“Now, some of you may have heard that when you are young, you are idealistic, when you’re old you are realistic.
Now this is the kind of rubbish that is used by those who have lost their ideals or have sold their ideals for self-interests.
Each should not wither one’s ideals or convictions. If anything, it should only consolidate and make it more resolute.
If age has anything to do with it, it is only by way of expression and application of these ideals and convictions having the benefit of a youthful experiences.
And a life without convictions, without idealism, is a mere meaningless existence and I’m sure most of you will agree that as human beings, we are worthy of a life much more meaningful than just that."
Dr. Lim Hock Siew
About Me
- Miss Pancake Taylor
- I am Miss Pancake Taylor. I have come from very far away to take care of my family Craig and Zita and Niamh and Emmet. Sometimes I have helpers; my friends the Blackthorn-Badgers. They are very old Scotsmen. I am very glad to meet you.
Friday, 28 October 2011
Quote
“Twenty years from now you will be more disappointed
by the things that you didn’t do than by the ones you do.
So throw off the bowlines.
Sail away from the safe harbor.
Catch the trade winds in your sails.
Explore.
Dream.
Discover."
Mark Twain
by the things that you didn’t do than by the ones you do.
So throw off the bowlines.
Sail away from the safe harbor.
Catch the trade winds in your sails.
Explore.
Dream.
Discover."
Mark Twain
Thursday, 27 October 2011
Run The Ridges
Well, I hope to tell you, Johnny, that I lay that rifle down but leave the noose and the calaboose and headed for another town.
Well, I've got your name in San Jose and your picture's there to see.
And they're shootin' men in Texas just because they look like me.
And we will run the ridges of our green land Tennessee
And we will hide for forty years if that's what's meant to be, meant to be, meant to be.
Meant to be, meant to be, meant to be.
Maybe we could try Mexico and cross the desert sand,
But they're guardin' 'cross the border 'case we swim the Rio Grande
And we will run the ridges of our green land Tennessee
And we will hide for forty years if that's what's meant to be, meant to be, meant to be.
Meant to be, meant to be, meant to be.
Well, they'll rope and tie you, Johnny, and they'll throw you to the ground
And they'll let you hang a week or two 'fore they cut your body down.
John Stewart
Well, I hope to tell you, Johnny, that I lay that rifle down but leave the noose and the calaboose and headed for another town.
Well, I've got your name in San Jose and your picture's there to see.
And they're shootin' men in Texas just because they look like me.
And we will run the ridges of our green land Tennessee
And we will hide for forty years if that's what's meant to be, meant to be, meant to be.
Meant to be, meant to be, meant to be.
Maybe we could try Mexico and cross the desert sand,
But they're guardin' 'cross the border 'case we swim the Rio Grande
And we will run the ridges of our green land Tennessee
And we will hide for forty years if that's what's meant to be, meant to be, meant to be.
Meant to be, meant to be, meant to be.
Well, they'll rope and tie you, Johnny, and they'll throw you to the ground
And they'll let you hang a week or two 'fore they cut your body down.
John Stewart
Richard Corey
WHENEVER Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich—yes, richer than a king,
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.
Edwin Arlington Robinson
WHENEVER Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich—yes, richer than a king,
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.
Edwin Arlington Robinson
Parta Quies
Good-night; ensured release,
Imperishable peace,
Have these for yours,
While sea abides, and land,
And earth’s foundations stand,
And heaven endures.
When earth’s foundations flee,
Nor sky nor land nor sea
At all is found,
Content you, let them burn:
It is not your concern;
Sleep on, sleep sound.
A.E. Housman
Good-night; ensured release,
Imperishable peace,
Have these for yours,
While sea abides, and land,
And earth’s foundations stand,
And heaven endures.
When earth’s foundations flee,
Nor sky nor land nor sea
At all is found,
Content you, let them burn:
It is not your concern;
Sleep on, sleep sound.
A.E. Housman
Wednesday, 26 October 2011
Light Shining out of Darkness
God moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.
Deep in unfathomable mines
Of never failing skill
He treasures up his bright designs,
And works his sovereign will.
Ye fearful saints, fresh courage take,
The clouds ye so much dread
Are big with mercy, and shall break
In blessings on your head.
Judge not the Lord by feeble sense,
But trust him for his grace;
Behind a frowning providence,
He hides a smiling face.
His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flower.
by William Cowper
God moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.
Deep in unfathomable mines
Of never failing skill
He treasures up his bright designs,
And works his sovereign will.
Ye fearful saints, fresh courage take,
The clouds ye so much dread
Are big with mercy, and shall break
In blessings on your head.
Judge not the Lord by feeble sense,
But trust him for his grace;
Behind a frowning providence,
He hides a smiling face.
His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flower.
by William Cowper
An Important Quote in Todays World
"All that's necessary for evil to triumph is for good men to stand back and do nothing.”
att. to Edmund Burke.
att. to Edmund Burke.
Tuesday, 25 October 2011
Jerusalem
And did those feet in ancient time Walk upon England’s mountains green?
And was the holy Lamb of God On England’s pleasant pastures seen?
And did the Countenance Divine Shine forth upon our clouded hills?
And was Jerusalem builded here Among these dark Satanic Mills?
Bring me my Bow of burning gold:
Bring me my Arrows of desire:
Bring me my Spear :
O clouds unfold !
Bring me my Chariot of fire.
I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand Till we have built Jerusalem In England’s green & pleasant Land.
William Blake
And did those feet in ancient time Walk upon England’s mountains green?
And was the holy Lamb of God On England’s pleasant pastures seen?
And did the Countenance Divine Shine forth upon our clouded hills?
And was Jerusalem builded here Among these dark Satanic Mills?
Bring me my Bow of burning gold:
Bring me my Arrows of desire:
Bring me my Spear :
O clouds unfold !
Bring me my Chariot of fire.
I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand Till we have built Jerusalem In England’s green & pleasant Land.
William Blake
Lord Ullin's Daughter
A chieftain to the Highlands bound
Cries ‘Boatman, do not tarry!
And I’ll give thee a silver pound
To row us o’er the ferry!’
‘Now who be ye, would cross Lochgyle
This dark and stormy water?’
‘O I’m the chief of Ulva’s isle,
And this, Lord Ullin’s daughter.
‘And fast before her father’s men
Three days we’ve fled together,
For should he find us in the glen,
My blood would stain the heather.
‘His horsemen hard behind us ride—
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover?
Out spoke the hardy Highland wight,
‘I’ll go, my chief, I’m ready:
It is not for your silver bright,
But for your winsome lady:—
‘And by my word! the bonny bird
In danger shall not tarry;
So though the waves are raging white
I’ll row you o’er the ferry.’
By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.
But still as wilder blew the wind
And as the night grew drearer,
Adown the glen rode arméd men,
Their trampling sounded nearer.
‘O haste thee, haste!’ the lady cries,
Though tempests round us gather;
I’ll meet the raging of the skies,
But not an angry father.’
The boat has left a stormy land,
A stormy sea before her,—
When, O! too strong for human hand
The tempest gather’d o’er her.
And still they row’d amidst the roar
Of waters fast prevailing:
Lord Ullin reach’d that fatal shore,—
His wrath was changed to wailing.
For, sore dismay’d, through storm and shade
His child he did discover:—
One lovely hand she stretch’d for aid,
And one was round her lover.
‘Come back! Come back!’ he cried in grief
‘Across this stormy water:
And I’ll forgive your Highland chief,
My daughter!—O my daughter!’
‘Twas vain: the loud waves lash’d the shore,
Return or aid preventing:
The waters wild went o’er his child,
And he was left lamenting.
Thomas Campbell
A chieftain to the Highlands bound
Cries ‘Boatman, do not tarry!
And I’ll give thee a silver pound
To row us o’er the ferry!’
‘Now who be ye, would cross Lochgyle
This dark and stormy water?’
‘O I’m the chief of Ulva’s isle,
And this, Lord Ullin’s daughter.
‘And fast before her father’s men
Three days we’ve fled together,
For should he find us in the glen,
My blood would stain the heather.
‘His horsemen hard behind us ride—
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover?
Out spoke the hardy Highland wight,
‘I’ll go, my chief, I’m ready:
It is not for your silver bright,
But for your winsome lady:—
‘And by my word! the bonny bird
In danger shall not tarry;
So though the waves are raging white
I’ll row you o’er the ferry.’
By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.
But still as wilder blew the wind
And as the night grew drearer,
Adown the glen rode arméd men,
Their trampling sounded nearer.
‘O haste thee, haste!’ the lady cries,
Though tempests round us gather;
I’ll meet the raging of the skies,
But not an angry father.’
The boat has left a stormy land,
A stormy sea before her,—
When, O! too strong for human hand
The tempest gather’d o’er her.
And still they row’d amidst the roar
Of waters fast prevailing:
Lord Ullin reach’d that fatal shore,—
His wrath was changed to wailing.
For, sore dismay’d, through storm and shade
His child he did discover:—
One lovely hand she stretch’d for aid,
And one was round her lover.
‘Come back! Come back!’ he cried in grief
‘Across this stormy water:
And I’ll forgive your Highland chief,
My daughter!—O my daughter!’
‘Twas vain: the loud waves lash’d the shore,
Return or aid preventing:
The waters wild went o’er his child,
And he was left lamenting.
Thomas Campbell
Death, be not Proud
Death, be not proud, though some have callèd thee
Mighty and dreadful, for thou art not so ;
For those whom thou think’st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure―then, from thee much more must flow ;
And soonest our best men with thee do go,
Rest of their bones and soul’s delivery.
Thou’rt slave to fate, chance, kings and desperate men,
And dost with poison, war, and sickness dwell ;
And poppy or charms can make us sleep as well,
And better than thy stroke. Why swell’st thou then ?
One short sleep past, we wake eternally,
And death shall be no more. Death, thou shalt die.
by John Donne
Death, be not proud, though some have callèd thee
Mighty and dreadful, for thou art not so ;
For those whom thou think’st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure―then, from thee much more must flow ;
And soonest our best men with thee do go,
Rest of their bones and soul’s delivery.
Thou’rt slave to fate, chance, kings and desperate men,
And dost with poison, war, and sickness dwell ;
And poppy or charms can make us sleep as well,
And better than thy stroke. Why swell’st thou then ?
