get on, get on to Paris --
To the jewelled streets of Paris --
To the lovely woman, Paris, that has driven me to dream!"
A hundred thousand fighting men
They climbed the frowning ridges,
With their flaming swords drawn free
And their pennants at their knee.
They went up to their desire,
To the City of the Bridges,
With their naked brands outdrawn
Like the lances of the dawn!
In a swelling surf of fire,
Crawling higher -- higher -- higher --
Till they crumpled up and died
Like a sudden wasted tide,
And the thunder in their faces beat them down and flung them wide!
They had paid a thousand men,
Yet they formed and came again,
For they heard the silver bugles sounding challenge to their pride,
And they rode with swords agleam
For the glory of a dream,
And they stormed up to the cannon's mouth and withered there, and died. . . .
The daylight lay in ashes
On the blackened western hill,
And the dead were calm and still;
But the Night was torn with gashes --
Sudden ragged crimson gashes --
And the siege-guns snarled and roared,
With their flames thrust like a sword,
And the tranquil moon came riding on the heaven's silver ford.
What a fearful world was there,
Tangled in the cold moon's hair!
Man and beast lay hurt and screaming,
(Men must die when Kings are dreaming!) --
While within the harried town
Mothers dragged their children down
As the awful rain came screaming,
For the glory of a Crown!
So the Morning flung her cloak
Through the hanging pall of smoke --
Trimmed with red, it was, and dripping with a deep and angry stain!
And the Day came walking then
Through a lane of murdered men,
And her light fell down before her like a Cross upon the plain!
But the forts still crowned the height
With a bitter iron crown!
They had lived to flame and fight,
They had lived to keep the Town!
And they poured their havoc down
All that day . . . and all that night. . . .
While four times their number came,
Pawns that played a bloody game! --
With a silver trumpeting,
For the glory of the King,
To the barriers of the thunder and the fury of the flame!
So they stormed the iron Hill,
O'er the sleepers lying still,
And their trumpets sang them forward through the dull succeeding dawns,
But the thunder flung them wide,
And they crumpled up and died, --
They had waged the war of monarchs -- and they died the death of pawns.
But the forts still stood . . . . Their breath
Swept the foeman like a blade,
Though ten thousand men were paid
To the hungry purse of Death,
Though the field was wet with blood,
Still the bold defences stood,
Stood!
And the King came out with his bodyguard at the day's departing gleam --
And the moon rode up behind the smoke and showed the King his dream.
Dana Burnet
Requiescat
STREW on her roses, roses,
And never a spray of yew.
In quiet she reposes:
Ah! would that I did too.
Her mirth the world required:
She bathed it in smiles of glee.
But her heart was tired, tired,
And now they let her be.
Her life was turning, turning,
In mazes of heat and sound.
But for peace her soul was yearning,
And now peace laps her round.
Her cabin’d, ample Spirit,
It flutter’d and fail’d for breath.
To-night it doth inherit
The vasty hall of Death.
Matthew Arnold
STREW on her roses, roses,
And never a spray of yew.
In quiet she reposes:
Ah! would that I did too.
Her mirth the world required:
She bathed it in smiles of glee.
But her heart was tired, tired,
And now they let her be.
Her life was turning, turning,
In mazes of heat and sound.
But for peace her soul was yearning,
And now peace laps her round.
Her cabin’d, ample Spirit,
It flutter’d and fail’d for breath.
To-night it doth inherit
The vasty hall of Death.
Matthew Arnold
Patterns
I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon --
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?
Amy Lowell
I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon --
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?
Amy Lowell
Tuesday, 7 February 2012
The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
In powder and breeches and bright gold braid;
And high above them on the wall
Hung other English faces-all
Part of the pattern of English life—
General Sir Charles, and his pretty wife,
Admirals, Lords-Lieutenant of Shires,
Men who were served by these footmen's sires
At their great parties-none of them knowing
How soon or late they would all be going
In plainer dress to a sterner strife-
Another pattern of English life.
I went up the stairs between them all,
Strange and frightened and shy and small,
And as I entered the ballroom door,
Saw something I had never seen before
Except in portraits— a stout old guest
With a broad blue ribbon across his breast—
That blue as deep as the southern sea,
Bluer than skies can ever be—
The Countess of Salisbury—Edward the Third—
No damn merit— the Duke— I heard
My own voice saying; 'Upon my word,
The garter!' and clapped my hands like a child.
Some one beside me turned and smiled,
And looking down at me said: "I fancy,
You're Bertie's Australian cousin Nancy.
He toId me to tell you that he'd be late
At the Foreign Office and not to wait
Supper for him, but to go with me,
And try to behave as if I were he."
I should have told him on the spot
That I had no cousin—that I was not
Australian Nancy—that my name
Was Susan Dunne, and that I came
From a small white town on a deep-cut bay
In the smallest state in the U.S.A.
I meant to tell him, but changed my mind—
I needed a friend, and he seemed kind;
So I put my gloved hand into his glove,
And we danced together— and fell in love.
IV
Young and in love-how magical the phrase!
How magical the fact! Who has not yearned
Over young lovers when to their amaze
They fall in love and find their love returned,
And the lights brighten, and their eyes are clear
To see God's image in their common clay.
Is it the music of the spheres they hear?
Is it the prelude to that noble play,
The drama of Joined Lives? Ah, they forget
They cannot write their parts; the bell has rung,
The curtain rises and the stage is set
For tragedy-they were in love and young.
V
We went to the Tower,
We went to the Zoo,
We saw every flower
In the gardens at Kew.
We saw King Charles a-prancing
On his long-tailed horse,
And thought him more entrancing
Than better kings, of course.
At a strange early hour,
In St. James's palace yard,
We watched in a shower
The changing of the guard.
And I said, what a pity,
To have just a week to spend,
When London is a city
Whose beauties never end!
VI
When the sun shines on England, it atones
For low-hung leaden skies, and rain and dim
Moist fogs that paint the verdure on her stones
And fill her gentle rivers to the brim.
When the sun shines on England, shafts of light
Fall on far towers and hills and dark old trees,
And hedge-bound meadows of a green as bright—
As bright as is the blue of tropic seas.
When the sun shines, it is as if the face
Of some proud man relaxed his haughty stare,
And smiled upon us with a sudden grace,
Flattering because its coming is so rare.
VII
The English are frosty
When you're no kith or kin
Of theirs, but how they alter
When once they take you in!
The kindest, the truest,
The best friends ever known,
It's hard to remember
How they froze you to a bone.
They showed me all London,
Johnnie and his friends;
They took me to the country
For long week-ends;
I never was so happy,
I never had such fun,
I stayed many weeks in England
Instead of just one.
VIII
John had one of those English faces
That always were and will always be
Found in the cream of English places
Till England herself sink into the sea—
A blond, bowed face with prominent eyes
A little bit bluer than English skies.
You see it in ruffs and suits of armour,
You see it in wigs of many styles,
Soldier and sailor, judge and farmer—
That face has governed the British Isles,
By the power, for good or ill bestowed,
Only on those who live by code.
Oh, that inflexible code of living,
That seems so easy and unconstrained,
The Englishman's code of taking and giving
Rights and privileges pre-ordained,
Based since English life began
On the prime importance of being a man.
IX
And what a voice he had-gentle, profound,
Clear masculine!—I melted at the sound.
Oh, English voices, are there any words
Those tones to tell, those cadences to teach!
As song of thrushes is to other birds,
So English voices are to other speech;
Those pure round 'o's '—those lovely liquid 'l's'
Ring in the ears like sound of Sabbath bells.
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Many years later, I remember when
One evening I overheard two men
In Claridge's— white waistcoats, coats I know
Were built in Bond Street or in Savile Row—
So calm, so confident, so finely bred—
Young gods in tails— and this is what they said:
'Not your first visit to the States?' 'Oh no,
I'd been to Canada two years ago.'
Good God, I thought, have they not heard that we
Were those queer colonists who would be free,
Who took our desperate chance, and fought and won
Under a colonist called Washington?
One does not lose one's birthright, it appears.
I had been English then for many years.
X
We went down to Cambridge,
Cambridge in the spring.
In a brick court at twilight
We heard the thrushes sing,
And we went to evening service
In the chapel of the King.
The library of Trinity,
The quadrangle of Clare,
John bought a pipe from Bacon,
And I acquired there
The Anecdotes of Painting
From a handcart in the square.
The Playing fields at sunset
Were vivid emerald green,
The elms were tall and mighty,
And many youths were seen,
Carefree young gentlemen
In the Spring of 'Fourteen.
XI
London, just before dawn-immense and dark—
Smell of wet earth and growth from the empty Park,
Pall Mall vacant-Whitehall deserted. Johnnie and I
Strolling together, averse to saying good-bye—
Strolling away from some party in silence profound,
Only far off in Mayfair, piercing, the sound
Of a footman's whistle—the rhythm of hoofs on wood,
Further and further away. . . . And now we stood
On a bridge, where a poet came to keep
Vigil while all the city lay asleep—
Westminster Bridge, and soon the sun would rise,
And I should see it with my very eyes!
Yes, now it came— a broad and awful glow
Out of the violet mists of dawn. 'Ah, no',
I said. 'Earth has not anything to show
More fair— changed though it is— than this.'
A curious background surely for a kiss—
Our first— Westminster Bridge at break of day—
Settings by Wordsworth, as John used to say.
XII
Why do we fall in love? I do believe
That virtue is the magnet, the small vein
Of ore, the spark, the torch that we receive
At birth, and that we render back again.
That drop of godhood, like a precious stone,
May shine the brightest in the tiniest flake.
Lavished on saints, to sinners not unknown;
In harlot, nun, philanthropist, and rake,
It shines for those who love; none else discern
Evil from good; Men's fall did not bestow
That threatened wisdom; blindly still we yearn
After a virtue that we do not know,
Until our thirst and longing rise above
The barriers of reason—and we love.
XIII
And still I did not see my life was changed,
Utterly different—by this love estranged
For ever and ever from my native land;
That I was now of that unhappy band
Who lose the old, and cannot gain the new
However loving and however true
To their new duties. I could never be
An English woman, there was that in me
Puritan, stubborn that would not agree
To English standards, though I did not see
The truth, because I thought them, good or ill,
So great a people—and I think so still.
But a day came when I was forced to face
Facts. I was taken down to see the place,
The family place in Devon— and John's mother.
'Of course, you understand,' he said, 'my brother
Will have the place.' He smiled; he was so sure
The world was better for primogeniture.
And yet he loved that place, as Englishmen
Do love their native countryside, and when
The day should be as it was sure to be—
When this was home no more to him— when he
Could go there only when his brother's wife
Should ask him—to a room not his— his life
Would shrink and lose its meaning. How unjust,
I thought. Why do they feel it must
Go to that idle, insolent eldest son?
Well, in the end it went to neither one.
XIV
A red brick manor-house in Devon,
In a beechwood of old grey trees,
Ivy climbing to the clustered chimneys,
Rustling in the wet south breeze.
Gardens trampled down by Cromwell's army,
Orchards of apple-trees and pears,
Casements that had looked for the Armada,
And a ghost on the stairs.
XV
Johnnie's mother, the Lady Jean,
Child of a penniless Scottish peer,
Was handsome, worn high-coloured, lean,
With eyes like Johnnie's—more blue and clear—
Like bubbles of glass in her fine tanned face.
Quiet, she was, and so at ease,
So perfectly sure of her rightful place
In the world that she felt no need to please.
I did not like her—she made me feel
Talkative, restless, unsure, as if
I were a cross between parrot and eel.
I thought her blank and cold and stiff.
XVI
And presently she said as they
Sooner or later always say:
'You're an American, Miss Dunne?
Really you do not speak like one.'
She seemed to think she'd said a thing
Both courteous and flattering.
I answered though my wrist were weak
With anger: 'Not at all, I speak—
At least I've always thought this true—
As educated people do
In any country-even mine.'
'Really?' I saw her head incline,
I saw her ready to assert
Americans are easily hurt.
XVII
Strange to look back to the days
So long ago
When a friend was almost a foe,
When you hurried to find a phrase
For your easy light dispraise
Of a spirit you did not know,
A nature you could not plumb
In the moment of meeting,
Not guessing a day would come
When your heart would ache to hear
Other men's tongues repeating
Those same light phrases that jest and jeer
At a friend now grown so dear— so dear.
Strange to remember long ago
When a friend was almost a foe.
XVIII
I saw the house with its oaken stair,
And the Tudor Rose on the newel post,
The panelled upper gallery where
They told me you heard the family ghost—
'A gentle unhappy ghost who sighs
Outside one's door on the night one dies.'
'Not,' Lady Jean explained, 'at all
Like the ghost at my father's place, St. Kitts,
That clanks and screams in the great West Hall
And frightens strangers out of their wits.'
I smiled politely, not thinking I
Would hear one midnight that long sad sigh.
I saw the gardens, after our tea
(Crumpets and marmalade, toast and cake)
And Drake's Walk, leading down to the sea;
Lady Jean was startled I'd heard of Drake,
For the English always find it a mystery
That Americans study English history.
I saw the picture of every son—
Percy, the eldest, and John; and Bill
In Chinese Customs, and the youngest one
Peter, the sailor, at Osborne still;
And the daughter, Enid, married, alas,
To a civil servant in far Madras.
A little thing happened, just before
We left— the evening papers came;
John, flicking them over to find a score,
Spoke for the first time a certain name—
The name of a town in a distant land
Etched on our hearts by a murderer's hand.
Mother and son exchanged a glance,
A curious glance of strength and dread.
I thought: what matter to them if Franz
Ferdinand dies? One of them said:
This might be serious.' 'Yes, you're right.'
The other answered, 'It really might.'
XIX
Dear John: I'm going home. I write to say
Goodbye. My boat-train leaves at break of day;
It will be gone when this is in your hands.
I've had enough of lovely foreign lands,
Sightseeing, strangers, holiday and play;
I'm going home to those who think the way
I think, and speak as I do. Will you try
To understand that this must be good-bye?
We both rooted deeply in the soil
Of our own countries. But I could not spoil
Our happy memories with the stress and strain
Of parting; if we never meet again
Be sure I shall remember till I die
Your love, your laugh, your kindness. But—goodbye.
Please do not hate me; give the devil his due,
This is an act of courage. Always, Sue.
XX
The boat-train rattling
Through the green country-side;
A girl within it battling
With her tears and pride.
The Southampton landing,
Porters, neat and quick,
And a young man standing,
Leaning on his stick.
'Oh, John, John, you shouldn't
Have come this long way. . .
'Did you really think I wouldn't
Be here to make you stay?'
I can't remember whether
There was much stress and strain,
But presently, together,
We were travelling back again.
XXI
The English love their country with a love
Steady, and simple, wordless, dignified;
I think it sets their patriotism above
All others. We Americans have pride—
We glory in our country's short romance.
We boast of it and love it. Frenchmen when
The ultimate menace comes, will die for France
Logically as they lived. But Englishmen
Will serve day after day, obey the law,
And do dull tasks that keep a nation strong.
Once I remember in London how I saw
Pale shabby people standing in a long
Line in the twilight and the misty rain
To pay their tax. I then saw England plain.
XXII
Johnnie and I were married. England then
Had been a week at war, and all the men
Wore uniform, as English people can,
Unconscious of it. Percy, the best man,
As thin as paper and as smart as paint,
Bade us good-by with admirable restraint,
Went from the church to catch his train to hell;
And died-saving his batman from a shell.
XXIII
We went down to Devon,
In a warm summer rain,
Knowing that our happiness
Might never come again;
I, not forgetting,
'Till death us do part,'
Was outrageously happy
With death in my heart.
Lovers in peacetime
With fifty years to live,
Have time to tease and quarrel
And question what to give;
But lovers in wartime
Better understand
The fullness of living,
With death close at hand.
XXIV
My father wrote me a letter—
My father, scholarly, indolent, strong,
Teaching Greek better
Than high-school students repay—
Teaching Greek in the winter, but all summer long
Sailing a yawl in Narragansett Bay;
Happier perhaps when I was away,
Free of an anxious daughter,
He could sail blue water
Day after day,
Beyond Brenton Reef Lightship, and Beavertail,
Past Cuttyhunk to catch a gale
Off the Cape, while he thought of Hellas and Troy,
Chanting with joy
Greek choruses— those lines that he said
Must be written some day on a stone at his head:
'But who can know
As the long years go
That to live is happy, has found his heaven.'
My father, so far away—
I thought of him, in Devon,
Anchoring in a blind fog in Booth Bay.
XXV
'So, Susan, my dear,' the letter began,
'You've fallen in love with an Englishman.
Well, they're a manly, attractive lot,
If you happen to like them, which I do not.
I am a Yankee through and through,
And I don't like them, or the things they do.
Whenever it's come to a knock-down fight
With us, they were wrong, and we right;
If you don't believe me, cast your mind
Back over history, what do you find?
They certainly had no justification
For that maddening plan to impose taxation
Without any form of representation.
Your man may be all that a man should be,
Only don't you bring him back to me
Saying he can't get decent tea—
He could have got his tea all right
In Boston Harbour a certain night,
When your great-great-grandmother— also a Sue—
Shook enough tea from her husband's shoe
To supply her house for a week or two.
The war of 1812 seems to me
About as just as a war could be.
How could we help but come to grips
With a nation that stopped and searched our ships,
And took off our seamen for no other reason
Except that they needed crews that season.
I can get angry still at the tale
Of their letting the Alabama sail,
And Palmerston being insolent
To Lincoln and Seward over the Trent.
All very long ago, you'll say,
But whenever I go up Boston-way,
I drive through Concord—that neck of the wood,
Where once the embattled farmers stood,
And I think of Revere, and the old South Steeple,
And I say, by heck, we're the only people
Who licked them not only once, but twice.
Never forget it-that's my advice.
They have their points—they're honest and brave,
Loyal and sure—as sure as the grave;
They make other nations seem pale and flighty,
But they do think England is god almighty,
And you must remind them now and then
That other countries breed other men.
From all of which you will think me rather
Unjust. I am. Your devoted Father.
XXVI
I read, and saw my home with sudden yearning—
The small white wooden house, the grass-green door,
My father's study with the fire burning,
And books piled on the floor.