One short sleep past, we wake eternally,
And death shall be no more. Death, thou shalt die.
by John Donne
Monday, 24 October 2011
Dover Beach
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; - on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, not peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
by Matthew Arnold
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; - on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, not peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
by Matthew Arnold
My Last Duchess
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now : Frà Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her ? I said
‘Frà Pandolf’ by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there ; so, not the first
Are you to turn and ask thus. Sir, ’t was not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek : perhaps
Frà Pandolf chanced to say ‘Her mantle laps
Over my lady’s wrist too much,’ or ‘Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat :’ such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart―how shall I say ?―too soon made glad,
Too easily impressed ; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’t was all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace―all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,―good! but thanked
Somehow―I know not how―as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech―(which I have not)―to make your will
Quite clear to such an one, and say, ‘Just this
Or that in you disgusts me ; here you miss,
Or there exceed the mark’―and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
―E’en then would be some stooping ; and I choose
Never to stoop. Of sir, she smiled, no doubt,
Whene’er I passed her ; but who passed without
Much the same smile? This grew ; I gave commands ;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise ? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed ;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
by Robert Browning
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now : Frà Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her ? I said
‘Frà Pandolf’ by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there ; so, not the first
Are you to turn and ask thus. Sir, ’t was not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek : perhaps
Frà Pandolf chanced to say ‘Her mantle laps
Over my lady’s wrist too much,’ or ‘Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat :’ such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart―how shall I say ?―too soon made glad,
Too easily impressed ; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’t was all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace―all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,―good! but thanked
Somehow―I know not how―as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech―(which I have not)―to make your will
Quite clear to such an one, and say, ‘Just this
Or that in you disgusts me ; here you miss,
Or there exceed the mark’―and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
―E’en then would be some stooping ; and I choose
Never to stoop. Of sir, she smiled, no doubt,
Whene’er I passed her ; but who passed without
Much the same smile? This grew ; I gave commands ;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise ? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed ;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
by Robert Browning
My Heart's in the Highlands
My heart’s in the Highlands, my heart is not here;
My heart’s in the Highlands, a-chasing the deer;
A-chasing the wild deer, and following the roe –
My heart’s in the Highlands wherever I go.
Farewell to the Highlands, farewell to the North,
The birthpace of valour, the country of worth
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.
Farewell to the mountains high cover’d with snow;
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods;
Farewell to the torrents and loud-pouring floods.
by Robert Burns
My heart’s in the Highlands, my heart is not here;
My heart’s in the Highlands, a-chasing the deer;
A-chasing the wild deer, and following the roe –
My heart’s in the Highlands wherever I go.
Farewell to the Highlands, farewell to the North,
The birthpace of valour, the country of worth
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.
Farewell to the mountains high cover’d with snow;
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods;
Farewell to the torrents and loud-pouring floods.
by Robert Burns
Thursday, 20 October 2011
Note: My very best wishes dear Carla... I shall send a bottle over..
Allons enfants de la Patrie
Le jour de gloire est arrivé
Contre nous de la tyrannie
Entendez vous dans nos campagnes
Mugir ces féroces soldats?
Ils viennent jusque dans vos bras,
Égorger vos fils, vos compagnes!
Aux armes citoyens!
Formez vos bataillons!
Marchons, marchons,
Qu'un sang impur
Abreuve nos sillons.
Que veut cette horde d'esclaves
De traîtres, de Rois conjurés?
Pour qui ces ignobles entraves,
Français! pour nous, ah! quel outrage!
Quels transports il doit exciter!
C'est nous qu'on ose méditer
De rendre à I 'antique esclavage!
Quoi! des cohortes étrangères
Feraient la loi dans nos foyers!
Quoi ! ces phalanges mercenaires
Grand Dieu! par des mains enchaînées
Nos fronts sous le joug se ploieraient!
De vils despotes deviendraient
Les maîtres de nos destinées!
Tremblez, tyrans! et vous, perfides,
L'opprobre de tous les partis,
Tremblez! vos projets parricides
Tout est soldat pour vous combattre,
S'ils tombent, nos jeunes héros,
La terre en produit de nouveaux
Contre vous tout prêts à se battre.
Français! en guerriers magnanimes
Portez ou retenez vos coups.
Épargnez ces tristes victimes
Mais ces despotes sanguinaires,
Mais ces complices de Bouillé,
Tous ces tigres qui sans pitié
Déchirent le sein de leur mère!
Nous entrerons dans la carrière,
Quand nos aînés n'y seront plus
Nous y trouverons leur poussière
Bien moins jaloux de leur survivre
Que de partager leur cercueil,
Nous aurons le sublime orgueil
De les venger ou de les suivre.
Amour sacré de la Patrie
Conduis, soutiens nos bras vengeurs!
Liberté, Liberté chérie!
Sous nos drapeaux, que la victoire
Accoure à tes mâles accents,
Que tes ennemis expirants
Voient ton triomphe et notre gloire!
Le jour de gloire est arrivé
Contre nous de la tyrannie
Entendez vous dans nos campagnes
Mugir ces féroces soldats?
Ils viennent jusque dans vos bras,
Égorger vos fils, vos compagnes!
Aux armes citoyens!
Formez vos bataillons!
Marchons, marchons,
Qu'un sang impur
Abreuve nos sillons.
Que veut cette horde d'esclaves
De traîtres, de Rois conjurés?
Pour qui ces ignobles entraves,
Français! pour nous, ah! quel outrage!
Quels transports il doit exciter!
C'est nous qu'on ose méditer
De rendre à I 'antique esclavage!
Quoi! des cohortes étrangères
Feraient la loi dans nos foyers!
Quoi ! ces phalanges mercenaires
Grand Dieu! par des mains enchaînées
Nos fronts sous le joug se ploieraient!
De vils despotes deviendraient
Les maîtres de nos destinées!
Tremblez, tyrans! et vous, perfides,
L'opprobre de tous les partis,
Tremblez! vos projets parricides
Tout est soldat pour vous combattre,
S'ils tombent, nos jeunes héros,
La terre en produit de nouveaux
Contre vous tout prêts à se battre.
Français! en guerriers magnanimes
Portez ou retenez vos coups.
Épargnez ces tristes victimes
Mais ces despotes sanguinaires,
Mais ces complices de Bouillé,
Tous ces tigres qui sans pitié
Déchirent le sein de leur mère!
Nous entrerons dans la carrière,
Quand nos aînés n'y seront plus
Nous y trouverons leur poussière
Bien moins jaloux de leur survivre
Que de partager leur cercueil,
Nous aurons le sublime orgueil
De les venger ou de les suivre.
Amour sacré de la Patrie
Conduis, soutiens nos bras vengeurs!
Liberté, Liberté chérie!
Sous nos drapeaux, que la victoire
Accoure à tes mâles accents,
Que tes ennemis expirants
Voient ton triomphe et notre gloire!
The Last Buccaneer
OH, England is a pleasant place for them that ’s rich and high;
But England is a cruel place for such poor folks as I;
And such a port for mariners I ne’er shall see again,
As the pleasant Isle of Avès, beside the Spanish main.
There were forty craft in Avès that were both swift and stout,
All furnish’d well with small arms and cannons round about;
And a thousand men in Avès made laws so fair and free
To choose their valiant captains and obey them loyally.
Thence we sail’d against the Spaniard with his hoards of plate and gold,
Which he wrung by cruel tortures from the Indian folk of old;
Likewise the merchant captains, with hearts as hard as stone,
Which flog men and keelhaul them and starve them to the bone.
Oh, the palms grew high in Avès and fruits that shone like gold,
And the colibris and parrots they were gorgeous to behold;
And the negro maids to Avès from bondage fast did flee,
To welcome gallant sailors a sweeping in from sea.
Oh, sweet it was in Avès to hear the landward breeze
A-swing with good tobacco in a net between the trees,
With a negro lass to fan you while you listen’d to the roar
Of the breakers on the reef outside that never touched the shore.
But Scripture saith, an ending to all fine things must be,
So the King’s ships sail’d on Avès and quite put down were we.
All day we fought like bulldogs, but they burst the booms at night;
And I fled in a piragua sore wounded from the fight.
Nine days I floated starving, and a negro lass beside,
Till for all I tried to cheer her, the poor young thing she died;
But as I lay a gasping a Bristol sail came by,
And brought me home to England here to beg until I die.
And now I ’m old and going I ’m sure I can’t tell where;
One comfort is, this world’s so hard I can’t be worse off there:
If I might but be a sea-dove I ’d fly across the main,
To the pleasant Isle of Avès, to look at it once again.
Charles Kingsley
OH, England is a pleasant place for them that ’s rich and high;
But England is a cruel place for such poor folks as I;
And such a port for mariners I ne’er shall see again,
As the pleasant Isle of Avès, beside the Spanish main.
There were forty craft in Avès that were both swift and stout,
All furnish’d well with small arms and cannons round about;
And a thousand men in Avès made laws so fair and free
To choose their valiant captains and obey them loyally.
Thence we sail’d against the Spaniard with his hoards of plate and gold,
Which he wrung by cruel tortures from the Indian folk of old;
Likewise the merchant captains, with hearts as hard as stone,
Which flog men and keelhaul them and starve them to the bone.
Oh, the palms grew high in Avès and fruits that shone like gold,
And the colibris and parrots they were gorgeous to behold;
And the negro maids to Avès from bondage fast did flee,
To welcome gallant sailors a sweeping in from sea.
Oh, sweet it was in Avès to hear the landward breeze
A-swing with good tobacco in a net between the trees,
With a negro lass to fan you while you listen’d to the roar
Of the breakers on the reef outside that never touched the shore.
But Scripture saith, an ending to all fine things must be,
So the King’s ships sail’d on Avès and quite put down were we.
All day we fought like bulldogs, but they burst the booms at night;
And I fled in a piragua sore wounded from the fight.
Nine days I floated starving, and a negro lass beside,
Till for all I tried to cheer her, the poor young thing she died;
But as I lay a gasping a Bristol sail came by,
And brought me home to England here to beg until I die.
And now I ’m old and going I ’m sure I can’t tell where;
One comfort is, this world’s so hard I can’t be worse off there:
If I might but be a sea-dove I ’d fly across the main,
To the pleasant Isle of Avès, to look at it once again.
Charles Kingsley
The Pipes at Lucknow
PIPES of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!
Dear to the Lowland reaper,
And plaided mountaineer,—
To the cottage and the castle
The Scottish pipes and dear;—
Sweet sounds the ancient pibroch
O’er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
‘Pray for rescue, wives and mothers,—
Pray to-day!’ the soldier said;
‘To-morrow, death’s between us
And the wrong and shame we dread.’
Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden,
With her ear unto the ground:
‘Dinna ye hear it?—dinna ye hear it?
The pipes o’ Havelock sound!’
Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true;—
As her mother’s cradle-crooning
The mountain pipes she knew.
Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell’s call:
‘Hark! hear ye no MacGregor’s,
The grandest o’ them all!’
Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper’s blast!
Then a burst of wild thanksgiving
Mingled woman’s voice and man’s;
‘God be praised!—the march of Havelock!
The piping of the clans!’
Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor’s clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!
Round the silver domes of Lucknow,
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O’er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.
Dear to the corn-land reaper
And plaided mountaineer,—
To the cottage and the castle
The piper’s song is dear.
Sweet sounds the Gaelic pibroch
O’er mountain, glen, and glade;
But the sweetest of all music
The pipes at Lucknow played!
John Greenleaf Whittier
PIPES of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!
Dear to the Lowland reaper,
And plaided mountaineer,—
To the cottage and the castle
The Scottish pipes and dear;—
Sweet sounds the ancient pibroch
O’er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
‘Pray for rescue, wives and mothers,—
Pray to-day!’ the soldier said;
‘To-morrow, death’s between us
And the wrong and shame we dread.’
Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden,
With her ear unto the ground:
‘Dinna ye hear it?—dinna ye hear it?
The pipes o’ Havelock sound!’
Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true;—
As her mother’s cradle-crooning
The mountain pipes she knew.
Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell’s call:
‘Hark! hear ye no MacGregor’s,
The grandest o’ them all!’
Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper’s blast!
Then a burst of wild thanksgiving
Mingled woman’s voice and man’s;
‘God be praised!—the march of Havelock!
The piping of the clans!’
Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor’s clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!
Round the silver domes of Lucknow,
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O’er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.
Dear to the corn-land reaper
And plaided mountaineer,—
To the cottage and the castle
The piper’s song is dear.
Sweet sounds the Gaelic pibroch
O’er mountain, glen, and glade;
But the sweetest of all music
The pipes at Lucknow played!
John Greenleaf Whittier
Who By fire?
And who by fire,
who by water,
who in the sunshine,
who in the night time,
who by high ordeal,
who by common trial,
who in your merry merry month of may,
who by very slow decay
and who shall I say is calling?
And who in her lonely slip,
who by barbiturate,
who in these realms of love,
who by something blunt,
and who by avalanche,
who by powder,
who for his greed,
who for his hunger,
and who shall I say is calling?
And who by brave assent,
who by accident,
who in solitude,
who in this mirror,
who by his lady's command,
who by his own hand,
who in mortal chains,
who in power,
and who shall I say is calling?
-- Leonard Cohen
And who by fire,
who by water,
who in the sunshine,
who in the night time,
who by high ordeal,
who by common trial,
who in your merry merry month of may,
who by very slow decay
and who shall I say is calling?
And who in her lonely slip,
who by barbiturate,
who in these realms of love,
who by something blunt,
and who by avalanche,
who by powder,
who for his greed,
who for his hunger,
and who shall I say is calling?
And who by brave assent,
who by accident,
who in solitude,
who in this mirror,
who by his lady's command,
who by his own hand,
who in mortal chains,
who in power,
and who shall I say is calling?
-- Leonard Cohen
Wednesday, 19 October 2011
The Arsenal at Springfield
This is the Arsenal. From floor to ceiling,
Like a huge organ, rise the burnished arms;
But from their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys!
What loud lament and dismal Miserere
Will mingle with their awful symphonies!
I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,
In long reverberations reach our own.
On helm and harness rings the Saxon hammer,
Through Cimbric forest roars the Norseman's song,
And loud, amid the universal clamor,
O'er distant deserts sounds the Tartar gong.
I hear the Florentine, who from his palace
Wheels out his battle-bell with dreadful din,
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin;
The tumult of each sacked and burning village;
The shout that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell, the gateway wrenched asunder,
The rattling musketry, the clashing blade;
And ever and anon, in tones of thunder
The diapason of the cannonade.
Is it, O man, with such discordant noises,
With such accursed instruments as these,
Thou drownest Nature's sweet and kindly voices,
And jarrest the celestial harmonies?
Were half the power, that fills the world with terror,
Were half the wealth bestowed on camps and courts,
Given to redeem the human mind from error,
There were no need of arsenals or forts:
The warrior's name would be a name abhorred!
And every nation, that should lift again
Its hand against a brother, on its forehead
Would wear forevermore the curse of Cain!
Down the dark future, through long generations,
The echoing sounds grow fainter and then cease;
And like a bell, with solemn, sweet vibrations,
I hear once more the voice of Christ say, "Peace!"
Peace! and no longer from its brazen portals
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals,
The holy melodies of love arise.
Henry Wadsworth Longfellow
This is the Arsenal. From floor to ceiling,
Like a huge organ, rise the burnished arms;
But from their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys!
What loud lament and dismal Miserere
Will mingle with their awful symphonies!
I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,
In long reverberations reach our own.
On helm and harness rings the Saxon hammer,
Through Cimbric forest roars the Norseman's song,
And loud, amid the universal clamor,
O'er distant deserts sounds the Tartar gong.
I hear the Florentine, who from his palace
Wheels out his battle-bell with dreadful din,
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin;
The tumult of each sacked and burning village;
The shout that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell, the gateway wrenched asunder,
The rattling musketry, the clashing blade;
And ever and anon, in tones of thunder
The diapason of the cannonade.
Is it, O man, with such discordant noises,
With such accursed instruments as these,
Thou drownest Nature's sweet and kindly voices,
And jarrest the celestial harmonies?
Were half the power, that fills the world with terror,
Were half the wealth bestowed on camps and courts,
Given to redeem the human mind from error,
There were no need of arsenals or forts:
The warrior's name would be a name abhorred!
And every nation, that should lift again
Its hand against a brother, on its forehead
Would wear forevermore the curse of Cain!
Down the dark future, through long generations,
The echoing sounds grow fainter and then cease;
And like a bell, with solemn, sweet vibrations,
I hear once more the voice of Christ say, "Peace!"
Peace! and no longer from its brazen portals
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals,
The holy melodies of love arise.
Henry Wadsworth Longfellow
Northwest Passage
Westward from the Davis Strait
T'was there t'was said to lie
The sea route to the Orient
For which so many died
Seeking gold and glory
Leaving weathered broken bones
And a long forgotten lonely cairn of stones
Chorus
Ah for just one time
I would take a Northwest Passage
To find the hand of Franklin
Reaching for the Beaufort Sea
Tracing one warm line
Through a land so wide and savage
And make a Northwest Passage to the sea
Three centuries thereafter
I take passage overland
In the footsteps of brave Kelso
Where his sea of flowers began
Watching cities rise before me
And behind me sink again
This tardiest explorer
Driving hard across the plain
And through the night
Behind the wheel
The mileage clicking west
I think upon Mackenzie, David Thompson and the rest
Who cracked the mountain ramparts and so showed a path for me
To race the roaring Fraser to the sea
Westward from the Davis Strait
T'was there t'was said to lie
The sea route to the Orient
For which so many died
Seeking gold and glory
Leaving weathered broken bones
And a long forgotten lonely cairn of stones
Chorus
Ah for just one time
I would take a Northwest Passage
To find the hand of Franklin
Reaching for the Beaufort Sea
Tracing one warm line
Through a land so wide and savage
And make a Northwest Passage to the sea
Three centuries thereafter
I take passage overland
In the footsteps of brave Kelso
Where his sea of flowers began
Watching cities rise before me
And behind me sink again
This tardiest explorer
Driving hard across the plain
And through the night
Behind the wheel
The mileage clicking west
I think upon Mackenzie, David Thompson and the rest
Who cracked the mountain ramparts and so showed a path for me
To race the roaring Fraser to the sea
Tuesday, 18 October 2011
Scotland the Brave
Hark when the night is falling,
Hear! hear the pipes are calling,
Loudly and proudly calling,
Down thro' the glen.
There where the hills are sleeping,
Now feel the blood a-leaping,
High as the spirits of the old Highland men.
Chorus
Towering in gallant fame,
Scotland my mountain hame,
High may your proud standards gloriously wave,
Land of my high endeavour,
Land of the shining river,
Land of my heart for ever,
Scotland the brave.
High in the misty Highlands
Out by the purple islands,
Brave are the hearts that beat
Beneath Scottish skies.
Wild are the winds to meet you,
Staunch are the friends that greet you,
Kind as the love that shines from fair maidens' eyes.
Chorus
Far off in sunlit places
Sad are the Scottish faces,
Yearning to feel the kiss
Of sweet Scottish rain.
Where the tropics are beaming
Love sets the heart a-dreaming,
Longing and dreaming for the hameland again.
Hark when the night is falling,
Hear! hear the pipes are calling,
Loudly and proudly calling,
Down thro' the glen.
There where the hills are sleeping,
Now feel the blood a-leaping,
High as the spirits of the old Highland men.
Chorus
Towering in gallant fame,
Scotland my mountain hame,
High may your proud standards gloriously wave,
Land of my high endeavour,
Land of the shining river,
Land of my heart for ever,
Scotland the brave.
High in the misty Highlands
Out by the purple islands,
Brave are the hearts that beat
Beneath Scottish skies.
Wild are the winds to meet you,
Staunch are the friends that greet you,
Kind as the love that shines from fair maidens' eyes.
Chorus
Far off in sunlit places
Sad are the Scottish faces,
Yearning to feel the kiss
Of sweet Scottish rain.
Where the tropics are beaming
Love sets the heart a-dreaming,
Longing and dreaming for the hameland again.
Queen Mary's Escape from Loch Leven
Put off, put off, and row with speed,
For now 's the time, and the hour of need!
To oars, to oars, and trim the bark,
Nor Scotland's queen be a warder's mark!
Yon light that plays round the castle's moat
Is only the warder's random shot!
Put off, put off, and row with speed,
For now is the time, and the hour of need!
Those pond'rous keys shall the kelpies keep,
And lodge in their caverns dark and deep;
Nor shall Lochleven's towers or hall,
Hold thee, our lovely lady, in thrall;
Or be the haunt of traitors, sold,
While Scotland has hands and hearts so bold;
Then, steersmen, steersmen, on with speed,
For now is the time, and the hour of need!
Hark! the alarum-bell hath rung,
And the warder's voice hath treason sung;
The echoes to the falconet's roar,
Chime swiftly to the dashing oar.