I saw the moon-faced clock that told the hours,
The crimson Turkey carpet, worn and frayed,
The heavy dishes—gold with birds and flowers—
Fruits of the China trade.
I saw the jack o' lanterns, friendly, frightening,
Shine from our gateposts every Hallow-e'en;
I saw the oak tree, shattered once by lightning,
Twisted, stripped clean.
I saw the Dioscuri— two black kittens,
Stalking relentlessly an empty spool;
I saw a little girl in scarlet mittens
Trudging through snow to school.
XXVII
John read the letter with his lovely smile.
'Your father has a vigorous English style,
And what he says is true, upon my word;
But what's this war of which I never heard?
We didn't fight in 1812.' 'Yes, John,
That was the time when you burnt Washington.'
'We couldn't have, my dear. . .' 'I mean the city.'
'We burnt it?' 'Yes, you did.' 'What a pity!
No wonder people hate us. But, I say,
I'll make your father like me yet, some day.'
XXVIII
I settled down in Devon,
When Johnnie went to France.
Such a tame ending
To a great romance—
Two lonely women
With nothing much to do
But get to know each other;
She did and I did, too.
Mornings at the rectory
Learning how to roll
Bandages, and always
Saving light and coal.
Oh, that house was bitter
As winter closed in,
In spite of heavy stockings
And woollen next the skin.
I was cold and wretched,
And never unaware
Of John more cold and wretched
In a trench out there.
XXIX
All that long winter I wanted so much to complain,
But my mother-in-Iaw, as far as I could see,
Felt no such impulse, though she was always in pain,
An, as the winter fogs grew thick,
Took to walking with a stick,
Heavily.
Those bubble-like eyes grew black
Whenever she rose from a chair—
Rose and fell back,
Unable to bear
The sure agonizing
Torture of rising.
Her hands, those competent bony hands,
Grew gnarled and old,
But never ceased to obey the commands
Of her will— only finding new hold
Of bandage and needle and pen.
And not for the blinking
Of an eye did she ever stop thinking
Of the suffering of Englishmen
And her two sons in the trenches. Now and then
I could forget for an instant in a book or a letter,
But she never, never forgot— either one—
Percy and John—though I knew she loved one better—
Percy, the wastrel, the gambler, the eldest son.
I think I shall always remember
Until I die
Her face that day in December,
When in a hospital ward together, she and I
Were writing letters for wounded men and dying,
Writing and crying
Over their words, so silly and simple and loving,
Suddenly, looking up, I saw the old Vicar moving
Like fate down the hospital ward, until
He stood still
Beside her, where she sat at a bed.
'Dear friend, come home. I have tragic news,' he said
She looked straight at him without a spasm of fear,
Her face not stern or masked—
'Is it Percy or John?' she asked.
'Percy.' She dropped her eyes. 'I am needed here.
Surely you know
I cannot go
Until every letter is written. The dead
Must wait on the living,' she said.
'This is my work. I must stay.'
And she did— the whole long day.
XXX
Out of the dark, and dearth
Of happiness on earth,
Out of a world inured to death and pain;
On a fair spring mom
To me a son was born,
And hope was born-the future lived again.
To me a son was born,
The lonely hard forlorn
Travail was, as the Bible tells, forgot.
How old, how commonplace
To look upon the face
Of your first-born, and glory in your lot.
To look upon his face
And understand your place
Among the unknown dead in churchyards lying,
To see the reason why
You lived and why you die—
Even to find a certain grace in dying.
To know the reason why
Buds blow and blossoms die,
Why beauty fades, and genius is undone,
And how unjustified
Is any human pride
In all creation— save in this common one.
XXXI
Maternity is common, but not so
It seemed to me. Motherless, I did not know—
I was all unprepared to feel this glow,
Holy as a Madonna's, and as crude
As any animal's beatitude—
Crude as my own black cat's, who used to bring
Her newest litter to me every spring,
And say, with green eyes shining in the sun:
'Behold this miracle that I have done.'
And John came home on leave, and all was joy
And thankfulness to me, because my boy
Was not a baby only, but the heir—
Heir to the Devon acres and a name
As old as England. Somehow I became
Almost an English woman, almost at one
With all they ever did— all they had done.
XXXII
'I want him called John after you, or if not that I'd rather—'
'But the eldest son is always called Percy, dear.'
'I don't ask to call him Hiram, after my father—'
'But the eldest son is always called Percy, dear.'
'But I hate the name Percy. I like Richard or Ronald,
Or Peter like your brother, or Ian or Noel or Donald—'
'But the eldest is always called Percy, dear.'
So the Vicar christened him Percy; and Lady Jean
Gave to the child and me the empty place
In hr heart. Poor Lady, it was as if she had seen
The world destroyed— the extinction of her race,
Her country, her class, her name— and now she saw
Them live again. And I would hear her say:
'No. I admire Americans; my daughter-in-law
Was an American.' Thus she would well repay
The debt, and I was grateful— the English made
Life hard for those who did not come to her aid.
XXXIII
'They must come in in the spring.'
'Don't they care sixpence who's right?'
'What a ridiculous thing—
Saying they're too proud to fight.'
'Saying they're too proud to fight.'
'Wilson's pro-German, I'm told.'
'No, it's financial.' 'Oh, quite,
All that they care for is gold.'
'All that they care for is gold.'
'Seem to like writing a note.'
'Yes, as a penman, he's bold.'
'No. It's the Irish vote.'
'Oh, it's the Irish vote.'
'What if the Germans some night
Sink an American boat?'
'Darling, they're too proud to fight.'
XXXIV
What could I do, but ache and long
That my country, peaceful, rich, and strong,
Should come and do battle for England's sake.
What could I do, but long and ache.
And my father's letters I hid away
Lest some one should know the things he'd say.
'You ask me whether we're coming in—
We are. The English are clever as sin,
Silently, subtly they inspire
Most of youth with a holy fire
To shed their blood for the British Empire
We'll come in— we'll fight and die
Humbly to help them, and by and by,
England will do us in the eye.
They'll get colonies, gold and fame,
And we'll get nothing at all but blame.
Blame for not having come before,
Blame for not having sent them more
Money and men and war supplies,
Blame if we venture to criticise.
We're so damn simple— our skins so thin
We'll get nothing whatever, but we'll come in.'
XXXV
And at last—at last—like the dawn of a calm, fair day
After a night of terror and storm, they came—
My young light-hearted countrymen, tall and gay,
Looking the world over in search of fun and fame,
Marching through London to the beat of a boastful air,
Seeing for the first time Piccadilly and Leicester Square,
All the bands playing: 'Over There, Over There,
Send the word, send the word to beware—'
And as the American flag went fluttering by
Englishmen uncovered, and I began to cry.
XXXVI
'We're here to end it, by jingo.'
'We'll lick the Heinies okay.'
'I can't get on to the lingo.'
'Dumb-they don't get what we say.'
'Call that stuff coffee? You oughter
Know better. Gee, take it away.'
'Oh, for a drink of ice water! '
'They think nut-sundae's a day.'
'Say, is this chicken feed money?'
'Say, does it rain every day?'
'Say, Lady, isn't it funny
Every one drives the wrong way?'
XXXVII
How beautiful upon the mountains,
How beautiful upon the downs,
How beautiful in the village post-office,
On the pavements of towns—
How beautiful in the huge print of newspapers,
Beautiful while telegraph wires hum,
While telephone bells wildly jingle,
The news that peace has come—
That peace has come at last—that all wars cease.
How beautiful upon the mountains are the footsteps
Of the messengers of peace!
XXXVIII
In the depth of the night betwixt midnight and morning,
In the darkness and silence forerunning the dawn,
The throb of my heart was a drum-beat of warning,
My ears were a-strain and my breath was undrawn.
In the depth of the night, when the old house was sleeping,
I lying alone in a desolate bed,
Heard soft on the staircase a slow footstep creeping—
The ear of the living—the step of the dead.
In the depth of the night betwixt midnight and morning
A step drawing near on the old oaken floor—
On the stair— in the gallery— the ghost that gives warning
Of death, by that heartbreaking sigh at my door.
XXXIX
Bad news is not broken,
By kind tactful word;
The message is spoken
Ere the word can be heard.
The eye and the bearing,
The breath make it clear,
And the heart is despairing
Before the ears hear.
I do not remember
The words that they said:
'Killed—Douai—November—'
I knew John was dead.
All done and over—
That day long ago—
The while cliffs of Dover—
Little did I know.
XL
As I grow older, looking back, I see
Not those the longest planted in the heart
Are the most missed. Some unions seem to be
Too close for even death to tear apart.
Those who have lived together many years,
And deeply learnt to read each other's mind,
Vanities, tempers, virtues, hopes, and fears—
One cannot go—nor is one left behind.
Alas, with John and me this was not so;
I was defrauded even of the past.
Our days had been so pitifully few,
Fight as I would, I found the dead go fast.
I had lost all—had lost not love alone,
But the bright knowledge it had been my own.
XLI
Oh, sad people, buy not your past too dearly,
Live not in dreams of the past, for understand,
If you remember too much, too long, too clearly,
If you grasp memory with too heavy a hand,
You will destroy memory in all its glory
For the sake of the dreams of your head upon your bed.
You will be left with only the worn dead story
You told yourself of the dead.
XLII
Nanny brought up my son, as his father before him,
Austere on questions of habits, manners, and food.
Nobly yielding a mother's right to adore him,
Thinking that mothers never did sons much good.
A Scot from Lady Jean's own native passes,
With a head as smooth and round as a silver bowl,
A crooked nose, and eyes behind her glasses
Grey and bright and wise—a great soul !
Ready to lay down her life for her charge, and ready
To administer discipline without consulting me:
'Is that the way for you to answer my leddy?
I think you'll get no sweet tonight to your tea.'
Bringing him up better than I could do it,
Teaching him to be civil and manly and cool
In the face of danger. And then before I knew it
The time came for him to go off to school.
Off to school to be free of women's teaching,
Into a world of men— at seven years old;
Into a world where a mother's hands vainly reaching
Will never again caress and comfort and hold.
XLIII
My father came over now and then
To look at the boy and talk to me,
Never staying long,
For the urge was strong
To get back to his yawl and the summer sea.
He came like a nomad passing by,
Hands in his pockets, hat over one eye,
Teasing every one great and small
With a blank straight face and a Yankee drawl;
Teasing the Vicar on Apostolic Succession
And what the Thirty-Nine Articles really meant to convey,
Teasing Nanny, though he did not
Make much impression
On that imperturbable Scot.
Teasing our local grandee, a noble peer,
Who firmly believed the Ten Lost Tribes
Of Israel had settled here—
A theory my father had at his fingers' ends—
Only one person was always safe from his jibes—
My mother-in-law, for they were really friends.
XLIV
Oh, to come home to your country
After long years away,
To see the tall shining towers
Rise over the rim of the bay,
To feel the west wind steadily blowing
And the sunshine golden and hot,
To speak to each man as an equal,
Whether he is or not.
XLV
Was this America—this my home?
Prohibition and Teapot Dome—
Speakeasies, night-clubs, illicit stills,
Dark faces peering behind dark grills,
Hold-ups, kidnappings, hootch or booze—
Every one gambling—you just can't lose,
Was this my country? Even the bay
At home was altered, strange ships lay
At anchor, deserted day after day,
Old yachts in a rusty dim decay—
Like ladies going the primrose way—
At anchor, until when the moon was black,
They sailed, and often never came back.
Even my father's Puritan drawl
Told me shyly he'd sold his yawl
For a fabulous price to the constable's son—
My childhood's playmate, thought to be one
Of a criminal gang, rum-runners all,
Such clever fellows with so much money—
Even the constable found it funny,
Until one morning his son was found,
Floating dead in Long Island Sound.
Was this my country? It seemed like heaven
To get back, dull and secure, to Devon,
Loyally hiding from Lady Jean
And my English friends the horrors I'd seen.
XLVI
That year she died, my nearest, dearest friend;
Lady Jean died, heroic to the end.
The family stood about her grave, but none
Mourned her as I did. After, one by one,
They slipped away—Peter and Bill—my son
Went back to school. I hardly was aware
Of Percy's lovely widow, sitting there
In the old room, in Lady Jean's own chair.
An English beauty glacially fair
Was Percy's widow Rosamund, her hair
Was silver gilt, and smooth as silk, and fine,
Her eyes, sea-green, slanted away from mine,
From any one's, as if to meet the gaze
Of others was too intimate a phase
For one as cool and beautiful as she.
We were not friends or foes. She seemed to be
Always a little irked— fretted to find
That other women lived among mankind.
Now for the first time after years of meeting,
Never exchanging more than formal greeting,
She spoke to me— that sharp determined way
People will speak when they have things to say.
XLVII
ROSAMUND: Susan, go home with your offspring. Fly.
Live in America. SUSAN: Rosamund, why?
ROSAMUND: Why, my dear girl, haven't you seen
What English country life can mean
With too small an income to keep the place
Going? Already I think I trace
A change in you, you no longer care
So much how you look or what you wear.
That coat and skirt you have on, you know
You wouldn't have worn them ten years ago.
Those thick warm stockings— they make me sad,
Your ankles were ankles to drive men mad.
Look at your hair— you need a wave.
Get out— go home— be hard— be brave,
Or else, believe me, you'll be a slave.
There's something in you— dutiful— meek—
You'll be saving your pin-money every week
To mend the roof. Well, let it leak.
Why should you care? SUSAN: But I do care,
John loved this place and my boy's the heir.
ROSAMUND: The heir to what? To a tiresome life
Drinking tea with the vicar's wife,
Opening bazaars, and taking the chair
At meetings for causes that you don't care
Sixpence about and never will;
Breaking your heart over every bill.
I've been in the States, where everyone,
Even the poor, have a little fun.
Don't condemn your son to be
A penniless country squire. He
Would be happier driving a tram over there
Than mouldering his life away as heir.
SUSAN: Rosamund dear, this may all be true.
I'm an American through and through.
I don't see things as the English do,
But it's clearly my duty, it seems to me,
To bring up John's son, like him, to be
A country squire—poor alas,
But true to that English upper class
That does not change and does not pass.
ROSAMUND: Nonsense; it's come to an absolute stop.
Twenty years since we sat on top
Of the world, amusing ourselves and sneering
At other manners and customs, jeering
At other nations, living in clover—
Not any more. That's done and over.
No one nowadays cares a button
For the upper classes— they're dead as mutton.
Go home. SUSAN: I notice that you don't go.
ROSAMUND: My dear, that shows how little you know.
I'm escaping the fate of my peers,
Marrying one of the profiteers,
Who hasn't an 'aitch' where an 'aitch' should be,
But millions and millions to spend on me.
Not much fun— but there wasn't any
Other way out. I haven't a penny.
But with you it's different. You can go away,
And oh, what a fool you'd be to stay.
XLVIII
Rabbits in the park,
Scuttling as we pass,
Little white tails
Against the green grass.
'Next time, Mother,
I must really bring a gun,
I know you don't like shooting,
But—!' John's own son,
That blond bowed face,
Those clear steady eyes,
Hard to be certain
That the dead don't rise.
Jogging on his pony
Through the autumn day,
'Bad year for fruit, Mother,
But good salt hay.'
Bowling for the village
As his father had before;
Coming home at evening
To read the cricket score,
Back to the old house
Where all his race belong,
Tired and contented—
Rosamund was wrong.
XLIX
If some immortal strangers walked our land
And heard of death, how could they understand
That we—doomed creatures—draw our meted breath
Light-heartedly—all unconcerned with death.
So in these years between the wars did men
From happier continents look on us when
They brought us sympathy, and saw us stand
Like the proverbial ostrich-head in sand—
While youth passed resolutions not to fight,
And statesmen muttered everything was right—
Germany, a kindly, much ill-treated nation—
Russia was working out her own salvation
Within her borders. As for Spain, ah, Spain
Would buy from England when peace came again!
I listened and believed— believed through sheer
Terror. I could not look whither my fear
Pointed— that agony that I had known.
I closed my eyes, and was not alone.
Later than many, earlier than some,
I knew the die was cast— that war must come;
That war must come. Night after night I lay
Steeling a broken heart to face the day
When he, my son— would tread the very same
Path that his father trod. When the day came
I was not steeled— not ready. Foolish, wild
Words issued from my lips— 'My child, my child,
Why should you die for England too?' He smiled:
'Is she not worth it, if I must?' he said.
John would have answered yes— but John was dead.
L
Is she worth dying for? My love, my one
And only love had died, and now his son
Asks me, his alien mother, to assay
The worth of England to mankind today—
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war;
This happy breed of men, this little world,
This precious stone set in the silver sea—
Ah, no, not that—not Shakespeare—I must be
A sterner critic. I must weigh the ill
Against the good, must strike the balance, till
I know the answer— true for me alone—
What is she worth— this country— not my own?
I thought of my father's deep traditional wrath
Against England— the redcoat bully— the ancient foe—
That second reaping of hate, that aftermath
Of a ruler's folly and ignorance long ago—
Long, long ago— yet who can honestly say
England is utterly changed— not I— not I.
Arrogance, ignorance, folly are here today,
And for these my son must die?
I thought of these years, these last dark terrible years
When the leaders of England bade the English believe
Lies at the price of peace, lies and fears,
Lies that corrupt, and fears that sap and deceive.
I though of the bars dividing man from man,
Invisible bars that the humble may not pass,
And how no pride is uglier, crueller than
The pride unchecked of class.
Oh, those invisible bars of manners and speech,
Ways that the proud man will not teach
The humble lest they too reach
Those splendid heights where a little band
Have always stood and will always stand
Ruling the fate of this small green land,
Rulers of England—for them must I
Send out my only son to die?
LI
And then, and then,
I thought of Elizabeth stepping down
Over the stones of Plymouth town
To welcome her sailors, common men,
She herself, as she used to say,
Being' mere English' as much as they—
Seafaring men who sailed away
From rocky inlet and wooded bay,
Free men, undisciplined, uncontrolled,
Some of them pirates and all of them bold,
Feeling their fate was England's fate,
Coming to save it a little late,
Much too late for the easy way,
Much too late, and yet never quite
Too late to win in that last worst fight.