Let town, and hall, and battlements gleam,
We steer by the light of the tapers' beam;
For Scotland and Mary, on with speed,
Now, now is the time, and the hour of need!
Put off, put off, and row with speed,
For now 's the time, and the hour of need!
To oars, to oars, and trim the bark,
Nor Scotland's queen be a warder's mark!
Yon light that plays round the castle's moat
Is only the warder's random shot!
Put off, put off, and row with speed,
For now is the time, and the hour of need!
Those pond'rous keys shall the kelpies keep,
And lodge in their caverns dark and deep;
Nor shall Lochleven's towers or hall,
Hold thee, our lovely lady, in thrall;
Or be the haunt of traitors, sold,
While Scotland has hands and hearts so bold;
Then, steersmen, steersmen, on with speed,
For now is the time, and the hour of need!
Hark! the alarum-bell hath rung,
And the warder's voice hath treason sung;
The echoes to the falconet's roar,
Chime swiftly to the dashing oar.
Let town, and hall, and battlements gleam,
We steer by the light of the tapers' beam;
For Scotland and Mary, on with speed,
Now, now is the time, and the hour of need!
MacGregor's Gathering
The moon's on the lake, and the mist's on the brae,
And the Clan has a name that is nameless by day;
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!
Our signal for fight, that from monarchs we drew,
Must be heard but by night in our vengeful haloo!
Then haloo, Grigalach! haloo, Grigalach!
Haloo, haloo, haloo, Grigalach!
Glen Orchy's proud mountains, Coalchuirn and her towers,
Glenstrae and Glenlyon no longer are ours;
We're landless, landless, landless, Grigalach!
Landless, landless, landless, Grigalach!
But doom'd and devoted by vassal and lord,
MacGregor has still both his heart and his sword!
Then courage, courage, courage, Grigalach!
Courage, courage, courage, Grigalach!
If they rob us of name, and pursue us with beagles,
Give their roofs to the flame, and their flesh to the eagles!
Then vengeance, vengeance, vengeance, Grigalach!
Vengeance, vengeance, vengeance, Grigalach!
While there's leaves in the forest, and foam on the river,
MacGregor despite them, shall flourish for ever!
Come then Grigalach, come then Grigalach,
Come then, come then, come then Grigalach!
Through the depths of Loch Katrine the steed shall career,
O'er the peak of Ben Lomond the galley shall steer,
The rocks of Craig-Royston like icicles melt,
Ere our wrongs be forgot, or our vengeance unfelt!
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!
The moon's on the lake, and the mist's on the brae,
And the Clan has a name that is nameless by day;
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!
Our signal for fight, that from monarchs we drew,
Must be heard but by night in our vengeful haloo!
Then haloo, Grigalach! haloo, Grigalach!
Haloo, haloo, haloo, Grigalach!
Glen Orchy's proud mountains, Coalchuirn and her towers,
Glenstrae and Glenlyon no longer are ours;
We're landless, landless, landless, Grigalach!
Landless, landless, landless, Grigalach!
But doom'd and devoted by vassal and lord,
MacGregor has still both his heart and his sword!
Then courage, courage, courage, Grigalach!
Courage, courage, courage, Grigalach!
If they rob us of name, and pursue us with beagles,
Give their roofs to the flame, and their flesh to the eagles!
Then vengeance, vengeance, vengeance, Grigalach!
Vengeance, vengeance, vengeance, Grigalach!
While there's leaves in the forest, and foam on the river,
MacGregor despite them, shall flourish for ever!
Come then Grigalach, come then Grigalach,
Come then, come then, come then Grigalach!
Through the depths of Loch Katrine the steed shall career,
O'er the peak of Ben Lomond the galley shall steer,
The rocks of Craig-Royston like icicles melt,
Ere our wrongs be forgot, or our vengeance unfelt!
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!
Monday, 17 October 2011
Two Fusiliers
And have we done with War at last?
Well, we've been lucky devils both,
And there's no need of pledge or oath
To bind our lovely friendship fast,
By firmer stuff
Close bound enough.
By wire and wood and stake we're bound,
By Fricourt and by Festubert,
By whipping rain, by the sun's glare,
By all the misery and loud sound,
By a Spring day,
By Picard clay.
Show me the two so closely bound
As we, by the red bond of blood,
By friendship, blossoming from mud,
By Death: we faced him, and we found
Beauty in Death,
In dead men breath.
Robert Graves
And have we done with War at last?
Well, we've been lucky devils both,
And there's no need of pledge or oath
To bind our lovely friendship fast,
By firmer stuff
Close bound enough.
By wire and wood and stake we're bound,
By Fricourt and by Festubert,
By whipping rain, by the sun's glare,
By all the misery and loud sound,
By a Spring day,
By Picard clay.
Show me the two so closely bound
As we, by the red bond of blood,
By friendship, blossoming from mud,
By Death: we faced him, and we found
Beauty in Death,
In dead men breath.
Robert Graves
Innominatus
BREATHES there the man with soul so dead,
Who never to himself hath said,
'This is my own, my native land!'
Whose heart hath ne'er within him burn'd
As home his footsteps he hath turn'd
From wandering on a foreign strand?
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust from whence he sprung,
Unwept, unhonour'd, and unsung.
by Sir Walter Scott
BREATHES there the man with soul so dead,
Who never to himself hath said,
'This is my own, my native land!'
Whose heart hath ne'er within him burn'd
As home his footsteps he hath turn'd
From wandering on a foreign strand?
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust from whence he sprung,
Unwept, unhonour'd, and unsung.
by Sir Walter Scott
Good and Faithful Servant
Rest now good and faithful servant
Rest now your race is won
Rest now good and faithful servant
On to Glory now your work is done
Freedom's won slowly
Inch by inch
You looked hate in the eye
You did not flinch
You bent your back you shouldered the load
Weary miles down a long, dark road
The load was heavy
You took the weight
Where'd you find the courage to face the hate?
Hand of iron in a velvet glove
You tore down the walls
With the power of your love
Rest now good and faithful servant
Free at last from the fear and lies
Rest now good and faithful servant
They thought they stopped you in Memphis
You would not let the
Dream die
Garnet Rogers
Rest now good and faithful servant
Rest now your race is won
Rest now good and faithful servant
On to Glory now your work is done
Freedom's won slowly
Inch by inch
You looked hate in the eye
You did not flinch
You bent your back you shouldered the load
Weary miles down a long, dark road
The load was heavy
You took the weight
Where'd you find the courage to face the hate?
Hand of iron in a velvet glove
You tore down the walls
With the power of your love
Rest now good and faithful servant
Free at last from the fear and lies
Rest now good and faithful servant
They thought they stopped you in Memphis
You would not let the
Dream die
Garnet Rogers
Friday, 14 October 2011
Quote
“Courage doesn’t always roar. Sometimes courage is the little voice at the end of the day that says ‘I’ll try again tomorrow.’”
Mary Anne Radmacher
Mary Anne Radmacher
Meditations in time of Civil War
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
William Butler Yeats
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
William Butler Yeats
Barrett’s Priveteers
Oh, the year was 1778, how I wish I was in Sherbrooke now!
A letter of marque come from the king,
To the scummiest vessel I'd ever seen,
CHORUS:
God damn them all!
I was told we'd cruise the seas for American gold
We'd fire no guns-shed no tears
Now I'm a broken man on a Halifax pier
The last of Barrett's Privateers.
Oh, Elcid Barrett cried the town,
For twenty brave men all fishermen who
would make for him the Antelope's crew
The Antelope sloop was a sickening sight,
She'd a list to the port and and her sails in rags
And the cook in scuppers with the staggers and the jags
On the King's birthday we put to sea,
We were 91 days to Montego Bay
Pumping like madmen all the way
On the 96th day we sailed again,
When a bloody great Yankee hove in sight
With our cracked four pounders we made to fight
The Yankee lay low down with gold,
She was broad and fat and loose in the stays
But to catch her took the Antelope two whole days
Then at length we stood two cables away,
Our cracked four pounders made an awful din
But with one fat ball the Yank stove us in
The Antelope shook and pitched on her side,
Barrett was smashed like a bowl of eggs
And the Maintruck carried off both me legs
So here I lay in my 23rd year,
It's been 6 years since we sailed away
And I just made Halifax yesterday
Stan Rogers
Oh, the year was 1778, how I wish I was in Sherbrooke now!
A letter of marque come from the king,
To the scummiest vessel I'd ever seen,
CHORUS:
God damn them all!
I was told we'd cruise the seas for American gold
We'd fire no guns-shed no tears
Now I'm a broken man on a Halifax pier
The last of Barrett's Privateers.
Oh, Elcid Barrett cried the town,
For twenty brave men all fishermen who
would make for him the Antelope's crew
The Antelope sloop was a sickening sight,
She'd a list to the port and and her sails in rags
And the cook in scuppers with the staggers and the jags
On the King's birthday we put to sea,
We were 91 days to Montego Bay
Pumping like madmen all the way
On the 96th day we sailed again,
When a bloody great Yankee hove in sight
With our cracked four pounders we made to fight
The Yankee lay low down with gold,
She was broad and fat and loose in the stays
But to catch her took the Antelope two whole days
Then at length we stood two cables away,
Our cracked four pounders made an awful din
But with one fat ball the Yank stove us in
The Antelope shook and pitched on her side,
Barrett was smashed like a bowl of eggs
And the Maintruck carried off both me legs
So here I lay in my 23rd year,
It's been 6 years since we sailed away
And I just made Halifax yesterday
Stan Rogers
Thursday, 13 October 2011
Quote
Just because you do not take an interest in politics doesn't mean politics won't take an interest in you.
Pericles
Pericles
"For All We Have and Are"
For all we have and are,
For all our children's fate,
Stand up and meet the war.
The Hun is at the gate!
Our world has passed away
In wantonness o'erthrown.
There is nothing left to-day
But steel and fire and stone.
Though all we knew depart,
The old commandments stand:
"In courage keep your heart,
In strength lift up your hand."
Once more we hear the word
That sickened earth of old:
"No law except the sword
Unsheathed and uncontrolled,"
Once more it knits mankind,
Once more the nations go
To meet and break and bind
A crazed and driven foe.
Comfort, content, delight --
The ages' slow-bought gain --
They shrivelled in a night,
Only ourselves remain
To face the naked days
In silent fortitude,
Through perils and dismays
Renewd and re-renewed.
Though all we made depart,
The old commandments stand:
"In patience keep your heart,
In strength lift up your hand."