And I thought of Hampden and men like him,
St John and Eliot, Cromwell and Pym,
Standing firm through the dreadful years,
When the chasm was opening, widening,
Between the Commons and the King;
I thought of the Commons in tears— in tears,
When Black Rod knocked at Parliament's door,
And they saw Rebellion straight before—
Weeping, and yet as hard as stone,
Knowing what the English have always known
Since then— and perhaps have known alone—
Something that none can teach or tell—
The moment when God's voice says; 'Rebel.'
Not to rise up in sudden gust
Of passion— not, though the cause be just;
Not to submit so long that hate,
Lava torrents break out and spill
Over the land in a fiery spate;
Not to submit for ever, until
The will of the country is one man's will,
And every soul in the whole land shrinks
From thinking—except as his neighbour thinks.
Men who have governed England know
That dreadful line that they may not pass
And live. Elizabeth long ago
Honoured and loved, and bold as brass,
Daring and subtle, arrogant, clever,
English, too, to her stiff backbone,
Somewhat a bully, like her own
Father— yet even Elizabeth never
Dared to oppose the sullen might
Of the English, standing upon a right.
LII
And were they not English, our forefathers, never more
English than when they shook the dust of her sod
From their feet for ever, angrily seeking a shore
Where in his own way a man might worship his God.
Never more English than when they dared to be
Rebels against her-that stem intractable sense
Of that which no man can stomach and still be free,
Writing: 'When in the course of human events. . .'
Writing it out so all the world could see
Whence come the powers of all just governments.
The tree of Liberty grew and changed and spread,
But the seed was English.
I am American bred,
I have seen much to hate here— much to forgive,
But in a world where England is finished and dead,
I do not wish to live.
Alice Duer Miller
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
In powder and breeches and bright gold braid;
And high above them on the wall
Hung other English faces-all
Part of the pattern of English life—
General Sir Charles, and his pretty wife,
Admirals, Lords-Lieutenant of Shires,
Men who were served by these footmen's sires
At their great parties-none of them knowing
How soon or late they would all be going
In plainer dress to a sterner strife-
Another pattern of English life.
I went up the stairs between them all,
Strange and frightened and shy and small,
And as I entered the ballroom door,
Saw something I had never seen before
Except in portraits— a stout old guest
With a broad blue ribbon across his breast—
That blue as deep as the southern sea,
Bluer than skies can ever be—
The Countess of Salisbury—Edward the Third—
No damn merit— the Duke— I heard
My own voice saying; 'Upon my word,
The garter!' and clapped my hands like a child.
Some one beside me turned and smiled,
And looking down at me said: "I fancy,
You're Bertie's Australian cousin Nancy.
He toId me to tell you that he'd be late
At the Foreign Office and not to wait
Supper for him, but to go with me,
And try to behave as if I were he."
I should have told him on the spot
That I had no cousin—that I was not
Australian Nancy—that my name
Was Susan Dunne, and that I came
From a small white town on a deep-cut bay
In the smallest state in the U.S.A.
I meant to tell him, but changed my mind—
I needed a friend, and he seemed kind;
So I put my gloved hand into his glove,
And we danced together— and fell in love.
IV
Young and in love-how magical the phrase!
How magical the fact! Who has not yearned
Over young lovers when to their amaze
They fall in love and find their love returned,
And the lights brighten, and their eyes are clear
To see God's image in their common clay.
Is it the music of the spheres they hear?
Is it the prelude to that noble play,
The drama of Joined Lives? Ah, they forget
They cannot write their parts; the bell has rung,
The curtain rises and the stage is set
For tragedy-they were in love and young.
V
We went to the Tower,
We went to the Zoo,
We saw every flower
In the gardens at Kew.
We saw King Charles a-prancing
On his long-tailed horse,
And thought him more entrancing
Than better kings, of course.
At a strange early hour,
In St. James's palace yard,
We watched in a shower
The changing of the guard.
And I said, what a pity,
To have just a week to spend,
When London is a city
Whose beauties never end!
VI
When the sun shines on England, it atones
For low-hung leaden skies, and rain and dim
Moist fogs that paint the verdure on her stones
And fill her gentle rivers to the brim.
When the sun shines on England, shafts of light
Fall on far towers and hills and dark old trees,
And hedge-bound meadows of a green as bright—
As bright as is the blue of tropic seas.
When the sun shines, it is as if the face
Of some proud man relaxed his haughty stare,
And smiled upon us with a sudden grace,
Flattering because its coming is so rare.
VII
The English are frosty
When you're no kith or kin
Of theirs, but how they alter
When once they take you in!
The kindest, the truest,
The best friends ever known,
It's hard to remember
How they froze you to a bone.
They showed me all London,
Johnnie and his friends;
They took me to the country
For long week-ends;
I never was so happy,
I never had such fun,
I stayed many weeks in England
Instead of just one.
VIII
John had one of those English faces
That always were and will always be
Found in the cream of English places
Till England herself sink into the sea—
A blond, bowed face with prominent eyes
A little bit bluer than English skies.
You see it in ruffs and suits of armour,
You see it in wigs of many styles,
Soldier and sailor, judge and farmer—
That face has governed the British Isles,
By the power, for good or ill bestowed,
Only on those who live by code.
Oh, that inflexible code of living,
That seems so easy and unconstrained,
The Englishman's code of taking and giving
Rights and privileges pre-ordained,
Based since English life began
On the prime importance of being a man.
IX
And what a voice he had-gentle, profound,
Clear masculine!—I melted at the sound.
Oh, English voices, are there any words
Those tones to tell, those cadences to teach!
As song of thrushes is to other birds,
So English voices are to other speech;
Those pure round 'o's '—those lovely liquid 'l's'
Ring in the ears like sound of Sabbath bells.
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Many years later, I remember when
One evening I overheard two men
In Claridge's— white waistcoats, coats I know
Were built in Bond Street or in Savile Row—
So calm, so confident, so finely bred—
Young gods in tails— and this is what they said:
'Not your first visit to the States?' 'Oh no,
I'd been to Canada two years ago.'
Good God, I thought, have they not heard that we
Were those queer colonists who would be free,
Who took our desperate chance, and fought and won
Under a colonist called Washington?
One does not lose one's birthright, it appears.
I had been English then for many years.
X
We went down to Cambridge,
Cambridge in the spring.
In a brick court at twilight
We heard the thrushes sing,
And we went to evening service
In the chapel of the King.
The library of Trinity,
The quadrangle of Clare,
John bought a pipe from Bacon,
And I acquired there
The Anecdotes of Painting
From a handcart in the square.
The Playing fields at sunset
Were vivid emerald green,
The elms were tall and mighty,
And many youths were seen,
Carefree young gentlemen
In the Spring of 'Fourteen.
XI
London, just before dawn-immense and dark—
Smell of wet earth and growth from the empty Park,
Pall Mall vacant-Whitehall deserted. Johnnie and I
Strolling together, averse to saying good-bye—
Strolling away from some party in silence profound,
Only far off in Mayfair, piercing, the sound
Of a footman's whistle—the rhythm of hoofs on wood,
Further and further away. . . . And now we stood
On a bridge, where a poet came to keep
Vigil while all the city lay asleep—
Westminster Bridge, and soon the sun would rise,
And I should see it with my very eyes!
Yes, now it came— a broad and awful glow
Out of the violet mists of dawn. 'Ah, no',
I said. 'Earth has not anything to show
More fair— changed though it is— than this.'
A curious background surely for a kiss—
Our first— Westminster Bridge at break of day—
Settings by Wordsworth, as John used to say.
XII
Why do we fall in love? I do believe
That virtue is the magnet, the small vein
Of ore, the spark, the torch that we receive
At birth, and that we render back again.
That drop of godhood, like a precious stone,
May shine the brightest in the tiniest flake.
Lavished on saints, to sinners not unknown;
In harlot, nun, philanthropist, and rake,
It shines for those who love; none else discern
Evil from good; Men's fall did not bestow
That threatened wisdom; blindly still we yearn
After a virtue that we do not know,
Until our thirst and longing rise above
The barriers of reason—and we love.
XIII
And still I did not see my life was changed,
Utterly different—by this love estranged
For ever and ever from my native land;
That I was now of that unhappy band
Who lose the old, and cannot gain the new
However loving and however true
To their new duties. I could never be
An English woman, there was that in me
Puritan, stubborn that would not agree
To English standards, though I did not see
The truth, because I thought them, good or ill,
So great a people—and I think so still.
But a day came when I was forced to face
Facts. I was taken down to see the place,
The family place in Devon— and John's mother.
'Of course, you understand,' he said, 'my brother
Will have the place.' He smiled; he was so sure
The world was better for primogeniture.
And yet he loved that place, as Englishmen
Do love their native countryside, and when
The day should be as it was sure to be—
When this was home no more to him— when he
Could go there only when his brother's wife
Should ask him—to a room not his— his life
Would shrink and lose its meaning. How unjust,
I thought. Why do they feel it must
Go to that idle, insolent eldest son?
Well, in the end it went to neither one.
XIV
A red brick manor-house in Devon,
In a beechwood of old grey trees,
Ivy climbing to the clustered chimneys,
Rustling in the wet south breeze.
Gardens trampled down by Cromwell's army,
Orchards of apple-trees and pears,
Casements that had looked for the Armada,
And a ghost on the stairs.
XV
Johnnie's mother, the Lady Jean,
Child of a penniless Scottish peer,
Was handsome, worn high-coloured, lean,
With eyes like Johnnie's—more blue and clear—
Like bubbles of glass in her fine tanned face.
Quiet, she was, and so at ease,
So perfectly sure of her rightful place
In the world that she felt no need to please.
I did not like her—she made me feel
Talkative, restless, unsure, as if
I were a cross between parrot and eel.
I thought her blank and cold and stiff.
XVI
And presently she said as they
Sooner or later always say:
'You're an American, Miss Dunne?
Really you do not speak like one.'
She seemed to think she'd said a thing
Both courteous and flattering.
I answered though my wrist were weak
With anger: 'Not at all, I speak—
At least I've always thought this true—
As educated people do
In any country-even mine.'
'Really?' I saw her head incline,
I saw her ready to assert
Americans are easily hurt.
XVII
Strange to look back to the days
So long ago
When a friend was almost a foe,
When you hurried to find a phrase
For your easy light dispraise
Of a spirit you did not know,
A nature you could not plumb
In the moment of meeting,
Not guessing a day would come
When your heart would ache to hear
Other men's tongues repeating
Those same light phrases that jest and jeer
At a friend now grown so dear— so dear.
Strange to remember long ago
When a friend was almost a foe.
XVIII
I saw the house with its oaken stair,
And the Tudor Rose on the newel post,
The panelled upper gallery where
They told me you heard the family ghost—
'A gentle unhappy ghost who sighs
Outside one's door on the night one dies.'
'Not,' Lady Jean explained, 'at all
Like the ghost at my father's place, St. Kitts,
That clanks and screams in the great West Hall
And frightens strangers out of their wits.'
I smiled politely, not thinking I
Would hear one midnight that long sad sigh.
I saw the gardens, after our tea
(Crumpets and marmalade, toast and cake)
And Drake's Walk, leading down to the sea;
Lady Jean was startled I'd heard of Drake,
For the English always find it a mystery
That Americans study English history.
I saw the picture of every son—
Percy, the eldest, and John; and Bill
In Chinese Customs, and the youngest one
Peter, the sailor, at Osborne still;
And the daughter, Enid, married, alas,
To a civil servant in far Madras.
A little thing happened, just before
We left— the evening papers came;
John, flicking them over to find a score,
Spoke for the first time a certain name—
The name of a town in a distant land
Etched on our hearts by a murderer's hand.
Mother and son exchanged a glance,
A curious glance of strength and dread.
I thought: what matter to them if Franz
Ferdinand dies? One of them said:
This might be serious.' 'Yes, you're right.'
The other answered, 'It really might.'
XIX
Dear John: I'm going home. I write to say
Goodbye. My boat-train leaves at break of day;
It will be gone when this is in your hands.
I've had enough of lovely foreign lands,
Sightseeing, strangers, holiday and play;
I'm going home to those who think the way
I think, and speak as I do. Will you try
To understand that this must be good-bye?
We both rooted deeply in the soil
Of our own countries. But I could not spoil
Our happy memories with the stress and strain
Of parting; if we never meet again
Be sure I shall remember till I die
Your love, your laugh, your kindness. But—goodbye.
Please do not hate me; give the devil his due,
This is an act of courage. Always, Sue.
XX
The boat-train rattling
Through the green country-side;
A girl within it battling
With her tears and pride.
The Southampton landing,
Porters, neat and quick,
And a young man standing,
Leaning on his stick.
'Oh, John, John, you shouldn't
Have come this long way. . .
'Did you really think I wouldn't
Be here to make you stay?'
I can't remember whether
There was much stress and strain,
But presently, together,
We were travelling back again.
XXI
The English love their country with a love
Steady, and simple, wordless, dignified;
I think it sets their patriotism above
All others. We Americans have pride—
We glory in our country's short romance.
We boast of it and love it. Frenchmen when
The ultimate menace comes, will die for France
Logically as they lived. But Englishmen
Will serve day after day, obey the law,
And do dull tasks that keep a nation strong.
Once I remember in London how I saw
Pale shabby people standing in a long
Line in the twilight and the misty rain
To pay their tax. I then saw England plain.
XXII
Johnnie and I were married. England then
Had been a week at war, and all the men
Wore uniform, as English people can,
Unconscious of it. Percy, the best man,
As thin as paper and as smart as paint,
Bade us good-by with admirable restraint,
Went from the church to catch his train to hell;
And died-saving his batman from a shell.
XXIII
We went down to Devon,
In a warm summer rain,
Knowing that our happiness
Might never come again;
I, not forgetting,
'Till death us do part,'
Was outrageously happy
With death in my heart.
Lovers in peacetime
With fifty years to live,
Have time to tease and quarrel
And question what to give;
But lovers in wartime
Better understand
The fullness of living,
With death close at hand.
XXIV
My father wrote me a letter—
My father, scholarly, indolent, strong,
Teaching Greek better
Than high-school students repay—
Teaching Greek in the winter, but all summer long
Sailing a yawl in Narragansett Bay;
Happier perhaps when I was away,
Free of an anxious daughter,
He could sail blue water
Day after day,
Beyond Brenton Reef Lightship, and Beavertail,
Past Cuttyhunk to catch a gale
Off the Cape, while he thought of Hellas and Troy,
Chanting with joy
Greek choruses— those lines that he said
Must be written some day on a stone at his head:
'But who can know
As the long years go
That to live is happy, has found his heaven.'
My father, so far away—
I thought of him, in Devon,
Anchoring in a blind fog in Booth Bay.
XXV
'So, Susan, my dear,' the letter began,
'You've fallen in love with an Englishman.
Well, they're a manly, attractive lot,
If you happen to like them, which I do not.
I am a Yankee through and through,
And I don't like them, or the things they do.
Whenever it's come to a knock-down fight
With us, they were wrong, and we right;
If you don't believe me, cast your mind
Back over history, what do you find?
They certainly had no justification
For that maddening plan to impose taxation
Without any form of representation.
Your man may be all that a man should be,
Only don't you bring him back to me
Saying he can't get decent tea—
He could have got his tea all right
In Boston Harbour a certain night,
When your great-great-grandmother— also a Sue—
Shook enough tea from her husband's shoe
To supply her house for a week or two.
The war of 1812 seems to me
About as just as a war could be.
How could we help but come to grips
With a nation that stopped and searched our ships,
And took off our seamen for no other reason
Except that they needed crews that season.
I can get angry still at the tale
Of their letting the Alabama sail,
And Palmerston being insolent
To Lincoln and Seward over the Trent.
All very long ago, you'll say,
But whenever I go up Boston-way,
I drive through Concord—that neck of the wood,
Where once the embattled farmers stood,
And I think of Revere, and the old South Steeple,
And I say, by heck, we're the only people
Who licked them not only once, but twice.
Never forget it-that's my advice.
They have their points—they're honest and brave,
Loyal and sure—as sure as the grave;
They make other nations seem pale and flighty,
But they do think England is god almighty,
And you must remind them now and then
That other countries breed other men.
From all of which you will think me rather
Unjust. I am. Your devoted Father.
XXVI
I read, and saw my home with sudden yearning—
The small white wooden house, the grass-green door,
My father's study with the fire burning,
And books piled on the floor.
I saw the moon-faced clock that told the hours,
The crimson Turkey carpet, worn and frayed,
The heavy dishes—gold with birds and flowers—
Fruits of the China trade.
I saw the jack o' lanterns, friendly, frightening,
Shine from our gateposts every Hallow-e'en;
I saw the oak tree, shattered once by lightning,
Twisted, stripped clean.
I saw the Dioscuri— two black kittens,
Stalking relentlessly an empty spool;
I saw a little girl in scarlet mittens
Trudging through snow to school.
XXVII
John read the letter with his lovely smile.
'Your father has a vigorous English style,
And what he says is true, upon my word;
But what's this war of which I never heard?
We didn't fight in 1812.' 'Yes, John,
That was the time when you burnt Washington.'
'We couldn't have, my dear. . .' 'I mean the city.'
'We burnt it?' 'Yes, you did.' 'What a pity!
No wonder people hate us. But, I say,
I'll make your father like me yet, some day.'
XXVIII
I settled down in Devon,
When Johnnie went to France.
Such a tame ending
To a great romance—
Two lonely women
With nothing much to do
But get to know each other;
She did and I did, too.
Mornings at the rectory
Learning how to roll
Bandages, and always
Saving light and coal.
Oh, that house was bitter
As winter closed in,
In spite of heavy stockings
And woollen next the skin.
I was cold and wretched,
And never unaware
Of John more cold and wretched
In a trench out there.
XXIX
All that long winter I wanted so much to complain,
But my mother-in-Iaw, as far as I could see,
Felt no such impulse, though she was always in pain,
An, as the winter fogs grew thick,
Took to walking with a stick,
Heavily.
Those bubble-like eyes grew black
Whenever she rose from a chair—
Rose and fell back,
Unable to bear
The sure agonizing
Torture of rising.