No easy hopes or lies
Shall bring us to our goal,
But iron sacrifice
Of body, will, and soul.
There is but one task for all --
For each one life to give.
Who stands if freedom fall?
Who dies if England live?
Rudyard Kipling
For all we have and are,
For all our children's fate,
Stand up and meet the war.
The Hun is at the gate!
Our world has passed away
In wantonness o'erthrown.
There is nothing left to-day
But steel and fire and stone.
Though all we knew depart,
The old commandments stand:
"In courage keep your heart,
In strength lift up your hand."
Once more we hear the word
That sickened earth of old:
"No law except the sword
Unsheathed and uncontrolled,"
Once more it knits mankind,
Once more the nations go
To meet and break and bind
A crazed and driven foe.
Comfort, content, delight --
The ages' slow-bought gain --
They shrivelled in a night,
Only ourselves remain
To face the naked days
In silent fortitude,
Through perils and dismays
Renewd and re-renewed.
Though all we made depart,
The old commandments stand:
"In patience keep your heart,
In strength lift up your hand."
No easy hopes or lies
Shall bring us to our goal,
But iron sacrifice
Of body, will, and soul.
There is but one task for all --
For each one life to give.
Who stands if freedom fall?
Who dies if England live?
Rudyard Kipling
23rd. Psalm
The Lord is my Shepherd in nocht am I wantin'
In the haugh's green girse does He mak me lie doon
While mony puir straiglers are bleatin' and pantin'
By saft-flowin' burnies He leads me at noon.
When aince I had strayed far awa in the bracken,
And daidled till gloamin' cam ower a' the hills,
Nae dribble o' water my sair drooth to slacken,
And dark grow'd the nicht wi' its haars and its chills.
Awa frae the fauld, strayin' fit-sair and weary,
I thocht I had naethin' tae dae but tae dee.
He socht me and fand me in mountain hechts dreary,
He gangs by fell paths which He kens best for me.
And noo, for His name's sake, I'm dune wi' a' fearin'
Though cloods may aft gaither and soughin' win's blaw.
"Hoo this?" or "Hoo that?" -- oh, prevent me frae spearin'
His will is aye best, and I daurna say "Na".
The valley o' death winna fleg me to thread it,
Through awfu' the darkness, I weel can foresee.
Wi' His rod and His staff He wull help me to tread it,
Then wull its shadows, sae gruesome, a' flee.
Forfochen in presence o' foes that surround me,
My Shepherd a table wi' denties has spread.
The Thyme and the Myrtle blaw fragrant aroond me,
He brims a fu' cup and poors oil on my head.
Surely guidness an' mercy, despite a' my roamin'
Wull gang wi' me doon tae the brink o' the river.
Ayont it nae mair o' the eerie an' gloamin'
I wull bide in the Hame o' my Faither for ever.
The Lord is my Shepherd in nocht am I wantin'
In the haugh's green girse does He mak me lie doon
While mony puir straiglers are bleatin' and pantin'
By saft-flowin' burnies He leads me at noon.
When aince I had strayed far awa in the bracken,
And daidled till gloamin' cam ower a' the hills,
Nae dribble o' water my sair drooth to slacken,
And dark grow'd the nicht wi' its haars and its chills.
Awa frae the fauld, strayin' fit-sair and weary,
I thocht I had naethin' tae dae but tae dee.
He socht me and fand me in mountain hechts dreary,
He gangs by fell paths which He kens best for me.
And noo, for His name's sake, I'm dune wi' a' fearin'
Though cloods may aft gaither and soughin' win's blaw.
"Hoo this?" or "Hoo that?" -- oh, prevent me frae spearin'
His will is aye best, and I daurna say "Na".
The valley o' death winna fleg me to thread it,
Through awfu' the darkness, I weel can foresee.
Wi' His rod and His staff He wull help me to tread it,
Then wull its shadows, sae gruesome, a' flee.
Forfochen in presence o' foes that surround me,
My Shepherd a table wi' denties has spread.
The Thyme and the Myrtle blaw fragrant aroond me,
He brims a fu' cup and poors oil on my head.
Surely guidness an' mercy, despite a' my roamin'
Wull gang wi' me doon tae the brink o' the river.
Ayont it nae mair o' the eerie an' gloamin'
I wull bide in the Hame o' my Faither for ever.
Wednesday, 12 October 2011
MacDonnel on the Heights
Too thin the line that charged the Heights
And scrambled in the clay.
Too thin the Eastern Township Scot
Who showed them all the way,
And perhaps had you not fallen,
You might be what Brock became
But not one in ten thousand knows your name.
To say the name, MacDonnell,
It would bring no bugle call
But the Redcoats stayed beside you
When they saw the General fall.
Twas MacDonnell raised the banner then
And set the Heights aflame,
But not one in ten thousand knows your name.
You brought the field all standing with your courage and your luck
But unknown to most, you're lying there beside old General Brock.
So you know what it is to scale the Heights and fall just short of fame
And have not one in ten thousand know your name.
At Queenston now, the General on his tower stands alone
And there's lichen on 'MacDonnell' carved upon that weathered stone
In a corner of the monument to glory you could claim,
But not one in ten thousand knows your name.
You brought the field all standing with your courage and your luck
But unknown to most, you're lying there beside old General Brock.
So you know what it is to scale the Heights and fall just short of fame
And have not one in ten thousand know your name.
Stan Rogers
Too thin the line that charged the Heights
And scrambled in the clay.
Too thin the Eastern Township Scot
Who showed them all the way,
And perhaps had you not fallen,
You might be what Brock became
But not one in ten thousand knows your name.
To say the name, MacDonnell,
It would bring no bugle call
But the Redcoats stayed beside you
When they saw the General fall.
Twas MacDonnell raised the banner then
And set the Heights aflame,
But not one in ten thousand knows your name.
You brought the field all standing with your courage and your luck
But unknown to most, you're lying there beside old General Brock.
So you know what it is to scale the Heights and fall just short of fame
And have not one in ten thousand know your name.
At Queenston now, the General on his tower stands alone
And there's lichen on 'MacDonnell' carved upon that weathered stone
In a corner of the monument to glory you could claim,
But not one in ten thousand knows your name.
You brought the field all standing with your courage and your luck
But unknown to most, you're lying there beside old General Brock.
So you know what it is to scale the Heights and fall just short of fame
And have not one in ten thousand know your name.
Stan Rogers
Bonnie Dundee
Tae the lairds i' convention t'was Claverhouse spoke
E'er the Kings crown go down, there'll be crowns to be broke;
Then let each cavalier who loves honour and me,
Come follow the bonnet o' bonnie Dundee.
Chorus
Come fill up my cup, come fill up my can,
Saddle my horses and call out my men,
And it's Ho! for the west port and let us gae free,
And we'll follow the bonnets o' bonnie Dundee!
Dundee he is mounted, he rides doon the street,
The bells they ring backwards, the drums they are beat,
But the Provost, douce man, says "Just e'en let him be,
For the toon is well rid of that de'il o' Dundee."
There are hills beyond Pentland and lands beyond Forth,
Be there lairds i' the south, there are chiefs i' the north!
There are brave duniwassals, three thousand times three,
Will cry "Hey!" for the bonnets o' bonnie Dundee.
Then awa' to the hills, to the lea, to the rocks,
E'er I own a usurper, I'll couch wi' the fox!
Then tremble, false Whigs, in the midst o' your glee,
Ye ha' no seen the last o' my bonnets and me.
Tae the lairds i' convention t'was Claverhouse spoke
E'er the Kings crown go down, there'll be crowns to be broke;
Then let each cavalier who loves honour and me,
Come follow the bonnet o' bonnie Dundee.
Chorus
Come fill up my cup, come fill up my can,
Saddle my horses and call out my men,
And it's Ho! for the west port and let us gae free,
And we'll follow the bonnets o' bonnie Dundee!
Dundee he is mounted, he rides doon the street,
The bells they ring backwards, the drums they are beat,
But the Provost, douce man, says "Just e'en let him be,
For the toon is well rid of that de'il o' Dundee."
There are hills beyond Pentland and lands beyond Forth,
Be there lairds i' the south, there are chiefs i' the north!
There are brave duniwassals, three thousand times three,
Will cry "Hey!" for the bonnets o' bonnie Dundee.
Then awa' to the hills, to the lea, to the rocks,
E'er I own a usurper, I'll couch wi' the fox!
Then tremble, false Whigs, in the midst o' your glee,
Ye ha' no seen the last o' my bonnets and me.
Note
It is Poppy LongWatcher StormgBringer's first birthday and the Queen's Own, The First Fencibles and I are making her an oatmeal birthday cake... for her own self.
Hip Hip Hooray!
Hip Hip Hooray!
Tuesday, 11 October 2011
“The Second Coming”
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
William Butler Yeats
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
William Butler Yeats
Shut Down
Tach it up, tach it up - Buddy gonna shut you down
It happened on the strip where the road is wide
Two cool sharks standin' side by side
My fuel injected Stingray and a four-thirteen
We're revvin' up are engines and it sounds real mean
Tach it up, tach it up - Buddy gonna shut you down
Declinin' numbers at an even rate
At the count of one we both accelerate
My Stingray is light the slicks are starting to spin
But the four-thirteen's really diggin' in
Gotta be cool now - power shift here we go
Super Stock Dodge winding out in low
But my fuel injected stingray's really startin' to go
To get the traction I'm a ridin' the clutch
My pressure plate's burning, the machine's too much
Pedals to the floor hear his duel quads drain
But the four-thirteen's lead is startin' to strain
He's running ram induction but it’s well understood
I got a fuel injected engine sittin' under my hood
Shut it off, shut it off - Buddy gonna shut you down
Shut it off, Shut it off - Buddy gonna shut you down…
The Beach Boys
Tach it up, tach it up - Buddy gonna shut you down
It happened on the strip where the road is wide
Two cool sharks standin' side by side
My fuel injected Stingray and a four-thirteen
We're revvin' up are engines and it sounds real mean
Tach it up, tach it up - Buddy gonna shut you down
Declinin' numbers at an even rate
At the count of one we both accelerate
My Stingray is light the slicks are starting to spin
But the four-thirteen's really diggin' in
Gotta be cool now - power shift here we go
Super Stock Dodge winding out in low
But my fuel injected stingray's really startin' to go
To get the traction I'm a ridin' the clutch
My pressure plate's burning, the machine's too much
Pedals to the floor hear his duel quads drain
But the four-thirteen's lead is startin' to strain
He's running ram induction but it’s well understood
I got a fuel injected engine sittin' under my hood
Shut it off, shut it off - Buddy gonna shut you down
Shut it off, Shut it off - Buddy gonna shut you down…
The Beach Boys
Robert Bruce’s March to Bannockburn
SCOTS, wha hae wi’ WALLACE bled,
Scots, wham BRUCE has aften led,
Welcome to your gory bed,
Or to Victorie!