Her hands, those competent bony hands,
Grew gnarled and old,
But never ceased to obey the commands
Of her will— only finding new hold
Of bandage and needle and pen.
And not for the blinking
Of an eye did she ever stop thinking
Of the suffering of Englishmen
And her two sons in the trenches. Now and then
I could forget for an instant in a book or a letter,
But she never, never forgot— either one—
Percy and John—though I knew she loved one better—
Percy, the wastrel, the gambler, the eldest son.
I think I shall always remember
Until I die
Her face that day in December,
When in a hospital ward together, she and I
Were writing letters for wounded men and dying,
Writing and crying
Over their words, so silly and simple and loving,
Suddenly, looking up, I saw the old Vicar moving
Like fate down the hospital ward, until
He stood still
Beside her, where she sat at a bed.
'Dear friend, come home. I have tragic news,' he said
She looked straight at him without a spasm of fear,
Her face not stern or masked—
'Is it Percy or John?' she asked.
'Percy.' She dropped her eyes. 'I am needed here.
Surely you know
I cannot go
Until every letter is written. The dead
Must wait on the living,' she said.
'This is my work. I must stay.'
And she did— the whole long day.
XXX
Out of the dark, and dearth
Of happiness on earth,
Out of a world inured to death and pain;
On a fair spring mom
To me a son was born,
And hope was born-the future lived again.
To me a son was born,
The lonely hard forlorn
Travail was, as the Bible tells, forgot.
How old, how commonplace
To look upon the face
Of your first-born, and glory in your lot.
To look upon his face
And understand your place
Among the unknown dead in churchyards lying,
To see the reason why
You lived and why you die—
Even to find a certain grace in dying.
To know the reason why
Buds blow and blossoms die,
Why beauty fades, and genius is undone,
And how unjustified
Is any human pride
In all creation— save in this common one.
XXXI
Maternity is common, but not so
It seemed to me. Motherless, I did not know—
I was all unprepared to feel this glow,
Holy as a Madonna's, and as crude
As any animal's beatitude—
Crude as my own black cat's, who used to bring
Her newest litter to me every spring,
And say, with green eyes shining in the sun:
'Behold this miracle that I have done.'
And John came home on leave, and all was joy
And thankfulness to me, because my boy
Was not a baby only, but the heir—
Heir to the Devon acres and a name
As old as England. Somehow I became
Almost an English woman, almost at one
With all they ever did— all they had done.
XXXII
'I want him called John after you, or if not that I'd rather—'
'But the eldest son is always called Percy, dear.'
'I don't ask to call him Hiram, after my father—'
'But the eldest son is always called Percy, dear.'
'But I hate the name Percy. I like Richard or Ronald,
Or Peter like your brother, or Ian or Noel or Donald—'
'But the eldest is always called Percy, dear.'
So the Vicar christened him Percy; and Lady Jean
Gave to the child and me the empty place
In hr heart. Poor Lady, it was as if she had seen
The world destroyed— the extinction of her race,
Her country, her class, her name— and now she saw
Them live again. And I would hear her say:
'No. I admire Americans; my daughter-in-law
Was an American.' Thus she would well repay
The debt, and I was grateful— the English made
Life hard for those who did not come to her aid.
XXXIII
'They must come in in the spring.'
'Don't they care sixpence who's right?'
'What a ridiculous thing—
Saying they're too proud to fight.'
'Saying they're too proud to fight.'
'Wilson's pro-German, I'm told.'
'No, it's financial.' 'Oh, quite,
All that they care for is gold.'
'All that they care for is gold.'
'Seem to like writing a note.'
'Yes, as a penman, he's bold.'
'No. It's the Irish vote.'
'Oh, it's the Irish vote.'
'What if the Germans some night
Sink an American boat?'
'Darling, they're too proud to fight.'
XXXIV
What could I do, but ache and long
That my country, peaceful, rich, and strong,
Should come and do battle for England's sake.
What could I do, but long and ache.
And my father's letters I hid away
Lest some one should know the things he'd say.
'You ask me whether we're coming in—
We are. The English are clever as sin,
Silently, subtly they inspire
Most of youth with a holy fire
To shed their blood for the British Empire
We'll come in— we'll fight and die
Humbly to help them, and by and by,
England will do us in the eye.
They'll get colonies, gold and fame,
And we'll get nothing at all but blame.
Blame for not having come before,
Blame for not having sent them more
Money and men and war supplies,
Blame if we venture to criticise.
We're so damn simple— our skins so thin
We'll get nothing whatever, but we'll come in.'
XXXV
And at last—at last—like the dawn of a calm, fair day
After a night of terror and storm, they came—
My young light-hearted countrymen, tall and gay,
Looking the world over in search of fun and fame,
Marching through London to the beat of a boastful air,
Seeing for the first time Piccadilly and Leicester Square,
All the bands playing: 'Over There, Over There,
Send the word, send the word to beware—'
And as the American flag went fluttering by
Englishmen uncovered, and I began to cry.
XXXVI
'We're here to end it, by jingo.'
'We'll lick the Heinies okay.'
'I can't get on to the lingo.'
'Dumb-they don't get what we say.'
'Call that stuff coffee? You oughter
Know better. Gee, take it away.'
'Oh, for a drink of ice water! '
'They think nut-sundae's a day.'
'Say, is this chicken feed money?'
'Say, does it rain every day?'
'Say, Lady, isn't it funny
Every one drives the wrong way?'
XXXVII
How beautiful upon the mountains,
How beautiful upon the downs,
How beautiful in the village post-office,
On the pavements of towns—
How beautiful in the huge print of newspapers,
Beautiful while telegraph wires hum,
While telephone bells wildly jingle,
The news that peace has come—
That peace has come at last—that all wars cease.
How beautiful upon the mountains are the footsteps
Of the messengers of peace!
XXXVIII
In the depth of the night betwixt midnight and morning,
In the darkness and silence forerunning the dawn,
The throb of my heart was a drum-beat of warning,
My ears were a-strain and my breath was undrawn.
In the depth of the night, when the old house was sleeping,
I lying alone in a desolate bed,
Heard soft on the staircase a slow footstep creeping—
The ear of the living—the step of the dead.
In the depth of the night betwixt midnight and morning
A step drawing near on the old oaken floor—
On the stair— in the gallery— the ghost that gives warning
Of death, by that heartbreaking sigh at my door.
XXXIX
Bad news is not broken,
By kind tactful word;
The message is spoken
Ere the word can be heard.
The eye and the bearing,
The breath make it clear,
And the heart is despairing
Before the ears hear.
I do not remember
The words that they said:
'Killed—Douai—November—'
I knew John was dead.
All done and over—
That day long ago—
The while cliffs of Dover—
Little did I know.
XL
As I grow older, looking back, I see
Not those the longest planted in the heart
Are the most missed. Some unions seem to be
Too close for even death to tear apart.
Those who have lived together many years,
And deeply learnt to read each other's mind,
Vanities, tempers, virtues, hopes, and fears—
One cannot go—nor is one left behind.
Alas, with John and me this was not so;
I was defrauded even of the past.
Our days had been so pitifully few,
Fight as I would, I found the dead go fast.
I had lost all—had lost not love alone,
But the bright knowledge it had been my own.
XLI
Oh, sad people, buy not your past too dearly,
Live not in dreams of the past, for understand,
If you remember too much, too long, too clearly,
If you grasp memory with too heavy a hand,
You will destroy memory in all its glory
For the sake of the dreams of your head upon your bed.
You will be left with only the worn dead story
You told yourself of the dead.
XLII
Nanny brought up my son, as his father before him,
Austere on questions of habits, manners, and food.
Nobly yielding a mother's right to adore him,
Thinking that mothers never did sons much good.
A Scot from Lady Jean's own native passes,
With a head as smooth and round as a silver bowl,
A crooked nose, and eyes behind her glasses
Grey and bright and wise—a great soul !
Ready to lay down her life for her charge, and ready
To administer discipline without consulting me:
'Is that the way for you to answer my leddy?
I think you'll get no sweet tonight to your tea.'
Bringing him up better than I could do it,
Teaching him to be civil and manly and cool
In the face of danger. And then before I knew it
The time came for him to go off to school.
Off to school to be free of women's teaching,
Into a world of men— at seven years old;
Into a world where a mother's hands vainly reaching
Will never again caress and comfort and hold.
XLIII
My father came over now and then
To look at the boy and talk to me,
Never staying long,
For the urge was strong
To get back to his yawl and the summer sea.
He came like a nomad passing by,
Hands in his pockets, hat over one eye,
Teasing every one great and small
With a blank straight face and a Yankee drawl;
Teasing the Vicar on Apostolic Succession
And what the Thirty-Nine Articles really meant to convey,
Teasing Nanny, though he did not
Make much impression
On that imperturbable Scot.
Teasing our local grandee, a noble peer,
Who firmly believed the Ten Lost Tribes
Of Israel had settled here—
A theory my father had at his fingers' ends—
Only one person was always safe from his jibes—
My mother-in-law, for they were really friends.