Now’s the day, and now’s the hour;
See the front o’ battle lour;
See approach proud EDWARD’S power—
Chains and Slaverie!
Wha will be a traitor knave?
Wha can fill a coward’s grave?
Wha sae base as be a Slave?
Let him turn and flee!
Wha, for Scotland’s King and Law,
Freedom’s sword will strongly draw,
FREE-MAN stand, or FREE-MAN fa’,
Let him on wi’ me!
By Oppression’s woes and pains!
By your Sons in servile chains!
We will drain our dearest veins,
But they shall be free!
Lay the proud Usurpers low!
Tyrants fall in every foe!
LIBERTY’S in every blow!—
Let us Do or Die!
SCOTS, wha hae wi’ WALLACE bled,
Scots, wham BRUCE has aften led,
Welcome to your gory bed,
Or to Victorie!
Now’s the day, and now’s the hour;
See the front o’ battle lour;
See approach proud EDWARD’S power—
Chains and Slaverie!
Wha will be a traitor knave?
Wha can fill a coward’s grave?
Wha sae base as be a Slave?
Let him turn and flee!
Wha, for Scotland’s King and Law,
Freedom’s sword will strongly draw,
FREE-MAN stand, or FREE-MAN fa’,
Let him on wi’ me!
By Oppression’s woes and pains!
By your Sons in servile chains!
We will drain our dearest veins,
But they shall be free!
Lay the proud Usurpers low!
Tyrants fall in every foe!
LIBERTY’S in every blow!—
Let us Do or Die!
Casey at the Bat
The outlook wasn't brilliant for the Mudville nine that day;
The score stood four to two with but one inning more to play.
And then when Cooney died at first, and Burrows did the same,
A sickly silence fell upon the patrons of the game.
A straggling few got up to go in deep despair. The rest
Clung to that hope which springs eternal in the human breast:
They thought if only Casey could but get a whack at that,
They'd put up even money now, with Casey at the bat.
But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a pudd'n, and the latter was a fake,
So upon the stricken multitude grim melancholy sat,
For there seemed but little hope of Casey's getting to the bat.
But Flynn let drive a single, to the wonderment of all,
And Blake, the much-despised, tore the cover off the ball,
And when the dust had lifted, and they saw what had occurred,
There was Jimmy safe on second, and Flynn a-hugging third.
Then from five thousand throats and more there rose a mighty yell,
It rumbled in the valley and it rattled on the dell,
It knocked upon the mountain and recoiled on the flat,
For Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped up to his place,
There was pride in Casey's bearing and a smile on Casey's face,
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt 'twas Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt,
Five thousand tongues applauded as he wiped them on his shirt.
And when the writhing pitcher ground the ball into his hip,
Defiance gleamed in Casey's eye; a sneer curled Casey's lip.
And now the leather-covered sphere comes hurtling through the air,
And Casey stands a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped--
"That ain't my style," said Casey. "Strike one," the umpire said.
From the benches, black with people, there arose a muffled roar,
Like the beating of the storm-waves on some stern and distant shore.
"Kill him! Kill the umpire!" shouted someone in the stand,
And it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity great Casey's visage shone:
He stilled the rising tumult, he bade the game go on,
He signaled to the pitcher, and once more the spheroid flew,
But Casey still ignored it, and the umpire said, "Strike two."
"Fraud!" cried the maddened thousands, and echo answered fraud,
But one scornful look from Casey and the audience was awed;
They saw his face grow stern and cold, they saw his muscles strain,
And they knew that Casey wouldn't let that ball go by again.
The sneer is gone from Casey's lip, his teeth are clenched in hate,
He pounds with cruel violence his bat upon the plate;
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright;
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing, and somewhere children shout,
But there is no joy in Mudville--mighty Casey has struck out!
Ernest L. Thayer
The outlook wasn't brilliant for the Mudville nine that day;
The score stood four to two with but one inning more to play.
And then when Cooney died at first, and Burrows did the same,
A sickly silence fell upon the patrons of the game.
A straggling few got up to go in deep despair. The rest
Clung to that hope which springs eternal in the human breast:
They thought if only Casey could but get a whack at that,
They'd put up even money now, with Casey at the bat.
But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a pudd'n, and the latter was a fake,
So upon the stricken multitude grim melancholy sat,
For there seemed but little hope of Casey's getting to the bat.
But Flynn let drive a single, to the wonderment of all,
And Blake, the much-despised, tore the cover off the ball,
And when the dust had lifted, and they saw what had occurred,
There was Jimmy safe on second, and Flynn a-hugging third.
Then from five thousand throats and more there rose a mighty yell,
It rumbled in the valley and it rattled on the dell,
It knocked upon the mountain and recoiled on the flat,
For Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped up to his place,
There was pride in Casey's bearing and a smile on Casey's face,
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt 'twas Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt,
Five thousand tongues applauded as he wiped them on his shirt.
And when the writhing pitcher ground the ball into his hip,
Defiance gleamed in Casey's eye; a sneer curled Casey's lip.
And now the leather-covered sphere comes hurtling through the air,
And Casey stands a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped--
"That ain't my style," said Casey. "Strike one," the umpire said.
From the benches, black with people, there arose a muffled roar,
Like the beating of the storm-waves on some stern and distant shore.
"Kill him! Kill the umpire!" shouted someone in the stand,
And it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity great Casey's visage shone:
He stilled the rising tumult, he bade the game go on,
He signaled to the pitcher, and once more the spheroid flew,
But Casey still ignored it, and the umpire said, "Strike two."
"Fraud!" cried the maddened thousands, and echo answered fraud,
But one scornful look from Casey and the audience was awed;
They saw his face grow stern and cold, they saw his muscles strain,
And they knew that Casey wouldn't let that ball go by again.
The sneer is gone from Casey's lip, his teeth are clenched in hate,
He pounds with cruel violence his bat upon the plate;
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright;
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing, and somewhere children shout,
But there is no joy in Mudville--mighty Casey has struck out!
Ernest L. Thayer
Thursday, 6 October 2011
The Major General
I am the very pattern of a modern Major-Gineral,
I've information vegetable, animal, and mineral;
I know the kings of England, and I quote the fights historical,
From Marathon to Waterloo, in order categorical;
I'm very well acquainted, too, with matters mathematical,
I understand equations, both the simple and quadratical;
About binomial theorem I'm teeming with a lot o' news,
With interesting facts about the square of the hypotenuse.
I'm very good at integral and differential calculus,
I know the scientific names of beings animalculous.
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
I know out mythic history -- KING ARTHUR'S and SIR CARADOC'S,
I answer hard acrostics, I've a pretty taste for paradox;
I quote in elegaics all the crimes of HELIOGABALUS,
In conics I can floor peculiarities parabolous.
I tell undoubted RAPHAELS from GERARD DOWS and ZOFFANIES,
I know the croaking chorus from the 'Frogs' of ARISTOPHANES;
Then I can hum a fugue, of which I've heard the music's din afore,
And whistle all the airs from that confounded nonsense 'Pinafore.'
Then I can write a washing-bill in Babylonic cuneiform,
And tell you every detail of CARACTACUS'S uniform.
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
In fact, when I know what is meant by 'mamelon' and 'revelin,'
When I can tell at sight a Cassepôt rifle from a javelin,
When such affairs as sorties and surprises I'm more wary at,
And when I know precisely what is meant by Commissariat,
When I have learnt what progress has been made in modern gunnery,
When I know more of tactics than a novice in a nunnery,
In short, when I've a smattering of elementary strategy,
You'll say a better Major-General has never sat a gee --
For my military knowledge, though I'm plucky and adventury,
Has only been brought down to the beginning of the century.
But still in learning vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
W.S. Gilbert
I am the very pattern of a modern Major-Gineral,
I've information vegetable, animal, and mineral;
I know the kings of England, and I quote the fights historical,
From Marathon to Waterloo, in order categorical;
I'm very well acquainted, too, with matters mathematical,
I understand equations, both the simple and quadratical;
About binomial theorem I'm teeming with a lot o' news,
With interesting facts about the square of the hypotenuse.
I'm very good at integral and differential calculus,
I know the scientific names of beings animalculous.
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
I know out mythic history -- KING ARTHUR'S and SIR CARADOC'S,
I answer hard acrostics, I've a pretty taste for paradox;
I quote in elegaics all the crimes of HELIOGABALUS,
In conics I can floor peculiarities parabolous.
I tell undoubted RAPHAELS from GERARD DOWS and ZOFFANIES,
I know the croaking chorus from the 'Frogs' of ARISTOPHANES;
Then I can hum a fugue, of which I've heard the music's din afore,
And whistle all the airs from that confounded nonsense 'Pinafore.'
Then I can write a washing-bill in Babylonic cuneiform,
And tell you every detail of CARACTACUS'S uniform.
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
In fact, when I know what is meant by 'mamelon' and 'revelin,'
When I can tell at sight a Cassepôt rifle from a javelin,
When such affairs as sorties and surprises I'm more wary at,
And when I know precisely what is meant by Commissariat,
When I have learnt what progress has been made in modern gunnery,
When I know more of tactics than a novice in a nunnery,
In short, when I've a smattering of elementary strategy,
You'll say a better Major-General has never sat a gee --
For my military knowledge, though I'm plucky and adventury,
Has only been brought down to the beginning of the century.
But still in learning vegetable, animal, and mineral,
I am the very model of a modern Major-Gineral.
W.S. Gilbert
Sleeping Buffalo
He lives an hour outside of Billings
The distant hills are brown and sere
The wind plays tricks outside your hearing
And whispers lies into your ears
He's got a station at a crossroads
He's got war medals in his den
He's got a wife in the county hospice
She's not coming home again
He filled my tank and cleaned the windshield
He popped the hood and checked the oil
He wiped his hands upon his chinos
His eyes were as dark as prairie soil
He said, "Do you know of the Sleeping Buffalo?