XLIV
Oh, to come home to your country
After long years away,
To see the tall shining towers
Rise over the rim of the bay,
To feel the west wind steadily blowing
And the sunshine golden and hot,
To speak to each man as an equal,
Whether he is or not.
XLV
Was this America—this my home?
Prohibition and Teapot Dome—
Speakeasies, night-clubs, illicit stills,
Dark faces peering behind dark grills,
Hold-ups, kidnappings, hootch or booze—
Every one gambling—you just can't lose,
Was this my country? Even the bay
At home was altered, strange ships lay
At anchor, deserted day after day,
Old yachts in a rusty dim decay—
Like ladies going the primrose way—
At anchor, until when the moon was black,
They sailed, and often never came back.
Even my father's Puritan drawl
Told me shyly he'd sold his yawl
For a fabulous price to the constable's son—
My childhood's playmate, thought to be one
Of a criminal gang, rum-runners all,
Such clever fellows with so much money—
Even the constable found it funny,
Until one morning his son was found,
Floating dead in Long Island Sound.
Was this my country? It seemed like heaven
To get back, dull and secure, to Devon,
Loyally hiding from Lady Jean
And my English friends the horrors I'd seen.
XLVI
That year she died, my nearest, dearest friend;
Lady Jean died, heroic to the end.
The family stood about her grave, but none
Mourned her as I did. After, one by one,
They slipped away—Peter and Bill—my son
Went back to school. I hardly was aware
Of Percy's lovely widow, sitting there
In the old room, in Lady Jean's own chair.
An English beauty glacially fair
Was Percy's widow Rosamund, her hair
Was silver gilt, and smooth as silk, and fine,
Her eyes, sea-green, slanted away from mine,
From any one's, as if to meet the gaze
Of others was too intimate a phase
For one as cool and beautiful as she.
We were not friends or foes. She seemed to be
Always a little irked— fretted to find
That other women lived among mankind.
Now for the first time after years of meeting,
Never exchanging more than formal greeting,
She spoke to me— that sharp determined way
People will speak when they have things to say.
XLVII
ROSAMUND: Susan, go home with your offspring. Fly.
Live in America. SUSAN: Rosamund, why?
ROSAMUND: Why, my dear girl, haven't you seen
What English country life can mean
With too small an income to keep the place
Going? Already I think I trace
A change in you, you no longer care
So much how you look or what you wear.
That coat and skirt you have on, you know
You wouldn't have worn them ten years ago.
Those thick warm stockings— they make me sad,
Your ankles were ankles to drive men mad.
Look at your hair— you need a wave.
Get out— go home— be hard— be brave,
Or else, believe me, you'll be a slave.
There's something in you— dutiful— meek—
You'll be saving your pin-money every week
To mend the roof. Well, let it leak.
Why should you care? SUSAN: But I do care,
John loved this place and my boy's the heir.
ROSAMUND: The heir to what? To a tiresome life
Drinking tea with the vicar's wife,
Opening bazaars, and taking the chair
At meetings for causes that you don't care
Sixpence about and never will;
Breaking your heart over every bill.
I've been in the States, where everyone,
Even the poor, have a little fun.
Don't condemn your son to be
A penniless country squire. He
Would be happier driving a tram over there
Than mouldering his life away as heir.
SUSAN: Rosamund dear, this may all be true.
I'm an American through and through.
I don't see things as the English do,
But it's clearly my duty, it seems to me,
To bring up John's son, like him, to be
A country squire—poor alas,
But true to that English upper class
That does not change and does not pass.
ROSAMUND: Nonsense; it's come to an absolute stop.
Twenty years since we sat on top
Of the world, amusing ourselves and sneering
At other manners and customs, jeering
At other nations, living in clover—
Not any more. That's done and over.
No one nowadays cares a button
For the upper classes— they're dead as mutton.
Go home. SUSAN: I notice that you don't go.
ROSAMUND: My dear, that shows how little you know.
I'm escaping the fate of my peers,
Marrying one of the profiteers,
Who hasn't an 'aitch' where an 'aitch' should be,
But millions and millions to spend on me.
Not much fun— but there wasn't any
Other way out. I haven't a penny.
But with you it's different. You can go away,
And oh, what a fool you'd be to stay.
XLVIII
Rabbits in the park,
Scuttling as we pass,
Little white tails
Against the green grass.
'Next time, Mother,
I must really bring a gun,
I know you don't like shooting,
But—!' John's own son,
That blond bowed face,
Those clear steady eyes,
Hard to be certain
That the dead don't rise.
Jogging on his pony
Through the autumn day,
'Bad year for fruit, Mother,
But good salt hay.'
Bowling for the village
As his father had before;
Coming home at evening
To read the cricket score,
Back to the old house
Where all his race belong,
Tired and contented—
Rosamund was wrong.
XLIX
If some immortal strangers walked our land
And heard of death, how could they understand
That we—doomed creatures—draw our meted breath
Light-heartedly—all unconcerned with death.
So in these years between the wars did men
From happier continents look on us when
They brought us sympathy, and saw us stand
Like the proverbial ostrich-head in sand—
While youth passed resolutions not to fight,
And statesmen muttered everything was right—
Germany, a kindly, much ill-treated nation—
Russia was working out her own salvation
Within her borders. As for Spain, ah, Spain
Would buy from England when peace came again!
I listened and believed— believed through sheer
Terror. I could not look whither my fear
Pointed— that agony that I had known.
I closed my eyes, and was not alone.
Later than many, earlier than some,
I knew the die was cast— that war must come;
That war must come. Night after night I lay
Steeling a broken heart to face the day
When he, my son— would tread the very same
Path that his father trod. When the day came
I was not steeled— not ready. Foolish, wild
Words issued from my lips— 'My child, my child,
Why should you die for England too?' He smiled:
'Is she not worth it, if I must?' he said.
John would have answered yes— but John was dead.
L
Is she worth dying for? My love, my one
And only love had died, and now his son
Asks me, his alien mother, to assay
The worth of England to mankind today—
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war;
This happy breed of men, this little world,
This precious stone set in the silver sea—
Ah, no, not that—not Shakespeare—I must be
A sterner critic. I must weigh the ill
Against the good, must strike the balance, till
I know the answer— true for me alone—
What is she worth— this country— not my own?
I thought of my father's deep traditional wrath
Against England— the redcoat bully— the ancient foe—
That second reaping of hate, that aftermath
Of a ruler's folly and ignorance long ago—
Long, long ago— yet who can honestly say
England is utterly changed— not I— not I.
Arrogance, ignorance, folly are here today,
And for these my son must die?
I thought of these years, these last dark terrible years
When the leaders of England bade the English believe
Lies at the price of peace, lies and fears,
Lies that corrupt, and fears that sap and deceive.
I though of the bars dividing man from man,
Invisible bars that the humble may not pass,
And how no pride is uglier, crueller than
The pride unchecked of class.
Oh, those invisible bars of manners and speech,
Ways that the proud man will not teach
The humble lest they too reach
Those splendid heights where a little band
Have always stood and will always stand
Ruling the fate of this small green land,
Rulers of England—for them must I
Send out my only son to die?
LI
And then, and then,
I thought of Elizabeth stepping down
Over the stones of Plymouth town
To welcome her sailors, common men,
She herself, as she used to say,
Being' mere English' as much as they—
Seafaring men who sailed away
From rocky inlet and wooded bay,
Free men, undisciplined, uncontrolled,
Some of them pirates and all of them bold,
Feeling their fate was England's fate,
Coming to save it a little late,
Much too late for the easy way,
Much too late, and yet never quite
Too late to win in that last worst fight.
And I thought of Hampden and men like him,
St John and Eliot, Cromwell and Pym,
Standing firm through the dreadful years,
When the chasm was opening, widening,
Between the Commons and the King;
I thought of the Commons in tears— in tears,
When Black Rod knocked at Parliament's door,
And they saw Rebellion straight before—
Weeping, and yet as hard as stone,
Knowing what the English have always known
Since then— and perhaps have known alone—
Something that none can teach or tell—
The moment when God's voice says; 'Rebel.'
Not to rise up in sudden gust
Of passion— not, though the cause be just;
Not to submit so long that hate,
Lava torrents break out and spill
Over the land in a fiery spate;
Not to submit for ever, until
The will of the country is one man's will,
And every soul in the whole land shrinks
From thinking—except as his neighbour thinks.
Men who have governed England know
That dreadful line that they may not pass
And live. Elizabeth long ago
Honoured and loved, and bold as brass,
Daring and subtle, arrogant, clever,
English, too, to her stiff backbone,
Somewhat a bully, like her own
Father— yet even Elizabeth never
Dared to oppose the sullen might
Of the English, standing upon a right.
LII
And were they not English, our forefathers, never more
English than when they shook the dust of her sod
From their feet for ever, angrily seeking a shore
Where in his own way a man might worship his God.
Never more English than when they dared to be
Rebels against her-that stem intractable sense
Of that which no man can stomach and still be free,
Writing: 'When in the course of human events. . .'
Writing it out so all the world could see
Whence come the powers of all just governments.
The tree of Liberty grew and changed and spread,
But the seed was English.
I am American bred,
I have seen much to hate here— much to forgive,
But in a world where England is finished and dead,
I do not wish to live.
Alice Duer Miller
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