They're about a half an hour away
A ring of sacred stones upon a hilltop
That's what the Indians say
The Indians gathered in the springtime
Bearing gifts for the Buffalo
The white men set the stones in concrete
Behind a fence beside the road
I used to go when I was younger
Before I fought in Hitler's war
Now it's a park for the goddam tourists
I won't go there anymore"
He said, "Son I ain't no Indian
You can look at me and tell
But bastards like Custer had it coming
I hope he's burning still in hell"
I left him at that windy crossroads
The shades of night began to fall
I thought I'd drive toward the sunset
And pay the Buffalo a call
The sun was just below the hilltops
The night wind pulled me by my shirt
I walked toward the granite figures
Behind the fence, set in the dirt
They loomed dull grey in the gathering twilight
I saw faded paint of red and blue
Some ancient hand had chiseled markings
Now a graven image for a roadside zoo
But I drew near I saw the flowers
Tobacco and fresh cartridges lay near
And so, for some faithful unseen wanderers
The Buffalo's spirit lingers here
Garnet Rogers
He lives an hour outside of Billings
The distant hills are brown and sere
The wind plays tricks outside your hearing
And whispers lies into your ears
He's got a station at a crossroads
He's got war medals in his den
He's got a wife in the county hospice
She's not coming home again
He filled my tank and cleaned the windshield
He popped the hood and checked the oil
He wiped his hands upon his chinos
His eyes were as dark as prairie soil
He said, "Do you know of the Sleeping Buffalo?
They're about a half an hour away
A ring of sacred stones upon a hilltop
That's what the Indians say
The Indians gathered in the springtime
Bearing gifts for the Buffalo
The white men set the stones in concrete
Behind a fence beside the road
I used to go when I was younger
Before I fought in Hitler's war
Now it's a park for the goddam tourists
I won't go there anymore"
He said, "Son I ain't no Indian
You can look at me and tell
But bastards like Custer had it coming
I hope he's burning still in hell"
I left him at that windy crossroads
The shades of night began to fall
I thought I'd drive toward the sunset
And pay the Buffalo a call
The sun was just below the hilltops
The night wind pulled me by my shirt
I walked toward the granite figures
Behind the fence, set in the dirt
They loomed dull grey in the gathering twilight
I saw faded paint of red and blue
Some ancient hand had chiseled markings
Now a graven image for a roadside zoo
But I drew near I saw the flowers
Tobacco and fresh cartridges lay near
And so, for some faithful unseen wanderers
The Buffalo's spirit lingers here
Garnet Rogers
requiescat in pace
Steve Jobs.
"On behalf of every dreamer sitting in his or her garage who is crazy enough to try to change the world, thank you."
"On behalf of every dreamer sitting in his or her garage who is crazy enough to try to change the world, thank you."
Wednesday, 5 October 2011
The Death of the Ball Turret Gunner
From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.
-- Randall Jarrell
From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.
-- Randall Jarrell
Riding Together
FOR many, many days together
The wind blew steady from the east;
For many days hot grew the weather,
About the time of Our Lady's feast.
For many days we rode together,
Yet met we neither friend nor foe;
Hotter and clearer grew the weather,
Steadily did the east wind blow.
We saw the trees in the hot, bright weather,
Clear-cut, with shadows very black,
As freely we rode on together
With helms unlaced and bridles slack.
And often as we rode together,
We, looking down the green-banked stream,
Saw flowers in the sunny weather,
And saw the bubble-making bream.
And in the night lay down together,
And hung above our heads the Rood,
Or watched night-long in the dewy weather,
The while the moon did watch the wood.
Our spears stood bright and thick together,
Straight out the banners streamed behind,
As we galloped on in the sunny weather,
With faces turned towards the wind.
Down sank our threescore spears together,
As thick we saw the pagans ride;
His eager face in the clear fresh weather,
Shone out that last time by my side.
Up the sweep of the bridge we dashed together,
It rocked to the crash of the meeting spears,
Down rained the buds of the dear spring weather,
The elm-tree flowers fell like tears.
There as we rolled and writhed together,
I threw my arms above my head,
For close by my side, in the lovely weather,
I saw him reel and fall back dead.
I and the slayer met together,
He waited the death-stroke there in his place,
With thoughts of death, in the lovely weather,
Gapingly mazed at my maddened face.
Madly I fought as we fought together;
In vain: the little Christian band
The pagans drowned, as in stormy weather,
The river drowns low-lying land.
They bound my blood-stained hands together,
They bound his corpse to nod by my side:
Then on we rode, in the bright March weather,
With clash of cymbals did we ride.
We ride no more, no more together;
My prison-bars are thick and strong,
I take no heed of any weather,
The sweet saints grant I live not long.
William Morris
FOR many, many days together
The wind blew steady from the east;
For many days hot grew the weather,
About the time of Our Lady's feast.
For many days we rode together,
Yet met we neither friend nor foe;
Hotter and clearer grew the weather,
Steadily did the east wind blow.
We saw the trees in the hot, bright weather,
Clear-cut, with shadows very black,
As freely we rode on together
With helms unlaced and bridles slack.
And often as we rode together,
We, looking down the green-banked stream,
Saw flowers in the sunny weather,
And saw the bubble-making bream.
And in the night lay down together,
And hung above our heads the Rood,
Or watched night-long in the dewy weather,
The while the moon did watch the wood.
Our spears stood bright and thick together,
Straight out the banners streamed behind,
As we galloped on in the sunny weather,
With faces turned towards the wind.
Down sank our threescore spears together,
As thick we saw the pagans ride;
His eager face in the clear fresh weather,
Shone out that last time by my side.
Up the sweep of the bridge we dashed together,
It rocked to the crash of the meeting spears,
Down rained the buds of the dear spring weather,
The elm-tree flowers fell like tears.
There as we rolled and writhed together,
I threw my arms above my head,
For close by my side, in the lovely weather,
I saw him reel and fall back dead.
I and the slayer met together,
He waited the death-stroke there in his place,
With thoughts of death, in the lovely weather,
Gapingly mazed at my maddened face.
Madly I fought as we fought together;
In vain: the little Christian band
The pagans drowned, as in stormy weather,
The river drowns low-lying land.
They bound my blood-stained hands together,
They bound his corpse to nod by my side:
Then on we rode, in the bright March weather,
With clash of cymbals did we ride.
We ride no more, no more together;
My prison-bars are thick and strong,
I take no heed of any weather,
The sweet saints grant I live not long.
William Morris
Tipperary Days
Oh, weren't they the fine boys! You never saw the beat of them,
Singing all together with their throats bronze-bare;
Fighting-fit and mirth-mad, music in the feet of them,
Swinging on to glory and the wrath out there.
Laughing by and chaffing by, frolic in the smiles of them,
On the road, the white road, all the afternoon;
Strangers in a strange land, miles and miles and miles of them,
Battle-bound and heart-high, and singing this tune:
It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
And the sweetest girl I know.
Good-bye, Piccadilly,
Farewell, Lester Square:
It's a long, long way to Tipperary,
But my heart's right there.
"Come, Yvonne and Juliette! Come, Mimi, and cheer for them!
Throw them flowers and kisses as they pass you by.
Aren't they the lovely lads! Haven't you a tear for them
Going out so gallantly to dare and die?
What is it they're singing so? Some high hymn of Motherland?
Some immortal chanson of their Faith and King?
`Marseillaise' or `Brabanc,on', anthem of that other land,
Dears, let us remember it, that song they sing:
"C'est un chemin long `to Tepararee',
C'est un chemin long, c'est vrai;
C'est un chemin long `to Tepararee',
Et la belle fille qu'je connais.
Bonjour, Peekadeely!
Au revoir, Lestaire Squaire!
C'est un chemin long `to Tepararee',
Mais mon coeur `ees zaire'."
The gallant old "Contemptibles"! There isn't much remains of them,
So full of fun and fitness, and a-singing in their pride;
For some are cold as clabber and the corby picks the brains of them,
And some are back in Blighty, and a-wishing they had died.
And yet it seems but yesterday, that great, glad sight of them,
Swinging on to battle as the sky grew black and black;
But oh their glee and glory, and the great, grim fight of them! --
Just whistle Tipperary and it all comes back:
It's a long way to Tipperary
(Which means "'ome" anywhere);
It's a long way to Tipperary
(And the things wot make you care).
Good-bye, Piccadilly
('Ow I 'opes my folks is well);
It's a long, long way to Tipperary --
('R! Ain't War just 'ell?)
R Service
Oh, weren't they the fine boys! You never saw the beat of them,
Singing all together with their throats bronze-bare;
Fighting-fit and mirth-mad, music in the feet of them,
Swinging on to glory and the wrath out there.
Laughing by and chaffing by, frolic in the smiles of them,
On the road, the white road, all the afternoon;
Strangers in a strange land, miles and miles and miles of them,
Battle-bound and heart-high, and singing this tune:
It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
And the sweetest girl I know.
Good-bye, Piccadilly,
Farewell, Lester Square:
It's a long, long way to Tipperary,
But my heart's right there.
"Come, Yvonne and Juliette! Come, Mimi, and cheer for them!
Throw them flowers and kisses as they pass you by.
Aren't they the lovely lads! Haven't you a tear for them
Going out so gallantly to dare and die?
What is it they're singing so? Some high hymn of Motherland?
Some immortal chanson of their Faith and King?
`Marseillaise' or `Brabanc,on', anthem of that other land,
Dears, let us remember it, that song they sing:
"C'est un chemin long `to Tepararee',
C'est un chemin long, c'est vrai;
C'est un chemin long `to Tepararee',
Et la belle fille qu'je connais.
Bonjour, Peekadeely!
Au revoir, Lestaire Squaire!
C'est un chemin long `to Tepararee',
Mais mon coeur `ees zaire'."
The gallant old "Contemptibles"! There isn't much remains of them,
So full of fun and fitness, and a-singing in their pride;
For some are cold as clabber and the corby picks the brains of them,
And some are back in Blighty, and a-wishing they had died.
And yet it seems but yesterday, that great, glad sight of them,
Swinging on to battle as the sky grew black and black;
But oh their glee and glory, and the great, grim fight of them! --
Just whistle Tipperary and it all comes back:
It's a long way to Tipperary
(Which means "'ome" anywhere);
It's a long way to Tipperary
(And the things wot make you care).
Good-bye, Piccadilly
('Ow I 'opes my folks is well);
It's a long, long way to Tipperary --
('R! Ain't War just 'ell?)
R Service
When I Was One-and-Twenty
When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue."
And I am two-and-twenty,
And oh, 'tis true, 'tis true.
-- A. E. Housman
When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue."
And I am two-and-twenty,
And oh, 'tis true, 'tis true.
-- A. E. Housman
The Shooting of Dan McGrew
by Robert W. Service
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head--and there watching him was the lady that's known as Lou.
His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway,
Then he clutched the keys with his talon hands--my God! but that man could play.
Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow, and red, the North Lights swept in bars?--
Then you've a hunch what the music meant . . . hunger and night and the stars.
And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love--
A woman dearer than all the world, and true as Heaven is true--
(God! how ghastly she looks through her rouge,--the lady that's known as Lou.)
Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through-
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.
The music almost dies away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."
Then I ducked my head and the lights went out, and two guns blazed in the dark;
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.
These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "hooch," and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two--
The woman that kissed him and--pinched his poke--was the lady known as Lou.
by Robert W. Service
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head--and there watching him was the lady that's known as Lou.
His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway,
Then he clutched the keys with his talon hands--my God! but that man could play.
Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow, and red, the North Lights swept in bars?--
Then you've a hunch what the music meant . . . hunger and night and the stars.
And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love--
A woman dearer than all the world, and true as Heaven is true--
(God! how ghastly she looks through her rouge,--the lady that's known as Lou.)
Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through-
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.
The music almost dies away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."
Then I ducked my head and the lights went out, and two guns blazed in the dark;
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.
These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "hooch," and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two--
The woman that kissed him and--pinched his poke--was the lady known as Lou.
Monday, 3 October 2011
A Note
Miss Niamh won prizes as the best dancer in her age group at a big dance conference!
No surprise to me -- you should us Tango.... ahhh the beauty of it all... and the ice-cream sundays as "afters"....
Haemish is insanely jealous having only learned the quadrille... and is not as light on his toes as I – though as he is a Rhinosasauris it is understandable n’est pas?
No surprise to me -- you should us Tango.... ahhh the beauty of it all... and the ice-cream sundays as "afters"....
Haemish is insanely jealous having only learned the quadrille... and is not as light on his toes as I – though as he is a Rhinosasauris it is understandable n’est pas?
Mary’s Child
We came to clear the land.
To save the child, convert the man
but all we could do was watch them die.
It seemed that every soul we saved was destined for an early grave
and the brothers barely stopped to question why.
Chorus
When we boarded a ship from France it seemed like we’d have a
chance to do God’s work out in the cold and wild.
But every deathbed conversion was just another sad perversion.
I wonder what became of Mary’s child.
In the village of Ste. Marie I saw her.
She was twenty-three.
I thought that we would help to ease her pain.
“My mother and father have died. My husband’s dead.
They’re gone.” She cried.
“My unborn child and I remain.”
She gave her new son life but it was something she could not survive.
We buried her beneath a Christian name and the boy was taken back to Chartres.
Forever he would live apart.
I know nothing of the man that he became.
Every deathbed conversion was just another sad perversion.
I wonder what became of Mary’s child.
Nathan Rogers
We came to clear the land.
To save the child, convert the man
but all we could do was watch them die.
It seemed that every soul we saved was destined for an early grave
and the brothers barely stopped to question why.
Chorus
When we boarded a ship from France it seemed like we’d have a
chance to do God’s work out in the cold and wild.
But every deathbed conversion was just another sad perversion.
I wonder what became of Mary’s child.
In the village of Ste. Marie I saw her.
She was twenty-three.
I thought that we would help to ease her pain.
“My mother and father have died. My husband’s dead.
They’re gone.” She cried.
“My unborn child and I remain.”
She gave her new son life but it was something she could not survive.
We buried her beneath a Christian name and the boy was taken back to Chartres.
Forever he would live apart.
I know nothing of the man that he became.
Every deathbed conversion was just another sad perversion.
I wonder what became of Mary’s child.
Nathan Rogers
The Ballad Of How Macpherson Held The Floor
Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:
His name is Jock MacPherson, and he lives on Boulder Creek;
An old-time hard-rock miner, and a wild and wastrel loon,
Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night
We'll proudly hear the pipes to cheer and charm our appetite.
Oh lads were neat and lassies sweet who graced Saint Andrew's Ball;
But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit,
He smiled a smile behind his hand, and chuckled: "Wait a bit."
And so with many a Celtic snort, with malice in his eye,
He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar,
Wherein there sat a tartaned chiel, as lonely as a star;
A huge and hairy Highlandman as hearty as a breeze,
A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall;
"The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch
To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore,
For the glory of the Highlands, lad, you've got to hold the floor."
The dancers were at supper, and the tables groaned with cheer,
When President MacConnachie exclaimed: "What do I hear?
Methinks it's like a chanter, and its coming from the hall."
"It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North."
Aye, all the lads and lassies braw went buzzing out like bees,
And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye,
With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all:
"And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee,
And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt,
By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes:
"Does the Piper walk to get away from all the noise he makes?"
Then reinforced with fancy food they slowly trickled forth,
And watching in patronizing mood the Piper of the North.
Proud, proud was Jock MacPherson, as he made his bag-pipes skirl,
And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea,
And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall;
We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret
For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high,
Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor;
Aye, Jock MacPherson played as he had never played before.
Maloney's Irish melodists were sitting in their place,
And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand
If he could get MacPherson as a member of his band?
But the dancers moped and mumbled, as around the room they sat:
"We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff;
But it's mighty satisfying - don't you think we've had enough?"
"You've raised a pretty problem," answered Treasurer MacCall;
"For on Saint Andrew's Night, ye ken, the Piper rules the Ball."
Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out. Have patience; bide a wee."
"That's right. Respect the Piper," said the Scottish Commy-tee.
And so MacPherson stalked the floor, and fast the moments flew,
Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set,
They hailed Maloney, heading his Hibernian Quartette:
"It's long enough, we've waited. Come on, Mike, play up the Blues."
And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone
Contended with the shrilling of the chanter and the drone;
And the women's ears were muffled, so infernal was the din,
But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown,
But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar,
The gates of wrath were riven - yet MacPherson held the floor.
Aye, amid the rising tumult, still he strode with head on high,
With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride,
While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see,
Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed:
"Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray
MacPherson towered in triumph - and he never ceased to play.
Alas! his faithful followers were but a gallant few,
And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall,
And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about,
It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore,
As resolute as Highland rock - MacPherson held the floor.
Maloney watched the battle, and his brows were bleakly set,
While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart,
For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt:
"And shall we see them crush," he roared, "a brother and a Celt?
A fellow artiste needs our aid. Come on, boys, take a hand."
Then down into the mêlée dashed Maloney and his band.
Now though it was Saint Andrew's Ball, yet men of every race,
That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!"
Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch
Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray,
To the Shamrock and the Thistle went the glory of the day.
You should have seen the carnage in the drooling light of dawn,
Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high,
And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask,
Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?"
MacPherson grinned and answered: "Hoots! She's only ha'f begun."
Aye, though his hands were bloody, and his knees were gay with gore,
A Grampian of Highland pride - MacPherson held the floor.
And still in Yukon valleys where the silent peaks look down,
They tell of how the Piper was invited up to town,
And he went in kilted glory, and he piped before them all,
But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on,
With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray,
And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er-
How the Sassenach was vanquished and - MacPherson held the floor.
by Robert Service
Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:
His name is Jock MacPherson, and he lives on Boulder Creek;
An old-time hard-rock miner, and a wild and wastrel loon,
Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night
We'll proudly hear the pipes to cheer and charm our appetite.
Oh lads were neat and lassies sweet who graced Saint Andrew's Ball;
But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit,
He smiled a smile behind his hand, and chuckled: "Wait a bit."
And so with many a Celtic snort, with malice in his eye,
He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar,
Wherein there sat a tartaned chiel, as lonely as a star;
A huge and hairy Highlandman as hearty as a breeze,
A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall;
"The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch
To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore,
For the glory of the Highlands, lad, you've got to hold the floor."
The dancers were at supper, and the tables groaned with cheer,
When President MacConnachie exclaimed: "What do I hear?
Methinks it's like a chanter, and its coming from the hall."
"It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North."
Aye, all the lads and lassies braw went buzzing out like bees,
And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye,
With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all:
"And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee,
And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt,
By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes:
"Does the Piper walk to get away from all the noise he makes?"
Then reinforced with fancy food they slowly trickled forth,
And watching in patronizing mood the Piper of the North.
Proud, proud was Jock MacPherson, as he made his bag-pipes skirl,
And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea,
And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall;
We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret
For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high,
Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor;
Aye, Jock MacPherson played as he had never played before.
Maloney's Irish melodists were sitting in their place,
And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand
If he could get MacPherson as a member of his band?
But the dancers moped and mumbled, as around the room they sat:
"We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff;
But it's mighty satisfying - don't you think we've had enough?"
"You've raised a pretty problem," answered Treasurer MacCall;
"For on Saint Andrew's Night, ye ken, the Piper rules the Ball."
Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out. Have patience; bide a wee."
"That's right. Respect the Piper," said the Scottish Commy-tee.
And so MacPherson stalked the floor, and fast the moments flew,
Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set,
They hailed Maloney, heading his Hibernian Quartette:
"It's long enough, we've waited. Come on, Mike, play up the Blues."
And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone
Contended with the shrilling of the chanter and the drone;
And the women's ears were muffled, so infernal was the din,
But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown,
But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar,
The gates of wrath were riven - yet MacPherson held the floor.
Aye, amid the rising tumult, still he strode with head on high,
With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride,
While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see,
Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed:
"Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray
MacPherson towered in triumph - and he never ceased to play.
Alas! his faithful followers were but a gallant few,
And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall,
And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about,
It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore,
As resolute as Highland rock - MacPherson held the floor.
Maloney watched the battle, and his brows were bleakly set,
While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart,
For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt:
"And shall we see them crush," he roared, "a brother and a Celt?
A fellow artiste needs our aid. Come on, boys, take a hand."
Then down into the mêlée dashed Maloney and his band.
Now though it was Saint Andrew's Ball, yet men of every race,
That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!"
Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch
Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray,
To the Shamrock and the Thistle went the glory of the day.
You should have seen the carnage in the drooling light of dawn,
Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high,
And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask,
Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?"
MacPherson grinned and answered: "Hoots! She's only ha'f begun."
Aye, though his hands were bloody, and his knees were gay with gore,
A Grampian of Highland pride - MacPherson held the floor.
And still in Yukon valleys where the silent peaks look down,
They tell of how the Piper was invited up to town,
And he went in kilted glory, and he piped before them all,
But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on,
With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray,
And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er-
How the Sassenach was vanquished and - MacPherson held the floor.
by Robert Service
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